Marc Jacobs Bikini Print Bodysuit
Marc Jacobs High Waisted Wool Exaggerated Pencil Skirt
Carolina Herrera Collarless Cropped Jacket
Alaïa was another show in New York that left me somewhat hungry for more. Pieter Mulier‘s took the Parisian maison to Guggenheim, as a contemporary (and very high-gloss) hommage to Azzedine Alaïa’s 1982 show at the Palladium nightclub. The spring-summer 2025 collection referenced a couple of the master’s knock-out designs: think 2001 couture asymmetric draped number hanging on one strap or the cut-out bustiers that became the brand’s signature (Mulier was evidently inspired by the forms of Frank Lloyd Wright-designed building). The Belgian creative director also invited some ideas that were born in New York: bandeaus and haute “sweatpants” were riffs on Halston’s 1970s jerseys, sculpted puffer jackets were obviously inspired by Charles James, one of Alaïa’s favorite designers. There was lightness and apparent ease about this collection that was absolutely luxe in its execution. And it was an experiment for Mulier, who has created a sort of well-tested comfort-zone in Paris when it comes to his sublime shows there. I just wish he dared to push it a bit more than just referencing familiar and pretty well-known codes of both Alaïa and New York fashion.
Here are some Alaïa goodies you just don’t want to miss.
“Peter Lindbergh. Azzedine Alaïa” book
Alaïa Balloon-Leg Pleated Trousers
Alaïa Dome 32 Top-Handle Bag in Leather
Alaïa Leopard Jacquard Boxy Bodysuit
Alaïa Goldtone Layered Leaf Necklace
Alaïa Perforated Leather Ballerina Flats
Collage by Edward Kanarecki.
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Proenza Schouler pre-opened New York Fashion Week. This was a smart move: the spring-summer 2025 collection would have a really hard time fighting for attention in the midst of all other shows and presentations that are coming up in New York this week. Lazaro Hernandez and Jack McCollough don’t play around with gimmicks, and they are in a continuous process of stripping down anything superfluous about their brand. But the problem is the minimalism they are pursuing for spring feels so generic and safe it could easily be a COS or Arket runway. The clothes looked good – especially the over-sized shirt-dresses and slouchy tailoring – but they were bare of feelings a high fashion brand like PS should spark. Also, I’m not sure who the Proenza Schouler woman is, especially when she’s wearing all these 2015-ish stripes and fringes.




Collage by Edward Kanarecki.
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