Men’s – Russia / China. Gosha Rubchinskiy AW15

January 23, 2015 | Design & Culture by Ed

After Walter Van Beirendock, Gosh Rubchinskiy is the second designer of the day which brings politics to fashion. This time, we leave Paris and we go to Putin’s Russia, where everything’s strongly connected with Chinese market. Presented in an old Orthodox church, the models wore SPORT sweatshirts, “ugly” white socks and soviet-Russia inspired fur varsity jackets.This entertaining collection saw street-cast models—some as young as 13—transformed into brand-hungry Russian youths of the immediate post-glasnost years, as seen through a Rubchinskiy prism. That’s amazing how Gosha found a way to critisize Putin’s political influenece in today’s Russia. Definitely, if Rubchinskiy presented his collection in Moscow, the next day he would sit in jail – the parody and sense of the whole thing seems to be very visible.

Men’s – Steady. Lemaire AW15

January 23, 2015 | Design & Culture by Ed

Christophe Lemaire changed the name of his own, eponymous label, into LEMAIRE. What does it mean? He wants it to be even more descreet and less personalized. “We thought it was time to clarify and reboot, to give it a family name which reflects that we are very much a design duo,” he said. Sarah Tran, his partner, added: “It’s also to say that what we do is about teamwork—people working for a name, yes, but a less personified one than before.” In his AW15 collection, the men, as usually, looked steady and ready for daily life. Comfortable parkas, loosely tailored trousers and over-sized capes were mixed with a slight body exposure. Mostly, the models didn’t wear shirts under their casual blazers. “It is always about the idea of showing a man who is steady,” he said. Fall 2015’s articulation of that Mr. Reliable was based on Alexandre, the amorous protagonist played by Jean-Pierre Léaud in La Maman et la Putain.

Innovative. Acne Pre-Fall’15

January 15, 2015 | Design & Culture by Ed

For pre-fall, Acne thought about experimenting with texture – lace mixed with knittwear, lurex combines with leather, patch-work – all of that brought an interesting fuse. The first look was all about “wild” knitted sweater which totally confused the proportions of the model. Also, there was the cute knitted hat in lilac – a must-have. The signtaure vests and coats are here, too, but in new colours. The only thing that disturbs me are the shoes…

Never Gonna Love Again. Lanvin Pre-Fall’15

January 8, 2015 | Design & Culture by Ed

Lanvin’s pre-fall is so into Lykke Li’s I Never Learn album for me. The song Never Gonna Love Again matches perfectly Mica Arganaraz and Jamie Bochert in this gorgeous look-book. So dramatic, so chic, so elusive… over-sized suits, loafers, fluffy furs, maxi dresses and beautiful floral embroidery – and everything fulfilled with a dose of mysterious fog. Alber Elbaz just keeps his style. Non-chalant, but utterly dandy with a feminine twist. Baby can you hear the rain fall on me, never gonna love again, baby can you hear my heart cry tonight, I can’t keep running away, this time I can’t keep running away ’cause I’m never gonna love again.

Galliano at Margiela

January 3, 2015January 6, 2024 | Design & Culture by Ed

Guys, that’s happening. John Galliano is taking over Maison Martin Margiela, and presents his first Haute Couture collection this month. Firstly, this combination felt a bit awkward to everybody – Margiela was always known for “minimalism”. But that’s just a fashion stereotype. No. Maison Martin Margiela has never been a minimal label. It’s dramatic, bold, edgy, different. The fact that real Martin Margiela never gave any interview and he is totally anonymous up to today, doesn’t mean that the label is minimalistic. Just look at their past artisanal collections – they are full of couture embroideries, one-of-a-kind textiles (for example tapestry based on La Femme du Roi by Paul Gauguin (1896) or draping made from two hanging textile prints of Mira Lunar, designed by Verner Panton) and fantastic jewellery. Maison Martin Margiela also brought a lot of unexpected accessories to their ready-to-wear – transparent plexi clutches with artificial roses inside or the famous tabi boots, which look like a horse hoof.

I am writing about this, to prove you one thing – reflecting on John Galliano’s collections in the past for Dior, his style should be perfect for Maison Martin Margiela. The fact, that he got drunk and started to say cruel things about Jews in one of Parisian caffees few years ago made him lose his own namesake label and Dior. Everybody showed Galliano their back, and from the first place everybody fell in love with Raf Simons. But forgetting the political matter which was strongly emphasized by LVMH (nobody’s sure whever these guys simply didn’t frame John into this “scandal”. Maybe they simply wanted to get rid of him?)- fashion world felt dull after Galliano’s departure. And the word minimal really matches Raf Simons – yes, his dresses are up till now the most sleepy of all during Haute Couture week in Paris.

But now, Renzo Rosso group, which owns Margiela, took over John Galliano. And hopefully, the fashion world is going to cheer up again, with this man. While waiting to see Maison Martin Margiela Haute Couture SS15 by John Galliano in few days, have a look at he biggest Dior / Galliano couture moments and last season’s Margiela / Matthieu Blazy show.