Electric Combinations. Christopher Kane SS16

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Christopher Kane moves to the rythm of SS16 with a return to neon brights and patchwork dressing – python skins combined with plastic? Yes, I’m totally into that electric combination. What about the abstractly panneled cocktail dresses with straw-fringes? Acid-spilt lace skirts are back, too – but in a much more futuristic edition. The designer behind London’s fastest growing label happily let his creativity take over the reigns, and that is visible by the amount of uncommerical pieces presented during the show. Also, hand-made stuff fans, here is one for you – if you wish to do some DIY for next season, try out Christopher’s jewellery. You can find those plastic thingies in every Castorama or Ikea around your place!

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Patchwork Perfect. Jonathan Saunders SS16

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For the last few seasons, Jonathan Saunders made the fashion industry slightly yawn. His collections were good, but totally not ground-breaking in terms of design. However, his spring-summer 2016 was like a massive wave on a calm surface of water – bold stripes, sexy cut-outs and appealing silhouettes took over the control. Strong, patchwork game played the main role this time – the floral kimonos and silk, midi-skirts looked sleek and on-point. The suede, pastel-coloured jacket seemed to be the perfect choice for next summer – hopefully, Jonathan will once again concentrate on the clothes, and not whether his collection is 60’s or 70’s enough, as in case of last season.

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Royal Tenderness. Simone Rocha SS16

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Spring-summer 2016 seems to be the most daring collection for Simone Rocha up to date. And not only because the show was staged in Buckingham Palace. This collection proved, that Simone Rocha is a designer who can freely play with her own signatures. The new season was all about blurring prettiness, tenderness and sexuality with traditional and high-tech techniques. Lace tops were styled with brown, neoprene trousers while the flip-flops and dresses were embroidered with crystals, which took the designer into a more couture level. But how did the collection and vision of presenting it in London’s most royal place appear in Rocha’s mind? “I found out I was pregnant while I was in Japan, working on a project with Dover Street Market Ginza, and then went on to Kyoto for a few days,” said Rocha. “I was suddenly seeing everything so intensely, it felt trippy!” Although the collection was not mainly about Japanese references, it had a lot to do with kimono silhouettes. But the main idea was deeply rooted in the history of British aristocracy – the ball-room gowns, pretty ruffles and the lady-like feeling.

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Body Show. JW Anderson SS16

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Jonathan Anderson is a designer with that spark in whatever he does. For his eponymous, London-based brand, J.W. Anderson went baby-pink with arty, Keith Harinng-inspired graffiti art. The models looked “nude” in their pastel sweaters, while the duvet dresses and voluminous shoulders gave the collection an edgy, slightly eerie feeling. But what really shocked in terms of Anderson’s style was the opening outfit – a black, minimal bra and high-waisted pink trousers. I think that’s the most flesh-exposing look delivered by the designer ever! It played a strong contrast towards the built-up tops, though.

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Childish Haphazard. Molly Goddard SS16

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She left her M.A. course at Central Saint Martins, where she’d studied under the late professor Louise Wilson, a year early to focus on putting together the spring 2015 collection. Her hope was that it would help her get a job. While she always wanted to have her own label, she assumed she’d work for someone else first. However, her real dream came true. Molly Goddard is one of the most exciting and fresh talents from London due to her secret weapon – the super cute, sheer tulle dresses. Inspired by the frilly outfits her mother and grandmother made for her as a child, Goddard gets her ideas from old family photographs and children’s knitwear patterns, and visiting Portobello Market, Alfies Antiques and the Retro Clothing Exchange in Notting Hill Gate. Her spring-summer 2016 presentation had some naive, hand embroidered skirts, checked crop-tops and of course, the signature pink dress which looks great with denim trousers or with nothing under. The chaotic and childish haphazard of putting clothes together is also the thing that makes Molly’s label so… enchanting. “At that age, you don’t even care what you’re wearing—and that’s quite a nice thing,” she says. “You’re wearing a big dress, then you put on your mum’s shoes and then you put your favorite T-shirt on top. When my sister was born—she’s three years younger than me—I used to wear all her clothes. When I was three, or older, I was wearing these tiny little dresses with my entire bum slipping out the bottom. I was just obsessed.”

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