Men’s – Natural Allure. Brioni SS23

Norbert Stumpfl came across a mid-’50s newspaper with pictures of Brioni’s collections of that time: “They looked incredibly modern,” he said during his spring-summer 2023 presentation. ”They made tailored jackets out of jersey, trousers in leather, traditional masculine suits were made with sumptuous women’s evening wear fabrics.” This spirit of modernity is what he wanted to propose in the spring collection, presented in the verdant private cloisters in one of the hidden locations Milan is famous for. Expanding on the idea of individuality, Stumpfl offered an anecdote: “One of our young clients choose a pale pink suit to propose in,” he said. “It made me so happy, it felt so nice, and it was proof that Brioni is the go-to label to celebrate the most special and intimate moments.” The sentimental gesture of the young customer inspired him to draw the line: for spring, he said, “no business, no ties, but supple, formally informal tailoring for young men.” Playing on subtle contrasts, pajama suits were made in silk knitwear; blousons in matte crocodile felt as malleable as jumpers; a shirt’s fabrication, light as air, was used for an equally weightless unlined soft tailored suit. Reprising the house’s tradition of using women’s fabrications for menswear, a trench coat was made in satin de cuir, a heavenly smooth, sumptuous fabrics with a discreet, inconspicuous shine. Stretching the remarkable skills of Brioni’s tailors and artisans, a three-pieces suit was entirely made by hand as if it were a couture piece. But the jewels in the collection’s crown were the evening tuxedos, made in precious silk jacquard woven on antique looms by Setificio Leuciano, an historic artisanal company which was purveyor to the Royal Palace of Caserta. The edited women’s offer was as elegant and breezy as the men’s, with masculine silk shirts elongated to become a dress worn over soft straight pants, and ankle-grazing evening coats impeccably cut. Brioni is imbued with a quintessentially Roman mindset: lightness of spirit, a perfect eye for beauty, and the natural allure of nonchalance which comes from millennia of proximity with the world’s most stunning artifacts.

Collage by Edward Kanarecki.
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Groovy. The Elder Statesman Resort 2023

There’s only one place in Paris where you can stand over a pool of koi and under a glittering disco ball. Dragons Elysées is a Chinese restaurant that delights in kitsch – and can hold, as a nighttime The Elder Statesman presentation proved, a surprising number of revelers. Even in the brand’s thick knits on a humid Parisian day, the guests didn’t have a lick of sweat beading. Just one way Bailey Hunter, the creative director, is innovating at the Los Angeles-based label. The other way is that she is bringing the vibes back to one of fashion’s vibiest brands. Throughout the pandemic, founder Greg Chait took immense pride in the way The Elder Statesman was innovating and bringing most of its operations in-house. A new yarn-spinning technique, he said during his Paris event, would take at least a week to understand. But for all the ways the label reimagines its lightweight wovens, its groovy patterned knits, and its hand-done embroidery, crocheting, and dyeing, the special sauce of TES is its mood. That radiated during this crowded Parisian show. Chait and Hunter should stick with the idea and bring their party-presentations to more locations around the globe.

Collage by Edward Kanarecki.
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Big D Energy. Diesel Resort 2023

From sustainability to Julia Fox, Glenn Martens’s first 18 months at Diesel have been dedicated to aligning the 1978-founded denim disruptor with both the deeper values and shallower preoccupations of now. In this resort 2023 collection he continued that mission through a further two-pronged emphasis on the serious and the superficial, with both sides of that binary expressed via Martens’s expertly twisted aesthetic. The serious bedrock continues to be in expanding the sustainable operations of this hybrid house. A reconfigured, jersey-specific core line named Diesel Essentials will from this collection forward be made from all-organic cotton, trimmed in recycled materials, and finished with “low impact” treatments and prints. Prime examples here included a fluoro trio of ruched asymmetrical skirts worn under a hoodie, tee, and turtle. On the side, Martens expanded the recently-launched Diesel Rehab Denim capsule – made from denim off-cuts, recycled cotton, and recycled elastane – into pieces including the season’s decadently pocketed utility pants and padded jackets. He added that a for-now exclusively Italian pilot scheme to buy-back and repurpose vintage Diesel through resale or upcycling is showing promising results. This responsible practice lends Martens’s Diesel ample clear-of-conscience wiggle room to play around with the brand’s ethos, which he said is: “to have fun, enjoy life, and be successful in every situation that you are in.” Highlights for sybarites included trompe-l’oeil bumsterish cut jeans for women and men, those ornamentally utilitarian pieces, acres of (sustainable) distressed and sometimes-waterproofed denim, retro-futuristic and logo-heavy clingy metallic knit dresses, gothically scripted skintight motowear, and a surprising diversion into tailoring. With Martens at the helm, Diesel has in short order pretty much defined its new manifesto of sustainable semi-seditious sexiness.

Collage by Edward Kanarecki.
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Tensions. Khaite Resort 2023

Khaite‘s resort 2023 collection, as Cate Holstein went on to explain, picks up where the “sharp, stealth New York woman” aesthetic of her autumn-winter runway left off. Let’s say there’s a whole lot of badassery happening, from the leather chokers that accent nearly every look on down to the blunt-toed boots. Leather outerwear is a foundational category at Khaite. Cropped motorcycle jackets mingle with oversized bombers, including one that opens the lookbook with heavy-duty studding at the shoulders. The tailoring, in leather and otherwise, takes its proportions from menswear. “We’re predominantly a feminine brand,” Holstein said, “but in order to bring out that femininity you have to have elements of men’s, otherwise it goes in a girly direction, which we try to steer clear from.” It’s not that there aren’t girly embellishments here. Sequins are another recurring motif, as seen on a shift dress with a mock turtleneck as easy-wearing as a t-shirt and on a slip dress that grazes the ankle. The most novel pieces however involved not surface treatments, but volume play. A yoke-waisted skirt that ballooned out to the knees and a plissé shirtdress with poet sleeves were surprise hits of sweetness amidst the collection’s stealth glamour.

Collage by Edward Kanarecki.
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Men’s – Motopapi. Courrèges SS23

The energy of the concise, item-driven modernity Nicolas di Felice brings to Courrèges is all over the spring-summer 2023 collection. “You know, back in the day, Andre [Courrèges] was speaking to the young generation. I knew from my first week that it was part of the house,” said Di Felice. “So I really want young people to be able to afford the clothes; to make it, let’s say, more accessible.” He grabbed a vintage zip-up scuba-fabric jacket which Courrèges had designed for men in the 1970s as an introduction to how he got started. “I found this in the archive, and thought, ‘This shape is amazing,’ but there’s no point in doing it again. So I wanted to mix this silhouette with a biker vibe, because I had a motorbike when I was young. I thought about how it feels to drive to the beach, or to a festival in the summer, or something,” he laughed. “I’ve been at the house for two years now, so I feel more comfortable to explore a bit more of who I am.” One thing about Di Felice is his knack for filtering lived experience into his minimal-seductive design. His collection captures all the features of young masculine body-con display that’s taken off this summer: tight-to-the torso leather jackets, twisted, cutaway T-shirts, slick moto pants in the house’s heritage-look black vinyl, gabardine polyester trousers and denims with a hint of bootcut flare. It’s his addition of the faux leather bondage straps across the front of jackets that adds a clever utilitarian twist. He demonstrated: “So what you can do is take off your jacket or poncho and hang them off your shoulder by the strap, like this. It came to me simply when I was one more time in a party, and it’s hot and there are not enough cloakrooms. I was like, ‘OK, um, so when I go in on Monday – I’m going do that in the collection!’” The lookbook shows the device in action – clothes gradually becoming cool-looking drapes toted from shoulders, until the last guy ends up naked, carrying all of his clothes. “Like he’s just come out of the water on the beach,” Di Felice grinned.

Collage by Edward Kanarecki.
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