New York Chic. Tory Burch AW26

February 12, 2026 | Design & Culture by Ed

You can always rely on Tory Burch – she never disappoints and consistently makes New York Fashion Week worthwhile. Her autumn-winter 2026 collection delves deeper into the interwar period she has been exploring of late, offering stunningly effortless drop-waist flapper dresses, elegantly contrasted with a subtle garçon-esque flamboyance in more utilitarian ensembles. Enter the meaty corduroy trousers – inspired by her father’s well-worn pair – and chunky sweaters layered over crisp shirts, collars peeking out from underneath. The strong lineup of highly wearable, unpretentious pieces was enlivened with silver fish pins and pendant necklaces. Woven raffia baskets for winter? Unexpected – and undeniably cool. This is a collection for the Leandra Medines of the world: women who dress eccentrically and instinctively, with wit, intelligence, and attitude.

ED’s SELECTION:

Tory Burch Pierced Pumps

Tory Burch Colorblock Wool Skirt

Collage by Edward Kanarecki.
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Underwhelming. Proenza Schouler AW26

February 12, 2026 | Design & Culture by Ed

Proenza Schouler officially opened New York Fashion Week with Rachel Scott’s official debut (following last season’s “dialogue” with the studio). On the positive side, the Proenza woman no longer resembles a hybrid of Philo’s Céline, the Meiers’ Jil Sander, and Lee’s Bottega Veneta, as she often did in the later years of Lazaro Hernandez and Jack McCollough. The downside? The collection left you feeling somewhat underwhelmed. It was proper and prim – there was nothing wrong with the gray sleeveless dress featuring a sculptural roundness in the skirt, nor the neat midi-length skirt suits that followed – but it makes you wonder: will this be remembered a week from now?

This is a brand that needs to exit the stale “quiet luxury” jargon and reclaim a spark of excitement (which was actually present last season). Rachel Scott is the designer behind Diotima, a brand admired for its exquisite crochet and knitwear; I wish she were more confident about infusing that special, upbeat energy she transmits so well there. Debuts are never easy, and they don’t always land exactly as the designer intended. Scott certainly has a thing or two to reflect on.

Collage by Edward Kanarecki.
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What’s Hot (12.2.26)

February 12, 2026 | Design & Culture by Ed

GET THE LOOK:

Altuzarra Carrol Floral-print Silk-crepe Midi Dress

Gabriela Hearst Cassidy Cow-print Calf Hair Ankle Boots

TOTEME Paneled Textured-leather Jacket

Grazia and Marica Vozza Leather Choker with Amber, Tiger’s Eye and Turquoise Pendant

Diptyque Eau Rose Solid Perfume

What’s Hot (11.2.26)

February 11, 2026 | Design & Culture by Ed

GET THE LOOK:

Tata Harper Superkind Bio-Shield Face Oil

COS Oversized Tie-Front Blazer

Gabriela Hearst Ezra High-rise Bootcut Recycled Jeans

Bottega Veneta Intrecciato Leather Pouch

Autry Windspin Leather-trimmed Brushed Suede Sneakers

Memory. Marc Jacobs SS26

February 10, 2026 | Design & Culture by Ed

Do you ever think about the fact that our experience of time – divided into seconds, hours, and years – is a human-made framework rather than an inherent feature of the universe? Events occur, of course, but the 60-minute hour is a social convention, created to organize society, navigate daily life, and measure duration, often varying by culture. Time in fashion takes an even funnier turn. Something is awkward – but cool – today; tomorrow, it’s the hottest thing on the planet; the day after, it gives us the ick. Fifteen years later, it’s back, and people act like it never happened before: the next new thing. Add to that the cardiac-arresting rhythm of the industry – endless fashion months and the diktat of seasonality – and time becomes a topic nobody truly wants to acknowledge.

That’s why Marc Jacobs’ runway show yesterday felt so on point – and so honest. He titled it “Memory. Loss”, referring to the way our memories mingle, disperse, disappear, or stay with us forever, good or bad. He approached this abstract theme by revisiting his favorite moments in fashion history. While most designers shy away from straightforwardly referring to other creators, Jacobs is a proud student of fashion. READ MY FULL REVIEW HERE.