Ania Kuczyńska‘s autumn-winter 2017 collection, elusively titled Le Nuvole (meaning ‘clouds’ in Italian), is a minimalist heaven at the first glace. But is it just plain minimalism? The Warsaw-based designer is known for encoding various references and personal obsessions in her sharply cut, yet tactile garments. This season, it was a nod to her beloved Italy. Don’t associate that tip too superficially, though, as there is nothing like cliché in Kuczyńska’s creativity. Morning black coffee served in Palermo; a glass of Sicilian wine (well relates to the burgundy colour of the must-have ballet slippers); the shade of navy that resembles the Italian, night sky. Then, there’s also Monica Vitti’s ethereal grace in those silk dresses and feminine blouses. The 3/4 skirts ooze with a Luca Guadagnino film sensuality – yes, think of Tilda Swinton’s character in A Bigger Splash. The expressive silhouette of Ania’s new season pieces reflect the motion of Tarantella – folk dance in the Southern part of Italy, characterized by a fast upbeat tempo. Although that seems like quite a lot for one collection, Kuczyńska pulls it off like no other, keeping it true to her style. The mood, the texture, the silhouette – Le Nuvole is what you call eccelente, in every aspect.
Collage by Edward Kanarecki, feauturing Wojciech Plewiński’s shot from ‘Italia ’57’ series. Photos by Stanisław Broniecki, beauty by Marianna Yurkiewicz.
Antwerp’s Fish & Eat is not one of those ‘fashionable’ restaurants, that’s for sure. But underrated places are often much, much better than the ones that are currently ‘it’. I will never forget the smoked mussels served in a can, the restaurant’s signature dish. Those tiny prawns on ice were a great appetizer, while the classical sole with home-made fries was more than delightful. Once you get here (after some heavy, Belgian fashion shopping…), don’t miss a chance to order the very well-supplied plateau de mer!
Volkstraat 65 / Antwerp
Photos by Edward Kanarecki