Off-The-Radar Goodness. The Elder Statesman SS19

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The fashion month has just finished, and one can’t forget about the brands that usually stay off-the-radar during those four weeks of runway marathon. They need their spotlight, too! Re-seeing The Elder Statesman‘s look-book few days after all that Paris fashion week fuss is a true pleasure. The Los Angeles-based label, found and designed by Greg Chait, is known for its incredible cashmere goods and love for everything that’s artisanal. But lately, Chait seems to enjoy introducing new additions to his extremely luxurious, yet niche brand. While the Swiss silk, the designer’s discovery from the last season, appears in the form of a gorgeous tie-dye dress, it’s linen that’s lately on Chait’s mind. Sourced and produced in India, the pieces made out of that often underrated material stun with summer-ish colour gradiations. What else is new to The Elder Statesman? Corduroy pants. They look so, so good with a matching yellow sweater. Love.

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Collage by Edward Kanarecki.

Future is Now. Louis Vuitton SS19

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While Nicolas Ghesquière‘s autumn-winter 2018 collection for Louis Vuitton was a bourgeois wardrobe fantasy, this season the designer returns to his all-time favourite themes: sci-fi, 80s call-backs and the clash between the old and the new. Innovative, rubber-like materials were used in architectural coats (that instantly recalled Nicolas’ brilliance at Balenciaga). The way the designer combined over-sized, space suit sleeves with meticulously embellished mini-dresses was so, so good. Need a fashion space-suit? Ghesquière has you covered with a floral ensemble. But there were also more approachable, easy clothes. Take the perfectly tailored blazers and boldly printed tank-tops. Oh, and the models! The casting stunned with beautiful diversity, from gorgeous new-comers and androgynous girls to runway veterans and transgender males. For Nicolas, the future is now.

Also, it’s the end of my Paris fashion week coverage. And a very happy good-bye to the fashion month.

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Collage by Edward Kanarecki.