Pop. Conner Ives SS26

The Conner Ives show was a standout highlight of London Fashion Week. The designer – who first took the world by storm with his “Protect the Dolls” fundraiser T-shirts (with all proceeds donated to Trans Lifeline, raising $600,000 for the charity to date) – brought the dolls back to the runway this season. Though he has long cast a higher proportion of trans models than most, this time the vast majority of the lineup was trans or gender nonconforming. His tribe of high-voltage beauties celebrated the magic and power of pop.

“Pop music will never be lowbrow,” Ives declared. With his idols in mind – Kylie Minogue, Lady Gaga, and contemporary pop princess Addison Rae – the designer delivered ultra-feminine, party-ready dresses in acidic tones. A fabulous bias-cut gown in shocking pink silk crepe, topped with a brown chiffon overlay, was styled with faded feathers plucked from an early 20th-century burlesque fan and arranged around the model’s neck like the hackles of an elegant bird. Just fabulous. An especially brilliant stroke of design brilliance appeared in one of the finale looks: a gown covered in leather sequins, painstakingly laser-cut from discarded jackets and then hand-embroidered onto silk chiffon over six weeks. Drama! The collection also included cool, sporty separates for day.

After so much mildness and plainness on the spring runways, Conner Ives’s collection arrived as a much-needed antidote – full of glamour, bravado, and charisma.


ED’s SELECTION:

Conner Ives Tulle-trimmed Shirred Organic Cotton-piqué Shirt


Conner Ives Embellished Draped Stretch-jersey Flared Track Pants


Conner Ives Crystal-embellished Recycled Stretch-jersey Maxi Dress


Conner Ives Ano Fringed Macramé-trimmed Embroidered Silk-crepe Halterneck Top


Conner Ives Cropped Embellished Stretch Recycled-satin Skinny Pants

Collage by Edward Kanarecki.
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Soft Launch. Gucci SS26

Unfortunately, Demna’s soft launch at Gucci didn’t feel like the vitamin C boost I was hoping for as I’m fighting the traditional, September flu. Yesterday, I watched influencers and insiders bend over backwards to intellectualize and extract meaning from the former Balenciaga designer’s debut at the Italian, Kering-owned brand. The result? A soulless lookbook shot by Catherine Opie, awkwardly photoshopped into tacky frames (as one of my followers aptly noted, it gives serious Anna Dello Russo 2010 vibes). The clothes – Tom Ford-esque leathers, diva gowns, fur coats, silks in ‘Flora’ print – will be available in select Gucci boutiques next week. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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On Display. Simone Rocha SS26

It’s this slightly teenage, debutante feeling – when you’re on display and don’t really want to be there,” said Simone Rocha of her spring–summer 2026 collection. This season, the London-based designer marks 15 years of independent business, one deeply rooted in a women-centered vision.

Being “on display” carries many meanings for a contemporary fashion designer – especially a female one – and Rocha channeled that tension with a line-up that was at once vulnerable and resilient. Crinolined dresses swayed with a wonky gait; panniered skirts slouched loose and undone; draped tops tucked with flowers exuded an arty chaos. A black menswear suit, its jacket fitted with a built-in bouquet sash, struck a particularly cool note, amplified by the model’s crossed hands.

And the pillow clutches? Rocha’s eternal girl may drift through a dreamscape, but she is no Princess and the Pea.

Collage by Edward Kanarecki.
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