Hope? Comme Des Garçons SS25

October 3, 2024 | Design & Culture by Ed

“With the state of the world as it is, the future as uncertain as it is, if you put air and transparency into the mix of things, there could be the possibility of hope” is Rei Kawakubo‘s thought behind her spring-summer 2025 collection, paraphrased by her husband Adrian Joffe. Comme Des Garçons shows during Paris Fashion Week are moments of transcendence, like a slit to another reality. This season, the voluptuous, ecstatic, erratic, bubbling, unsettling and vibrant forms, some as if splattered with blood, hit different. Just a couple of days before the show, I watched Coralie Fargeat’s “The Substance” starring Demi Moore, and in a way this film dialogues with Kawakubo’s subversive take on contemporary women: their emotions, struggles, bodies (just think about her “Lumps & Bumps” collection). Then, seeing these runway garments IRL during a re-see at Comme Des Garçons’ showroom, in attendance of Rei herself and Michele Lamy, felt like a very bold, fever dream (in fact I was sick that day – the Parisian cold!). An experience to remember and cherish forever.

Collage by Edward Kanarecki.
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Beauty Grandeur. Rick Owens SS25

October 3, 2024 | Design & Culture by Ed

With every season, Rick Owens is reaching new levels of supreme, untamed and convention-breaking beauty. The gothy elegance and high camp of his sensationally blooming aesthetic was built on his fascination with Old Hollywood. Think long narrow skirts with fishtail hems – silhouettes lifted from movies of the 30s – and dramatic volumes. The grandeur of the Palais De Tokyo setting, the evocative hair and makeup, the otherworldliness of his models (the most inclusive casting of the entire season, featuring women of very different body sizes and shapes), the extremity of his elongated, extraterrestrial clothes… just incredible. “I’ve always thought of my life’s mission as kind of balancing out oppressive discrimination and intolerance in the world by proposing a very cheerful perversity – that’s always been my thing,” Owens summed up. We are so lucky to have him.

Speaking of Rick, I met his wife Michele Lamy in Paris. What a woman! What an aura! Beyond. Here she posed for me:

Collage by Edward Kanarecki.
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Impact. The Row Pre-Fall 2025

October 2, 2024 | Design & Culture by Ed

Ashley and Mary-Kate Olsen keep on taking over Paris by storm – a quiet one, but highly impactful. The minimalism they study and channel is reaching unbelievable level of perfection, and nearly every second collection we’ve seen this season is somehow inspired by The Row. Plus, the twins opened their first boutique in town, on the ultra-chic rue de Mont-Thabor, filled with design pearls: dressing-room door by Jean Prouvé that sells on auctions for $101,600, Victor Courtray’s chairs reaching up to $14,000, and Vadim Androusov’s wheat-shaped sconces. The store itself feels like a understated sanctuary, which during Paris Fashion Week was besieged by literally everyone. You could easily spend 30 minutes in the line.

The store opening happened in the same week the Olsens presented their pre-fall 2025 collection. The fashion show had a no-photos policy that some people just couldn’t respect as most industry insiders had a leaked video in their DMs. Lookbook came out a couple of days later, and here’s the thing: the designers are smart about not falling into the hype-trap. They aren’t dramatically voluming up on their creativity just to deliver the clicks; rather, they keep on refining their already-perfect skills in dress-making and tailoring, and also very luxe apparel. Yet there was also a rawer, perhaps more conceptual and lightly experimental edge at work here too; an embrace of where beautiful imperfection could possibly take them. Earthy organza tank, constructed from layers of fabric, over white pants; a gray cocktail dress which looked as though a swathe of raw-edged fabric had been pulled around the body, with a black bodice underneath keeping it in place; and a gorgeous black sheath with a panel which fell in a trail from one shoulder. Sublime.

A couple of The Row pieces I’m thinking about…

ED’s SELECTION:

The Row Depinal Ribbed Cashmere And Mohair-blend Turtleneck Sweater

The Row Lana Leather Point-toe Pumps

The Row Jerome Double-breasted Silk-satin Jacquard Blazer

The Row Patillon Topstitched Wool And Mohair-blend Midi Skirt

The Row Isora Oversized Cotton-poplin Midi Dress

The Row Sofia Mini Leather Shoulder Bag

Collage by Edward Kanarecki.
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Pure & Sincere. Niccolò Pasqualetti SS25

October 2, 2024 | Design & Culture by Ed

It’s Niccolò Pasqualetti‘s fourth fashion show, and you could sense real, mature confidence oozing in his spring-summer 2025 collection. The line-up orbited around the connotations with water (“something absolutely pure, something sincere“) and explored contradictions, mixing unexpected combinations of artisanal fabrics with a more refined, pared-back silhouette that played with feminine and masculine notions. Think oversized trench coats and sleeveless jackets, viscose blazers paired with translucent trousers; swimsuits were worn under asymmetric tops and evening gowns. Niccolò also experimented with sequins in many forms: large paillettes glimmering like the sun on the ocean’s surface, sometimes merged with feathery fringes, producing an unusual, chimeric texture. Found objects, like shells and various trinkets were attached to floor-sweeping metal chains, and occasionally integrated into the clothing. Pasqualetti is a designer surrounded by a nurturing support system: his collections are styled by Samuel Drira, while lookbooks are shot by Cecile Bortoletti. The spring fashion show was accompanied by the heavenly – and sublimely intoxicating – fragrance by Vilhelm Parfumerie called “Basilico & Fellini“. It all makes sense.

I had the utmost pleasure of attending Pasqualetti’s show – which makes me super happy as I truly appreciated this collection. Here’s a backstage look:

Collage by Edward Kanarecki.
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Dries Without Dries. Dries Van Noten SS25

October 2, 2024October 2, 2024 | Design & Culture by Ed

It’s still very difficult to comprehend that Dries Van Noten is no longer designing Dries Van Noten. Even though the Belgian designer was in cheerful (and relaxed) attendance at the first studio-designed collection, I find it hard to feel persuaded by the spring-summer 2025 line-up. As Cathy Horyn put it in her review, it’s generic. No narration behind it, just very commercial-looking clothes with no essence or urgency. The collection seemed to check all the boxes what a Dries offering should look like: florals, embroideries, a tension between feminine and masculine. But that’s not enough to make this absolutely important – and needed – brand thrive without its founder at creative helm. A confident mind is needed, ASAP. I would give the job to Jun Takahashi of Undercover – that would be a beyond beautiful match! – or the über-talented, emerging designer Niccolò Pasqualetti.

I shed a tear at the Dries Van Noten boutiques on the Left Bank. I hope these stores will never be rebranded, they are just too charming and 100% Dries!