Author: Design & Culture by Ed

Metal Couture. Noir Kei Ninomiya AW21

| Design & Culture by Ed

Entitled “Metal Couture“, Noir Kei Ninomiya‘s collection was all about excitingly unfamiliar silhouettes and extraordinary surfaces. This season, however, the designer takes a more aggressive approach. Those first looks featuring thin, stainless-steel spikes felt like an exaggerated, haute take on social distancing. The cylinder forms of tufty organza also seemed to say: ‘don’t bother me’. Black clusters of puckered organza (sea sponge–ish) look so tactile you wish you could actually touch them yourself to judge whether they are soft or razor sharp. Kei Ninomiya is a genius in creating organic-like garments that are both challenging and so, so intriguing.

Collage by Edward Kanarecki.

Monochrome Serenity. Comme Des Garçons AW21

| Design & Culture by Ed

In the Comme des Garçons autumn-winter 2021 fashion show images coming straight from Tokyo, Rei Kawakubo‘s models looked as if they were walking clouds. “I needed to take one breath on the monochrome“, the designer summed up in her always-enigmatic manner. Monochrome is Kawakubo’s original signature. In the early 1980s, right at the start of her showing in Paris, Rei’s uncompromising use of black was deemed “shocking” and “conceptual” – especially in contrast to all the bold colours used by Montana or Saint Laurent at the time. Here, the designer seems to push it to extremes, creating wearable, layered-up sculptures which were kept in a rigorous black-and-white palette. With the addition of the rakish stovepipe hats made in collaboration with Ibrahim Kamara, the billowy dresses and voluminous coats played with romantic, Victorian styles. Comme des Garçons’ “monochrome serenity” definitely comes from an escapist place, breaking away from the global, lockdown routine. The longer you look at those pieces, the more beautiful things are revealed.

“Live” collage by Edward Kanarecki.

Soothing Grooviness. The Elder Statesman AW21

| Design & Culture by Ed

If The Elder Statesman was a music album, to me, it would be Lana Del Rey’s latest Chemtrails Over The Country Club. It’s laid-back, it’s care-free, it’s soothing. Greg Chait‘s California-based company makes the trippiest luxurious knitwear out there, and with every season, he manages to expand his world in a natural, considered way. The pre-fall 2021 collection was photographed on a troupe of homesteaders and pot farmers in Northern California, and the autumn-winter 2021 line-up at Biosphere 2 – an environmental simulation in Arizona. In both contexts, Chait’s sun-drenched, signature style is key: clothing engineered for durability, warmth, and optimum vibes. For the latter collection, Mordechai Rubinstein, the photographer and hippie dandy, offered his eye for a swirling tie-dye collaboration. There is a new crochet program in which studio scraps are knotted into trousers and hoodies, each one unique and groovy. The brand’s new fabric, a cotton-cashmere herringbone, was cut into button-downs and casual pants, which were hand-dyed in a lot behind the studio. The inside of the herringbone is electric with color and the exterior faded, a result of the fabric blend. Chait describes it as sort of a happy accident; cashmere takes dye well, cotton doesn’t. Going through the entire collection you get the sense that Chait and company are having a great time, trying to stay smart, small, and sustainable. And it pays off!

Collage by Edward Kanarecki.