Toned-Down. Fendi SS25

This year, Fendi celebrates its 100 years. Maybe that was the reason for Kim Jones to finally deliver a good collection for the brand. What kept it cohesive was the combination of house craft, toned-down color palette, and an attitude that stemmed from the jazz-age modernism of the 1920s. The embroidered flapper-dresses worked nicely with all the streamlined minimalism. Still, looking at the taupe shirt-dress, one just wonders what differs Fendi from Max Mara? Except for Baguette, pretty much nothing. It would be great to see some fun back at the brand, a Karl Lagerfeld-ian wit.

Collage by Edward Kanarecki.
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Jil Sander’s Cannolo Bag

Jil Sander is having one of the best bag games out there. From sleek shoulder bags to ultra-chic carryalls, the brand offers a range of delightful classics. Very delightful, as the season’s star is inspired with cannoli – the ultimate Sicilian dessert. During Carnival, the phallic-shaped cannolo becomes the token of desire. Traditionally, men would gift the treats to prospective lovers to show their affections, singing: Ogni cannolu è scettru d’ ogni Re… lu cannolu è la virga di Mosè (“Every cannolo is the sceptre of every king… the cannolo is the penis of Moses” – not very demure!). In case of Jil Sander, the cannolo takes a minimalist turn and looks like the future it-bag.

Here are my favorite Jil Sander bags you can invest in now! Thank me later.

ED’s SELECTION:

Jil Sander Cannolo Small Leather Shoulder Bag

Jil Sander Cannolo Small Leather Shoulder Bag

Jil Sander Leather-trimmed Raffia Shoulder Bag


Jil Sander Snake-effect Leather Shoulder Bag

 

Jil Sander Padded Leather Shoulder Bag


Jil Sander Mini Bamboo Leather Tote

 

Jil Sander Origami Padded Snake-effect Leather Clutch


Jil Sander All-day Textured-leather Shoulder Bag

 

Collage by Edward Kanarecki.
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Obsessed: Prada AW24 Menswear

Some of Miuccia Prada and Raf Simons‘ ideas might not resonate immediately when seen on the runway. But six months later, the moment they arrive to the stores, these concepts become more approachable – and turn into obsessions. A menacing tension felt palpable once the models, dressed as corporate commuters, walked on the raised glass floor with a stream running through a meadow beneath. But when you put Prada‘s autumn-winter 2024 venue aside, you see great, great menswear – and accessories, like the wool caps in the most striking shades of green, yellow and red. The collection itself consisted of ultimate classics of menswear, as Simons listed for “the businessman, the working man, the thinking man.” The Prada twist was about touches that subverted these safe spaces of identity, enticing the wearer to surround himself with nature. Narrow-fit raincoats, tweed chore jackets, three-button gray topcoats, and gold buttoned naval outerwear all offered a route outdoors. This is a Prada outing that offers safeness and quintessence, clothes-wise.

Collage by Edward Kanarecki.
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Delightful Insouciance. Zegna SS25

Mads Mikkelsen closed Zegna‘s spring-summer 2025 show, and also men’s Milan Fashion Week. Alessandro Sartori‘s take on the brand is always a pleasure to see, and a reminder that maybe there’s no need in reinventing the wheel. In the end, the best clothes are the ones that strike with quality and look always great, whatever trend is terrorizing the streets at the moment. Wearing Zegna, a man (or woman – Sartori confidently tips his toes in this field too!) doesn’t have to overthink his appearance, because these garments do all the work for him. The latest collection had a nuance of sensuality that was “quintessentially Italian, a certain idea of Italian elegance in the ’60s,” a feel for lightness and insouciance that seemed to break away from Sartori’s renowned, disciplined minimalism. The designer has translated traditional suiting into a luxe version of sportswear, and has given workwear an elaborate, rich new identity. His work is about hybridization of the highest refined order, with a constant tension in reducing the categories of masculine dressing and finding new solutions to liberate classics from the weight of their codes. He does it brilliantly, and with one of the best color palettes in the industry!

Collage by Edward Kanarecki.
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Kink-ly Elegance. Dunhill SS25

Dunhill‘s renaissance under Simon Holloway is revelatory. The designer brings uncompromising refinement to male wardrobe, done the British way through a Milan filter. The elegance he offers is radical. Kink-ly, even. “This collection is really a sort of mirrored version of what we started with in autumn, so it’s this quintessentially English wardrobe,” he said. The designer explored Dunhill’s extensive archive, whose ready-to-wear origins lie in creating sports tailoring for when the car was invented and driving was still a luxury pursuit, and so the collection began with a deliciously expensive-looking spread of butterscotch suede car coats and chocolate brown leather jackets. Then came tropical wool tailoring the color of clouds – sharply cut but with breezy movement – charming tennis garb with leather racket cases, and finally a set of tuxedos so immaculate they kill with their look. Most models wore leather driving gloves – a menswear accessory at the verge of extinction, looking totally viable in Holloway’s vision, even for summer. Doing traditional, occasion-driven menswear without veering into archaic territory isn’t easy, but Holloway has a knack for striking that balance. This collection felt fresh and cohesive, and its rigor – aspirational.

Collage by Edward Kanarecki.
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