Warmer, But Not Hot. Alaïa SS27

Pieter Mulier turned Alaïa into a cold house – which is why I’ve never been entirely convinced by his vision there. Now that he’s working on Versace, the Parisian maison has been left to its own devices. And maybe that’s for the better. This studio-designed collection felt a tad warmer (but not hot) than the house’s repertoire of the past few years, while also being more essential. Gone were the weird, overly architectural structures Mulier couldn’t seem to stop using to cover women up. What Alaïa needs – and deserves – now is a bit of va-va-voom. Maybe the studio has it. We might just need a season to see it fully unleashed.

All collages by Edward Kanarecki.

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Ring A Bell. Jean Paul Gaultier SS27

Jean Paul Gaultier was bonkers. A year in, it’s safe to say that Duran Lantink’s appointment as creative director was the best decision the brand could have made – precisely because it was also the riskiest. Of course, if you look at his spring-summer 2027 collection from a “pragmatic” point of view, it’s very easy to dismiss. But remind yourself that fashion can, after all, be fun – and that for designers like Gaultier, Sonia Rykiel and Franco Moschino, this was practically a mantra – and suddenly what Lantink is doing feels brilliant.

There are no in-your-face references to Jean Paul’s archives. Instead, Lantink seems to have understood a Jean Paul way of thinking – if only Sean McGirr had found a similar pattern at McQueen. There are cheeky nods to Holland, Lantink’s native country, but also to Tyrol and Bavaria: dresses covered in jingling bells, folk-inspired patterns, white milkmaid nightgowns. And then, all of a sudden, seriously mundane clothes for getting your hands dirty, like a parka jacket. After this collection, you just want to book a trip somewhere in the mountains. And never come back.

All collages by Edward Kanarecki.

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