Haute Refinement. Dior Men AW25

January 29, 2025 | Design & Culture by Ed

Kim Jones‘ sensational Dior Men collection is exactly what happens when a designer is unburdened from another super-demanding job (meaning Fendi, the Roman brand where the British designer just couldn’t find his rhythm). This autumn-winter 2025 menswear collection was evidently thoroughly considered and planned, like an haute couture outing. The most stunning silhouette was either a trouser nor a skirt. It was a coat, worn backward, with the collar creating a kind of asymmetric cummerbund, the tucked-in sleeves forming “pockets,” and buttons running down the back. The silk-ribbon blindfold some of the models wore gave a pinch of extra-seduction. If only Dior womenswear was this good. Maybe when – as the rumor has it – Jonathan Anderson takes helm?

Collage by Edward Kanarecki.
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New Age. Dries Van Noten AW25

January 22, 2025 | Design & Culture by Ed

The new age has begun at Dries Van Noten under Julian Klausner‘s creative direction. One good thing: his debut menswear collection doesn’t feel as plain as the studio-designed womenswear we’ve seen back in September.

But his autumn-winter 2025 confusingly feels like a collection that could come from another Antwerp-originating brand: Maison Margiela (seen through John Galliano lens) or Ann Demeulemeester (black coat cinched at waist with thin string-belt and black feathers). The Willy Vanderperre-shot lookbook gives yet another Belgian designer’s distinct vibe: Raf Simons.

I hope that in the proper runway debut come March, Klausner will somehow show us what Dries Van Noten means without Dries. This outing doesn’t say much.

Collage by Edward Kanarecki.
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Maestro. Giorgio Armani AW25

January 22, 2025 | Design & Culture by Ed

Let’s be honest: 99.9% of menswear designers in Milan this season look up to the Italian maestro: Giorgio Armani. As they should. He’s one of the last living legends. And he just doesn’t stop.

The designer’s autumn-winter 2025 collection was just sublime. Gorgeously weathered leather jackets looked as if they could have been adapted straight from Armani’s archive on display in his Silos space in Milan, worn this season against ruby velvet shirting and roomy gray trousers in loden-thick wool. Oh, the velvet! The best kind of: meaty, but cascading. Just sumptuous, whether in electric ocean-blue or deep, deep burgundy.

Armani’s clothes look credibly contemporary and quintessentially Milan. Forever.

Collage by Edward Kanarecki.
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Radically Elegant. Dunhill AW25

January 21, 2025 | Design & Culture by Ed

Simon Holloway’s revolution at Dunhill makes one want a bespoke suit. The designer’s knack for radical elegance in menswear is both: seductive and aspirational.

Especially when we’ve got this ultra-fine collection formal car-coats and blazers, crafted from high-end British traditional fabrics (think Melton, Donegal tweed, wool whipcord, cashmere tartan) into lighter versions – and tailored with a softer, more supple construction. Holloway is also an accessory guy: leather driving gloves are his signature, just like a proper velvet bow-tie.

Doing traditional, occasion-driven menswear without veering into archaic territory isn’t easy, but Holloway has a knack for striking that balance. The autumn-winter 2025 collection felt fresh and cohesive, and its rigor – absolutely handsome.

Collage by Edward Kanarecki.
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Homo Sapiens Chic. Prada AW25

January 20, 2025 | Design & Culture by Ed

As the world is in flames and the U.S. is entering the second presidency of Donald Trump, it seems we’re jumping from one dystopian vision… to another. Miuccia Prada and Raf Simons aren’t pretending to have all the answers like they once did. But they surely know how to dress men in this strange, strange world.

Crude furs. Rough cuts. Bare chests. Primary instincts. The return of homo sapiens chic. This is what Prada is for autumn-winter 2025. “It is a bit of an answer, as always, to what is happening. So we have to resist with our instinct, and our humanity, and our passion, and our hands in a world that is becoming so conservative,” the Signora mused.

Nothing is ever obvious with these two. But this season, the designers are offering somewhat obvious building blocks for a man who isn’t certain of tomorrow. Anorak puffers, slightly over-sized tailoring, very heavy knitwear. But there’s space for beauty, that little sparky thing that makes us human. A pink flower-brooch tucked into a jacket’s label, for instance. Or the wallpaper print ornamenting the surface of a barely-there t-shirt, worn by a modern-day Narcissus.

Keep your eye on the donut, not the hole.

R.I.P. David Lynch.