Ring A Bell. Jean Paul Gaultier SS27

Jean Paul Gaultier was bonkers. A year in, it’s safe to say that Duran Lantink’s appointment as creative director was the best decision the brand could have made – precisely because it was also the riskiest. Of course, if you look at his spring-summer 2027 collection from a “pragmatic” point of view, it’s very easy to dismiss. But remind yourself that fashion can, after all, be fun – and that for designers like Gaultier, Sonia Rykiel and Franco Moschino, this was practically a mantra – and suddenly what Lantink is doing feels brilliant.

There are no in-your-face references to Jean Paul’s archives. Instead, Lantink seems to have understood a Jean Paul way of thinking – if only Sean McGirr had found a similar pattern at McQueen. There are cheeky nods to Holland, Lantink’s native country, but also to Tyrol and Bavaria: dresses covered in jingling bells, folk-inspired patterns, white milkmaid nightgowns. And then, all of a sudden, seriously mundane clothes for getting your hands dirty, like a parka jacket. After this collection, you just want to book a trip somewhere in the mountains. And never come back.

All collages by Edward Kanarecki.

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Fashion Can Be Fun. Vaquera SS27

Imagine two enfants terribles crashing the atelier of Coco Chanel or Cristóbal Balenciaga, ripping apart chiffon dresses and splashing gowns in acidic green. That’s exactly what you got in Vaquera’s latest collection. Designers Bryn Taubensee and Patric DiCaprio keep delivering much-needed fun to Paris through their very New York way of doing things, reminding us that fashion can, indeed, be hilarious. And sometimes bigger than life. There was plenty of irony, too: the lady of the house decked out in grand feathers, her private chef in a tiny parachute dress and an enormous toque (was Ratatouille hiding inside?), and a maid in a flirty little apron. Honestly, fab.

All collages by Edward Kanarecki.

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Ghesquièrenaissance. Louis Vuitton SS27

It’s weirdly fascinating to see Nicolas Ghesquière return to minimalism – even if its lines are distinctly Belle Époque. His Louis Vuitton collection, closing Paris Fashion Week, ended up being one of my favorites of the season. The way he juxtaposed a very, very simple-looking camel-hued biker jacket with not-quite-slip dresses, or played with the breeziness of couture windbreakers, somehow made it all feel like a convincing wardrobe for today. It made me think warmly of his golden Balenciaga days. “Ergonomic” is the word that comes to mind, as well as “the impression of minimalism” – something Ghesquière has always been particularly good at playing with in the past. It’s very exciting to see the designer return with a line-up so urgent yet also light, which is always the most difficult thing to achieve. (Jonathan Anderson, for instance, failed to deliver that lightness at Dior this season.) Ghesquièrenaissance is upon us.

Method. Chanel SS27

Matthieu Blazy is closing out his first year at Chanel. Yet somehow, it already feels as though he’s been there forever. He has established a method – one he follows with remarkable consistency. The mature models cast in his Chanel shows are crucial to making it convincing: they bring nobility to his dropped waists and rounded shoulders, a sense of advanced style rather than trendiness. The clothes feel lived-in before they have even been worn. READ MY FULL REVIEW HERE.

All collages by Edward Kanarecki.

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