Raunchy Hot! DsQuared2 SS24

June 17, 2023June 17, 2023 | Design & Culture by Ed

Nobody serves raunchy hotness (and sex) in Milano like DsQuared2‘s Caten twins. The backdrop scenario from yesterday’s spring-summer 2024 fashion show: a penthouse overlooking Miami Beach where porn star Rocco Siffredi was (pretending to) film (what else?!) a porn movie starring Julia Fox enjoying herself (euphemistically speaking) with an unidentified partner on a four poster bed hidden from view (barely) by a screen. Guests attending the show were treated to the aforementioned vignette serving as the catwalk’s backdrop, with an aside of moaning by Donna Summer’s “Love To Love You Baby.” Everyone familiar with Dean and Dan Caten knows their irrepressible naughty, funny streak. But here they surpassed themselves. “It’s steamy. Sexual versus proper. WASP-y country club versus raunchy. Privileged upper crust trying out adult entertainment,” they chanted in unison. “Elites meet snob. Snob meets knob.” The collection was a barely-there rendition of the Catens’ 2000s mash-ups, reduced to a minimum of body coverage. Yet the humor made the bawdiness of the show outrageously entertaining. After an endless parade of preppy-golf-tennis wear hybridizations with plenty of exposed underwear (for guys) and a series of almost-in-a-state-of-undress minidresses, one skimpier than the other (for girls), out came Fox, clad in a virginal white lace babydoll, all frills and ruches (an homage to ’90s porn star Cicciolina perhaps?) But the cherry on the over-the-top cake was the finale, with Rocco Siffredi taking to the catwalk and opening his blue blazer to reveal a red T-shirt emblazoned with the acronym V.I.P. – Very Important Penis. I’m here for sex and fun having a big return to fashion, and DsQuared2 leads the game.

Collage by Edward Kanarecki.
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Men’s – A Little Life. Valentino SS24

June 17, 2023 | Design & Culture by Ed

Pierpaolo Piccioli‘s spring-summer 2024 menswear collection for Valentino felt statment-less, even though it had quotes from Hanya Yanagihara’s “A Little Life” printed on some of the garments. That return to actual clothing, and not a big theme, felt refreshing, because the last couple of Valentino collections were overloaded with meanings and ideas. Staged on a regular school day in the garden of La Statale, Milan’s public university housed in a beautiful Renaissance building, guests (and students) watched the show in the hot Italian sun. Piccioli was drawn to “A Little Life“‘s take on contemporary men so much so that pink-hued copies of the book were sent out as invitations to the show. “The intimacy and humanity of the four male characters, their open vulnerability and resilience was touching and inspiring for me,” he offered. The show pivoted on Piccioli’s easing of classic masculine tropes, subtly subverted through a gentle approach. He worked on sartorial codes, softening the proportions of boxy blazers, replacing trousers with short shorts and skirts, embroidering flowers on lapels or printing blown-up blooms on breezy light jackets and straight-cut shirts. Piccioli’s artistic flair for a pictorial palette – mint green, raspberry, turquoise and hot pink alternating with black and white – emphasized a sense of individual vitality and an attitude of romantic freedom.

IRL. ERL SS24

June 16, 2023 | Design & Culture by Ed

Eli Russell Linnetz is the Sam Levinson of fashion. He knows how to stir a controversy and lure the audience with aesthetics. The ERL lookbooks from the past seasons are great examples of that. But does the Californian designer know how to sustain a plot? His first IRL runway show at Pitti Uomo’s Palazzo Corsini in Florence make you question that. The juvenile faced Linnetz-cast cadre of real-life surfers from his real-life Venice Beach neighborhood walked down the neon-green venue in stardust-sequinned tailoring and silver lurex knits. The Uncle Sam-meets-Slash top hats and ’70s shaped tailored topcoats and shirts worn over starrily-spangled “wetsuits” created an impression in clothing that was only reinforced by the thwup-thwup of Huey rotors and Jim Morrison predicting “The End” on the soundtrack. As Linnetz concedes, his experience and instinct both lean towards costume as a form of messaging. It did feel like on set of David Lynch’s set of “Dune“. Accessories included hyper swollen reimaginings of the Etnies/Emerica/Globe style of early ’90s puffy skate shoes, plus some very Linnetz-specific rubber-framed eyewear that looked more like goggles than sunglasses. There was an irony embedded in ERL’s first real-world collection being so hyper-unreal; beneath that lurked a point of view about American masculine identities, hang-ups, and brittle wearable projections of power. But the general vision felt too misty and too Vetements-y.

Restrained Elegance. Ferragamo Resort 2024

June 12, 2023 | Design & Culture by Ed

Maximilian Davis seems to be on his way of grasping what his Ferragamo is all about. The Milanese way of dressing has made an impression on the young designer, and he translates it through a contemporary Hollywood lens (the heritage brand has an important history with the entertainment industry and shaping its original stars’ style). Davis picked up on the sense of restrained elegance, but he was also perceptive of that subtly seductive side. What he brings to today’s version of Ferragamo is a sort of rigorous sensualism, pivoting on exact, modern tailoring inflected with a luxe indulgence. Worryingly, the resort 2024 offering dangerously reminds of Bottega Veneta – both Daniel Lee and Matthieu Blazy-era – in a couple of places. Still, Davis has an affinity for the label’s timeless codes, to which he’s adding clarity and edge, leaning on the craftsmanship and resources the house can provide for high-end execution. That fashion temperatures now are lowered to minimalism’s cool weather also seems to work in favor of his Ferragamo treatment. For resort, his tailoring was slim and straight-cut or nip-waisted and sculpted, sustained by compact fabrications. A standout in the outerwear offer was a strong-shouldered yet hourglass-y black city coat with Davis’s signature askew buttoning; smooth and velvety to the touch, it was actually made in flocked denim. Like other staple pieces in the collection, it was offered for both genders. What makes Davis’s approach individual are the subtly “perverse undertones,” as he calls them, that he adds to his collections. Here some of the looks were teamed with shiny black patent leather stretch boots with a curved high heel, giving off a fetishistic edge. That’s a signifier the designer should definitely focus on, and implement more confidently in his work at Ferragamo.

Performance-Wear. Diesel Resort 2024

June 7, 2023 | Design & Culture by Ed

“We are continually evolving, it is about continuity,” said Glenn Martens regarding his process of reviving Diesel, and the democratic aspect of his resort 2024 offering. He added: “Perhaps more than anything I can say that what we did better this time was to take more carryover stories from the runway and industrialize them to create easier access price points for all of our stores and customers.” Another evolution, he said, was that his ambition to present Diesel collections as fluid, every-gender products on the shop floors has begun to manifest in certain flagship outlets – and that this lookbook was shot to reflect that. In other words, if February’s sultry, Durex-strewn Diesel show emphasized sex, then this follow-up collection was concerned with performance. The last-show iterations of Martens’ three Diesel pillars – denim, utility, and pop – were all harmniously diffused. Denim-wise, we saw the core material cut into jersey, leather, or bouclé panels on tough sportswear, trimmed with lace in easy-wearing little dresses, overlaid with oily or stonewashed color treatments, and used as a fabric for shoe uppers. The mainline collection’s intricate indigo dyed denim knits were reformulated in a fabrication designed to be color-fast as well as eye-catching. The designer emphasized that his foundational pivot to sustainability continues: “around 70% of all the denim here is produced through more sustainable processes,” he said. Elsewhere collegiate lettering on jerseys amusingly declared “Lies,” but this designer’s determination to green Diesel is no fib.