En Boca Quedó. Luar SS25

Luar is New York Fashion Week’s lifebelt. Just like Marc Jacobs did until 2020, now its Raul López who’s closing the week, and he does it with powerful bravado and vivacious attitude. His spring-summer 2025 fashion show – taking place outdoors at Rockefeller Plaza – was a brilliant finale moment after days of rather dull, plain-looking fashion shows and collections that said nothing. The designer had named the collection “En Boca Quedó,” a Dominican saying usually used when leaving a conversation that means “I’m leaving, but now you’ll speak of me“. “It can be a form of shade, but also very loving, in a funny haha shade way,” Raul explained. The dramatic silhouettes that walked the evening runway definitely voiced the “en boca quedó” spirit: taffeta pieces cut to hulking proportions that served as a kind of armor while completely revealing the body underneath; sumptuous, oversized leather jacket-dress with oversized curved sleeves and in leopard printed pony-hair; and the voluminous ball-like trench-coat that was a beautiful middle finger to the “quiet luxury” cliché. Madonna who sat in the front row loves Luar. You should love it, too.

Collage by Edward Kanarecki.
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Femininity, Dissected. Tory Burch SS25

This season, Tory Burch dissects the contrasts of femininity. It can be lady-like and sweet. The other second it can turn into something more tough and sharp. Her spring-summer 2025 collection felt like a dynamic clash between these different notions. The most unexpected pieces were the skirts with malleable wire waistbands, which arced out, rather than gripped the midsection – surprising because the waist is rarely an area that women want to add volume to. Marc Jacobs orbits around a similar idea lately. In contrast, the narrow flecked wool pants with full breaks over chic peep toe pumps looked elegant with both shrunken quilted wool and silk jackets and traditional wrap jacket styles. The show closed with a trio of looks combining sleeveless “muscle” tees and softly draped and ruffled asymmetric jersey chiffon skirts that lived up to Burch’s “power and grace” concept.

Collage by Edward Kanarecki.
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