Industry Veterans. The Row SS26

June 27, 2025 | Design & Culture by Ed

The Row is celebrating its 20th anniversary this year – meaning that Ashley Olsen and Mary-Kate Olsen are true industry veterans. And their brand is like wine – it does get better with age.

Spring-summer 2026 collection, photographed by Mark Kean (have you noticed the sudden Kean-ification of ad campaigns and editorials? He’s certainly got something of early Steven Meisel), is a fine study of what the Olsens were always interested in the first place: the basics. Don’t forget that The Row’s primary idea – and promise – was to create the most perfect t-shirt. There were a couple this season, as perfect as the ikebanas documented in the lookbook.

Other than crisp cotton shirting, lived-in tailoring, and startlingly monastic black evening dresses that could play a role in an Ingmar Bergman film, there was that one, chic accessory that was responsible for all the inventive styling: a bejeweled, rectangular brooch. Of course, it’s straight out of Miuccia Prada’s sciura playbook (the Olsens are known for referring – sometimes borderline imitating – designers like Martin Margiela or Yohji Yamamoto). A brooch can elevate any dress, fasten a cardigan like a scarf around your neck, or just be, on a jacket’s lapel. Now, since the Olsens have made their stance on this little tiny accessory, expect a lot of mini-essays about the art of wearing a brooch from Substack girls.

The designers, fully based in Paris for a couple of seasons now, know how to keep their loyal clients – and online admirers – in chokehold, in the most noiseless, elegant and sensual of ways.

ED’s SELECTION:

The Row Lea Draped Silk-crepe Tunic

The Row Zalenka Cropped Cotton And Cashmere-blend Twill Straight-leg Pants

The Row Leather And Mesh Ankle Boots

The Row Maxi Classic Calf Hair Belt

The Row Frank Corduroy-trimmed Cotton-canvas Jacket

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

Queer & Chic. Vivienne Westwood SS26

June 27, 2025 | Design & Culture by Ed

For spring-summer 2026 menswear, Andreas Kronthaler returned to Milan Fashion Week – and it did good to Vivienne Westwood, the brand whose soul was kind of devoid in the past few seasons.

The collection blended Kronthaler’s affection for fluid silhouettes and Milano’s sartorial heritage. Tailoring was slouchy and nonchalant, but utterly chic. The coats were broad-shouldered or leopard-printed, and full of Milanese charisma. Hunky men in dresses and killer-high platforms were an exuberant view – especially when seen in a passeggiata through a San Babila café and then out on street side marble-floor arcade. A rose-embroidered tabard with a mid-calf red satin boot was a look that was both ecclesiastical in its clerical regality and campy in its unabashed queerness.

This collection felt like one created in the presence of Vivienne’s spirit – or even blessed by her, straight from the fashion heaven.

ED’s SELECTION:

Vivienne Westwood Doll XL Embellished Tote

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

Stranger By The Lake. Prada SS26

June 27, 2025 | Design & Culture by Ed

Mini-lengths and hairy legs. Peggy Guggenheim-inspired hats. Wallpaper prints and oversized florals you can spot on sciuras’ dresses in the Italian buses. Miuccia Prada and Raf Simons’ latest menswear collection feels like a vibe shift: instead of regality and sophistication, or a sharp take on the Prada uniform, a collection so straightforwardly joyful it’s nearly suspicious.

Nothing conceptual: more of an instinctual approach to summer dressing. Even fashion’s biggest brains need a season off, a mind-vacanza of sorts. “This has been the easiest collection I have ever done”, said Simons. Signora added: “Everything worked with everything.” There’s just something absolutely irresistible about a vintage-y t-shirt (with a seductive “Last Swim” print – the romantic thriller of “Stranger By The Lake” comes to my mind immediately), paired with cropped, aged leather jacket and tailored pants in colour-block shade. Or a simple, chic, all-white look. One of the boys looked both naïve and cool in a mini-length shirt-tunic, styled with a red raffia hat and a pair of flip-flops.

I can totally picture new Prada menswear on myself. All of it.

ED’s SELECTION:

Prada Men’s Re-Nylon Snap-Front Jacket

Prada Men’s Shuffle Leather Double-Monk Strap Mules

Prada Men’s Sartorial Linen Pants

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

Slipcovers. Marie Adam-Leenaerdt AW25

June 12, 2025 | Design & Culture by Ed

Marie Adam-Leenaerdt is a Demna’s Balenciaga alumni. As the former creative director of the maison is departing for Milan to lead Gucci, fans of the style so synonymous with that era can with no hesitance head to Adam-Leenaerdt’s eponymous label. Her contributions to Balenciaga, like tea-dresses, boxy envelope skirts and sharp tailoring, are now all under her name. But the designer isn’t stuck in one place – her work is continuously updated with innovative thinking about dressing. Her mathematically-precise, sophisticated autumn-winter 2025 collection, shown back in March during Paris Fashion Week, at first seemed like a Joseph Beuys tribute (coats, suits and dresses in felted gray wool, all somewhat oversized and kept in bold geometric shapes). When the models came back around again, they had added a top layer to the garments, sort of like slipcovers for furniture (hence the show’s location in a home furnishings gallery). A coat was enlivened with a leopard print shell, a Margiela-ist triangle skirt got an electric blue gloss, and a super-chic mini shift became a trompe l’oeil cardigan coat in the vein of Coco Chanel. Marie Adam-Leenaerdt champions clothes that aren’t only modern-looking, but are also intelligent.

ED’s SELECTION:

Marie Adam-Leenaerdt Oversized Scarf-detailed Gathered Wool Cardigan

Marie Adam-Leenaerdt Double-breasted Wool-twill Blazer

Marie Adam-Leenaerdt Bow-embellished Leather Slippers

Marie Adam-Leenaerdt Checked Wool Midi Skirt

Marie Adam-Leenaerdt Lace-trimmed Satin Blouse

Marie Adam-Leenaerdt Gathered Cotton-jersey Midi Dress

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

Madame Minimalism. Carven Pre-Fall 2025

June 11, 2025 | Design & Culture by Ed

Carven‘s pre-fall 2025 collection, officially credited to the brand’s studio, is a good-looking transition moment between Louise Trotter’s work at the maison and the brand’s current creative director – and long-time collaborator of Trotter – Mark Thomas. The line-up, offering garments and accessories so wearable and easy-in-approach that it’s hard not to fall in love with their daily allure, is informed by blousy smock tops, wraparound apron shapes and a penchant for fabrics that appear structured to the eye yet soft around the body. One of the dresses with flannel on front and crushed lining in the back reminisces a 1950s couture dress with its strikingly simple, yet chic silhouette. Then you’ve got all the bubbly, t-shirt-inspired dresses and tops, minimal, timeless, versatile. The knits and cashmere shifts are pieces to be grateful for when you need to leave home looking pulled together. Carven became a go-to brand for less is more women who aren’t after The Row’s sophisticated oddness or Phoebe Philo’s contemporary strictness; the brand offers a warmer, cozier approach to minimalism. A madame minimalism.