The Look: Stella Jean AW14

In support for the Black community, I continue celebrating and highlighting the talented individuals that shape fashion today. Take notes! Stella Jean, Rome-based designer with Haitian origins, is recognized as the first Black Italian designer. She is considered to be Giorgio Armani’s protégé, and her collections are some of the boldest moments every Milan fashion week. The basis of Jean’s work is multiculturalism applied to fashion, resulting in a cultural fusion of her own métisse identity. Her work often merges classical Italian tailoring with stylistic features of varying cultures, whether its wax prints from Burkina Faso or artisan embroideries made in India. Above is my all-time favourite Stella Jean look from her delightful autumn-winter 2014 collection. For more of the designer, see my previous posts on her or check out her site!

Collage by Edward Kanarecki.

The Look(s) – Pyer Moss SS20

In support for the Black community, I continue celebrating and highlighting the talented individuals that shape fashion today. Take notes! Kerby Jean-Raymond‘s spring-summer 2020 collection, presented in Brooklyn’s Kings Theater in Weeksville and entitled Sister, is the third and final chapter in the Pyer Moss’ “American, Also” trilogy – and it paid homage to Sister Rosetta Tharpe. A singer-songwriter who rose to popularity in the 1930s and 1940s, Tharpe is widely considered to be the godmother of rock & roll, though her legacy has been diminished in music’s history book. “I think relatively few people know that the sound of rock and roll was invented by a queer black woman in a church,” Jean-Raymond told Vogue backstage. “I wanted to explore what that aesthetic might have looked like if her story would have been told.” Sending you to my review of this beautiful collection right here!

Collage by Edward Kanarecki.

Focus On: Victor Glemaud

In support for the Black community, I continue celebrating and highlighting the talented individuals that shape fashion today. Take notes! Haitian-born, New York-based designer Victor Glemaud launched his eponymous leisurewear collection of statement knitwear, designed for all people, genders, races, sizes and personalities, marrying comfort and style, in 2006. The designer was a finalist in the 2017 CFDA/Vogue Fashion Fund and honored for his achievements by the Ambassador of Haiti to the United States. For his recent collection – autumn-winter 2020 – Victor used three materials: merino wool, cotton cashmere, and a merino-cotton-ramie blend. Glemaud’s unparalleled sense of color makes his knitted garments even more compelling. A lavender-tomato back-to-front knit set is a highlight. Within his ringer midi dresses and pooling flares are a variety of stitched details that amplify the power of his clothes. His coats, actually fully knit, have the weigh and potency of felted wool. But the best thing Glemaud did on his runway (his first) was show his clothing on a glamorous cast of people of all types. As his turban-clad models – an homage to both his friend Camilla Staerk and the women he grew up with – sauntered around a lounge in the SoHo Grand hotel, audience members could be heard whispering, picking out a must-have pant or bolero sweater. That kind of inclusivity translates to real customers who will be delighted at the prospect of wearing a square-neck minidress with Nike sneakers. Looking back at his previous collections, the autumn-winter 2019 look-book starring Indya Moore, the incredible trans actress from Pose, makes you dream of all the tangerine knits. Pre-fall 2020 has seen Glemaud leaning into his grooviest, hip-swiveling impulses, filled with gorgeous crochet dresses, tunics, and flares. Discover Glemaud’s universe here.

Collage by Edward Kanarecki, photos of Victor Glemaud‘s looks from autumn-winter 2020, pre-fall 2020 and autumn-winter 2019.