GET THE LOOK:
Bottega Veneta Ribbed Wool-blend Maxi Skirt
The fashion industry hasn’t witnessed such a polarizing collection – especially a debut – in quite some time. After Dario Vitale’s late-evening show for Versace yesterday, my DMs were ablaze until morning with radically different opinions. Some people loved it, calling it a startlingly fresh moment for Milan. Others, however, had no mercy for Vitale’s effort. Personally, I would love to hear Donatella Versace’s thoughts. Her complete absence from the show was… loud.
What is Versace without a Versace at the helm? Dario Vitale, formerly of Miu Miu, has a tough nut to crack. One thing is certain: his debut collection was confident. Gone are the days of Donatella’s flawless blondes in sky-high stilettos. In their place comes a sexuality aimed at younger clients – brisker, messier, slouchier, a bit more kinker. At moments, I felt I was watching a very dolled-up Magliano show – which would be head-turning if it were, in fact, Magliano. But is Versace truly ready to dive headlong into such vintage-heavy territory, straight into the 1980s without a filter? Donatella herself tried many times to revive Versus Versace with near 1:1 references to the brand’s past, and those “new” takes on the diffusion line never succeeded. Many of Vitale’s looks could easily have been sourced from a vintage boutique in Rome or Florence, allowing one to cosplay Gianni’s early career days head to toe. On one hand, the collection was about sensuality (“Honcho”-style in case of menswear, which was executed far better than womenswear, with a homo-erotic gaze) and youth; on the other, it smelled faintly of a mothballed closet. Yet the truth is: today’s “contemporary” audience is deeply nostalgic. Maybe this is what they want – rather than Phoebe Philo or Prada, two female-led brands that actually look forward.
It will be fascinating to see where Vitale takes Versace in the coming seasons – those choices will be decisive. For now, what I see is a cry for the past, one that also eclipses Alessandro Michele’s Valentino. The difference? With Michele, you know it’s his style through and through – not a costume.













Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!
Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!
Count on Matteo Tamburini to deliver a precise, hands-on collection in Milan. His Tod’s has become synonymous with finesse – especially in the realm of leather. It was reworked in myriad ways: from butter-smooth, striped dresses so languid and breezy they looked, from afar, like silk foulards; to a Macintosh coat worn inside out, its hidden seams revealed as bold graphic punctuation; to an easygoing suede column in a life-affirming shade of curcuma.
Tamburini also sent down the runway a series of feather-light pullovers in warm hues, styled with matching briefs, silk scarves, ladylike pumps, and oversized striped totes. Very chic – just like the black-and-white ensemble of a zipped hoodie, men’s shirt, and tailored pants. With every season, the Tod’s woman and her style grow ever more refined. Sprezzatura.
Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!
Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!
“Everything is so hardcore in the world right now.”
No fillers, just killers.
Ideas that makes you gasp, wonder, think.
Distorted proportions = new sexuality.
Method(s) of dressing today.
Colour-POP!
Raw, but chic.
Chic like you’ve never known it.
Long gloves, full skirts, sharp cuts.
F-u to mediocrity.
SHE’s ever-changing.
And they are free.
Miuccia and Raf, you’ve made fashion feel contemporary again.
Grazie.
Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!
Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!