Fashion
Oomphy Glam. Ashish AW22
For 20 years Ashish Gupta has created joyously ironic garments that are highly compatible with pleasure. And by developing his pieces in sequins via Indian handcraft rather than pixels via code, these garments command real-life attention on multiple levels. For autumn-winter 2022, Ashish is offering what appears to be uncomplicatedly oomphy womenswear. Halston-reminiscent bias cut slip and halter dresses, the Edith Head–evocative goddess gown shot by the fireplace, and the vaguely-Valentino ruffle mini are as exacting to craft as they are apparently enchanting to wear. Sprinkled around these conventionally glamorous shapes worn unconventionally were denim, separates, and swimwear, plus a powerful fringe bomber jacket that lent this collection enough versatility be worn anywhere from evening reception to all-night rave. With Ashish, the real decoding lies in the pattern. This season he went back to one of his most enduring inspirations, the intersection of modes of dress he observed on the street in Delhi before he set off for London and Central Saint Martins. “In winter you will see Indian ladies in their silk saris, and then putting over a little Fair Isle cardigan – saris meet Scotland.” This became the launchpad for a seasonal in-sequin-remix of ikats, stripes, argyles, and houndstooth (some cherry-strewn) that spoke directly to the spirit of cross-cultural relish that is central to Ashish. That fireplace dress was cut to evoke the sari as much as it was to conjure mid-century glamour. A sequin cricket jumper spoke of another shared language, and a Chanel-template jacket and mini dress were emphatically anti-monochromatic. While Ashish talked about these elements “clashing together,” that clashing was anything but antagonistic; instead it proved the source for some sparklingly fresh and fun fashion harmonies.
Collage by Edward Kanarecki.
What’s Hot (15.4.22)
What’s Hot (14.4.22)
Mother To Be. Di Petsa AW22
Dimitra Petsa’s sensual clothing is all about the female form, and rather than change her ideas for the seasons of the year, she changes her design tack to better suit the seasons of a woman’s life. Pregnancy and all its stages was her inspiration for autumn-winter 2022, specifically the myth of Persephone and the relationship between a mother and daughter. “When she was with her mother, Demeter, she was a daughter,” Petsa says, “but when she was in the underworld she was a queen.” That spooky regality plays well with Di Petsa’s aesthetic, her sensual sirens slinking about in wet look dresses and revealing corsetry. But for every exciting aesthetic note Petsa hits she is also a designer who truly considers and cares for a woman’s body. This season the vast majority of the collection is designed to be worn during and after pregnancy. Corsets and trousers unclasp at the nipple and the waist to allow for breastfeeding or a growing mid-section, and most tops are structured to work for Hot Girl Summer or New Mom Spring, with straps, folds, and drapery built in to work for breastfeeding. “I am so interested in the way a woman’s body inflates and deflates, I really wanted to have clothes that accommodate these changes,” she says. But for every smart and gracious choice she makes to accommodate a woman’s life, she is also thinking about the environment and protecting traditions. Her materials are mostly dead stock or recycled and she engaged Greece’s oldest pleating studio to make a new kind of long slinky Fortuny pleat à la Petsa. For a designer with such a specific taste, her collection has the potential to break boundaries about what clothing can do and how it should be made. Rihanna, who has us in awe with her revolutionary pregnancy style since January, should definitely go for one of Petsa’s designs during her due date!
Collage by Edward Kanarecki.













