HC: ATELIER VERSACE SS14

January 20, 2014October 10, 2018 | Design & Culture by Ed

In few words about Donatella Versace’s ‘fantastic’ creation for SS14’s Couture season. Taking Azzedine Alaia’s biggest hits like the Grace Jones purple gown, and making it more Barbie by putting crystals and diamonds on it is not creativity. It’s copying. I understand young designers like Olivier Rousting orAnthony Vaccarello who are inspired by Alaia- they look for new in old. But Donatella? It’s even not Gianni legacy. The collection was so horribly #rich-bish-champagne-cool… that even Lady Gaga -who took photos with every guest like Abercombie&Fitch boys on the entrance to the store- couldn’t help it. Maybe less glitter puke but more… Real Versace couture?

HC: Untitled Couture AW13

July 3, 2013January 21, 2014 | Design & Culture by Ed

There is no word that really can express the Maison Martin Margiela Haute Couture collection for AW13. It’s as always untitled, I would say, taken from laboratory and still not checked. There is such big splendour of styles, fabrics in one collection, that it’s strange it all works out together, even if it not. Latex trousers reminding of jeans and a white vinyl top with a classical Margiela veil opened the show, without music, special decorations and colours. It’s not a show, but a presentation of art. This is the first time when Margiela team work with Swarovski, to create jewellery and even… Boots! The heels of these amazing boots had a Swarovski crystal outgrow that looked fascinating. Just as the unique horse nail “finger” space in Maison Martin Margiela shoes!
The collection based a lot on embroidery inspired with Asian flowers. Mostly, all looks had something of flowers- veils, vests, skirts… There was a visible hand work on everything, even on scares that were held by few models. What I enjoyed most in the collection was mixing denim and art, that’s rare in couture. The look were a model wears casual pair of jeans, marble face veil and a flower embroidered vest is my favourite. It is very different and just untitled!

If talking of more art than couture that’s still classified as fashion, Iris Van Herpen is located definitely in this uncertain spot. “Beyond Wildness” was the title of her 11 looks collection. But, each look was steeped into the nature- it was a deep forest dress, with the spirit of Japan and the surface of a wild wood or branches as light as cobwebs as strange nature inspired decoration.
Working with artist Jolan van der Wiel, who created the magnetically grown surfaces (sounds amusing) and many other artists, Van Herpen created a collection that is really out of that world. But the designer still has to think over all her ideas, before creating the scientific collections with it’s clear message. Photos of the backstage and collection are taken from T Magazine!

HC: Ulyana Sergeenko AW13

July 2, 2013January 6, 2024 | Design & Culture by Ed

Ulyana Sergeenko third Haute Couture show was a third disappointment. Sorry, but for me she is not a designer, but a wife of a rich guy in Russia that decided one day to be a fashion designer. This is kind of sad because some people think that Ulyana in reality is an ultra talented designer… This season was a plunder in Sergeenko’s Grandma wardrobe- with ugly, velvet, black dresses, fur coats and flower embroideries that looks totally the same as last winter. It’s all a mirror view of the designer style- everybody seems to know from street style pics, that Sergeenko loves all these ball gowns and everything that looks uncomfortable and purely expensive.
Well, there were FEW looks I enjoyed, but it felt deja vu to me- the fur cape with flower embroideries on top is beautiful, but it’s a copy of Haute Couture AW12. There is nothing new in this collection, I would say there is even less than it was in past. And these gorsets… They look so bad! The clothes are like if a old grammy from Russian village would put on her old dresses made from same fabrics but sold cheaper in the past, and then went to Paris, saying that it’s a new trend.

HC: Feeling Couture AW13

July 2, 2013January 21, 2014 | Design & Culture by Ed

The Haute Couture week started for good and bad. This season is pretty difficult for designers- after a loud Naomi Campbell run at Atelier Versace, Dior and Chanel should be scared. Dior is already a big looser, but that’s later… Roger Vivier, a Parisian old shoe label presented their designs of Haute Couture that are… A heaven. How can you put so much beauty into one bag or shoe? The capsule collection was all about gold and crystals mixed with fuksia, pink, red, violet and so on. The embroiderment used inside the shoe looks so fragile, and in reality is stronger than most of Made in Italy shoes. The world of Roger Vivier is a fairy tale. And if Cinderella would be alive, she would for sure wear one of these masterpieces.

Dior Haute Couture by Raf Simons was in my personal opinion a fail. That was the worst collection by Raf Simons ever. Inspired with women from African tribes and different cultures, this haute couture went totally bad. First of all because… It wasn’t really couture! The AW13 of Dior was more Haute than this. Here you could see simple coats with small scarves worm with it and dresses with stripes and a bit of embroiderment on the tops. Nothing else. And the shoes? The most horrible part! There was also a scandal that Raf Simons is a racist- he never put black women models into his shows. This season that changed with Joan Smalls and others, but still a problem appears about the… Boob size!

There was a problem with Jourdan Dunn, a American model who is a Afro American and was cancelled in last moment from the Dior show because of her… Boob size and “colouring”! As sne writes on her Twitter in a kind of irritated but happy way-

Well because her boobs are to small? This is a discrimination- somehow all other designers loved Jourdan (she even has a Jason Wu bag called for her) and here Simons says no to her because of that problem? Seriously thats kind of stupid. By the way, Dunn writes some more arguments opposing her presence on the Dior show.

Fashion world seems to be sometimes really silly and crazy… What more happened on first day of HC Week in Paris? Schiaparelli by Christian Lacroix. The collection doesn’t feels too much of Elsa, but very Christian Lacroix. Dresses from chiffon, feathers and gold, crystals and ornaments, colours… So much to mention. I loved the fur usage and stripes but it felt also a bit mot “today”. Maybe in past it would be as trendy as Givenchy now, but I don’t think Rooney Mara or Kim Kardashian would wear it on a gala…and the presentation was in Elsa Schiaparelli closed showroom in Paris, so no guests were there…

HC: ATELIER VERSACE AW13

July 1, 2013January 21, 2014 | Design & Culture by Ed

Naomi Campbell walked down the runway like only Naomi can, in a jacket held together with crystal hooks and eyes. Underneath she wore a black lace bra, inspired with Madonna, and she was flashing a substantial swath of upper thigh. That was amazing. The icon in pretty new, fresh form, was mind blowing. The collection of Atelier Versace by Donatella Versace was all about bright past. First of all you need to know, that Donatella is recreating only two years, after a long break when Gianni died. This is like a renaissance. I should say, that for real Atelier Versace is now and then two much better than all these Chanel and Dior Haute Couture… All the Sergeenko’s, Valli’s, Jarrar’s need to hide and will never be as good as Atelier. Gianni is dead, but Donatella lives, and she really makes the label up. This is fantastic. I love it. Really.
This collection wasn’t about shitty minimalism but is propagated by Dior, or cheap looking wedding dresses by Chanel. The details- crystal hooks, fur, amazing tailor ship, best quality. And a cat suit that plunged down to Lindsey Wixson’s navel was paneled from lace, net, and handwoven leather. That piece was the least thirties-ish of the lot, but all of the models wore real diamond jewelry designed by Versace. I feel the Gianni spirit here!!!