Carlton room divider, designed in 1981 by Ettore Sottsass, in wood and plastic laminate. The vivid colors and seemingly random interplay of solids and voids suggest avant-garde painting and sculpture. The ultimate dream, seen at The Store X Soho House in Berlin.
There’s quite a lot of The Row on the journal this week. Blame it on Ashley and Mary-Kate Olsen‘s universe, which is so, so… perfect. Their Los Angeles and New York stores aren’t any news, but posting about them is pure pleasure. Getting the details right is pretty much a full-time occupation for the Olsens. You know that from seeing their collections, for both, women and men. You realize it even more once you see (or are lucky enough to visit) their store interiors. In Los Angeles, the space unfolds at ground level in a personal, quiet way, where one minute you can’t tear your eyes away from a cashmere robe, only to have some exquisite chair begging for your attention the next. As Ashley put it in her own words for Vogue, “in Los Angeles, it’s all about mid-century homes and growing up, it was glass and water and trees.” They opened their second store in New York, the city where the designers are based. Having lived in New York now for 12 years, the Olsens wanted the store to very much feel like a home. Located in a townhouse, with a Jean Michel Basquiat canvas on the wall for instance, it’s a sort of dream-house filled with the finest garments. Induldge yourself in all this The Row goodness by scrolling down to the stores’ images…
8440 Melrose Place / Los Angeles
17 East 71st Street / New York
All photos courtesy of The Row.
Although it’s been a while ago, Andreas Murkudis hosted a temporary pop-up store feauturing Rick Owens and Michele Lamy‘s furniture line. I wanted to see those designs for such a long time, and it was worth the wait. There’s something truly incredible in their raw beauty. When Lamy and Owens first started out making furniture, it was purpose-built; their marital bed was the first thing that they created, long before they thought that their work might evolve into the sort of thing to be exhibited at global art galleries, because “we don’t buy; we do,” as Michele told Another Magazine back in 2017. “We have always been this way, always building spaces; small or big. Rick with his studio, me with Les Deux Cafés…” Formed from basalt and petrified wood, crystal and oxbone and alabaster, such objects might easily appear sterile, but they are instead imbued with resounding warmth. “Part of the romance invested in the furniture is the look on the faces of the guys who work on it when she sweeps into their studios in the jewellery, furs and smoke – her love for them and their love for her is a big part of every piece,” writes Owens in their book dedicated to their furniture. Most beautiful things are made with love.
Photos by Edward Kanarecki and Owenscorp.
I went to Brugge (you might also know it as Bruges), the capital of West Flanders in Belgium, last week. The city is world-known for its canals, cobbled streets, townhouses and medieval buildings – shortly speaking, majority of this magical city is under protection of UNESCO. Well, no wonder why. But this time, this city felt even more enchanting than usual.
Now I’m honest. I had no idea that the Triennale Brugge 2018 is on – this was meant to be a few day trip to the town I’ve been visiting for years. But the occurring event transformed this city into a breathing artwork. The Brugge Trienniale invited international artists and architects to think about this question: how flexible, liquid and resilient can a historic city like Bruges be in an age when nothing seems to be certain any longer? Many of them sought inspiration for their work in the role of liquidity in the city that is literally criss-crossed and surrounded by water. The waterways that once earned Brugge its international renown, become a metaphor for Liquid City. Fifteen works of art, installations and meeting places have been put up in the city centre. You can walk into them and experience them. And while seeking them, discover the less touristic, off-beat tracks of Brugge. My favourites? The inflated installation by Spanish studio Selgascano, which is a literal ‘meeting place’ on water, and Jarosław Kozakiewicz‘s ‘Brug’ bridge. The ‘Skyscraper’ by StudioKCA, which is a massive whale sculpture made of 5 tons of plastic pulled out of the ocean, makes you think as well.
Triennale Brugge 2018 lasts until September 16.