Upbeat. Stella McCartney AW24

The Stella McCartney show began with a video message from Mother Earth, a manifesto read by the actor Olivia Colman. It went: “Show me you love me / It’s about fucking time“. If somebody is still skeptic about global warming, just see how early spring has sprung in Paris. McCartney, a pioneer sustainability activist in this industry, wondered this season how does a woman, especially if she’s a mother, not get depressed about it all? McCartney is preternaturally upbeat and that refusal to see the cup half empty infuses her collections. Though her tailored jackets are cut with power shoulders that could command a board meeting, she styles and sends them down the runway sans shirts or underpinnings. On the more laid-back side of things, slouchy matching knit sets are accessorized with loopy yarn boas long enough to dust the floor with. Other cases in point this season included the tailoring with cut-crystal detailing in the style of a Chloé collection McCartney designed circa spring 2000 and jeans with built-in eco-leather chaps accompanied by a tank printed with the ending refrain of the Mother Earth manifesto. That much of this had been constructed with responsibly sourced or recycled materials and vegan alternatives to animal products is another reason to feel good in McCartney’s clothes.

Here’s a couple of sustainability-conscious beauty products from Stella’s line…

ED’s SELECTION:


Restore Cream Refill



Alter-Care Supplement



Alter-Care Serum Full



Travel Essentials Set



Restore Cream Full

Collage by Edward Kanarecki.
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Time. The Row Resort 2025

People went wild when they learnt about The Row‘s photo ban at their Paris Fashion Week show. Well, they didn’t know Ashley and Mary-Kate Olsen were preparing the most beautiful lookbook shot on film by Jamie Hawkesworth that would do absolute justice to their new season offering. Patience pays. In general, time is a big theme for the Olsens. Their garments are so timeless, their look is simultaneously contemporary and as if from another decade.

For resort 2025, the designers – who are having an seismic impact on other brands – eschewed some of their more intense experiments in cocooning and draping, replacing them with a gorgeously thoughtful ease. That was well represented by the likes of the oversized and all enveloping comfort of two masculine-inflected coats, one black, one navy, and popped by the surprise of their accessories; a knitted hat encrusted with silver metal embellishments with the former, ginormous gold and ebony hoop earrings with the latter. Vintage-tinged hats with character are having a huge comeback, all thanks to the Olsens. That easiness was also evident in the way a burnished tan leather blazer was popped over another, with black lean pants; ditto the perfection of cut and fabric evident in a charcoal gray pantsuit. But things took a bit more of a daring turn, too. The ivory shaggy robe coat, with its richly unfettered texture, secured with a knit sash belt whose tassels had been dyed red, somewhat redolent of north African Berber craft. Another robe coat, in the kind of black plissé fabric Issey Miyake might have used back in the day, had a whole lot of volume without weight. The frayed fronds on a rawly woven ivory dress which slinked its way to the floor, or a fluid black top and pants embroidered with a gazillion shimmering beads, were eveningwear specials. And then, just to bring us back to what always seems to last and last and last, what the Olsens have made their life’s work at The Row, out came a simple gray cashmere sweater worn by Malgosia Bela, slouchy, tactile, desirable, and a pair of simple gray pants, a look accessorized by what looked to me to be their now-classic Margaux bag.

The Row classics? Always.

ED’s DISPATCH:


Stepny Oversized Wool And Cashmere-blend Turtleneck Sweater



Roan Pleated Wool Wide-leg Pants



Moon Oversized Cotton-poplin Shirt



Abby Suede Shoulder Bag



Penelope Velvet Beanie



Boheme Leather Mary Jane Ballet Flats

Collage by Edward Kanarecki.
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Muglerettes On A Mission. mugler AW24

Mugler brought some drama and bravado to Paris Fashion Week. For autumn-winter 2024, Casey Cadwallader staged a three-act revue show, full of moody curtain drops and a supermodel cast that included Precious Lee, Kristen McMenamy, Eva Herzigova and Farida Khelfa. Curve creating cuts and corsetry, ergonomic body-cons, futuristic fetish wear, that’s 100% modern-day Mugler. From this season’s novelties, the designer included fluttering asymmetric panels that trail as you stride past; in smooth leather or shiny silk they worked to enhance the models’ silhouettes in motion. Tailoring was as sharp as it can get at Mugler, and wide shouldered coats and jackets were worn with padded leather breast plates. Winged hip contours and wired necklines made the clothes look extra-dynamic, as if the Muglerettes were on a mission.

Collage by Edward Kanarecki.
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