Lived-In. Auralee AW24

The Japanese label Auralee delivered a compact take on ready-to-wear for autumn-winter 2024: great clothes that are covetable, spark joy and are no-non-sense. The brand launched for the spring 2015 in Tokyo, and Ryota Iwai has been showing his collections on the calendar in Paris since 2019, but this is the first time he’s putting his clothes on the runway. When designing the new collection, Iwai considered specifically the hours in the evening when one is transitioning between working into simply living. “It’s that break after the first half of the day and the end of the day,” he explained. This, the way the designer sees it, is a time of brief anticipation. You’re going home from work, you’re about to have dinner with your friends, meet up with your family, run a couple of errands. Your clothes are lived-in, the properness and formality of the morning washed away by daily activity. While this collection captures that idea literally in a range of playful styling tricks – dry cleaning hangs over forearms, sweaters and coats peek out of overstuffed briefcases, gloves are held or stuffed in pockets rather than worn – it’s in the nuances of the materiality and cut in Iwai’s clothes where the ease of the end of day takes is conveyed best. There’s a ’90s feel to Iwai’s tailoring, but its proportions are distinctly contemporary: coats are streamlined and have extra long sleeves and hems, trousers pool over sneakers, and structured shoulder jackets appear hefty but are lightweight to touch. Most inviting is Iwai’s knitwear (made from either Mongolian cashmere or Peruvian alpaca), made to fit amply around the body, creating wrinkles and creases.

Collage by Edward Kanarecki.
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Men’s – Cowboys. Louis Vuitton AW24

Two seasons might be two early to call, but as they say, first impression is the right one. Pharrell Williams’ direction at Louis Vuitton feels like watching a very self-satisfied kid play around with new, shiny toys. Or rather, as in case of the LVMH machine, huge resources. For his first fashion show for the brand, the musician decided to turn Paris into his sandpit. Why not make Pont Neuf (and eventually paralyze Parisian traffic for a day) a runway venue? Then, for his sophomore season, Pharrell picks a new theme: now he wants to play with cowboys! There’s no need for a further review of the autumn-winter 2024 outing at this point. The clothes – or rather overstyled outfits, some better, some worse – speak straightforwardly for themselves. Cowboys. Horses. So Ken.

I might have never been a number one fan of Virgil Abloh’s work for Louis Vuitton, but he had concepts and ideas, sometimes very risky and envelope-pushing ones, flipping this brand upside down. Pharrell is orchestrating (or at least is a face of it) a big, big marketing ploy, with no much consistency, coherence or sense. Will it turn out that well in the long run? Time will tell. I might never understand it. And I’m fine with that.

Collage by Edward Kanarecki.
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Girl Uninterrupted. Zimmermann SS24

I’ve never been a Zimmermann person, but since Lana Del Rey was wearing the brand’s dresses throughout her 2023 tour, I had to reinvestigate its ultra-girl charm. And I must say that I’m in love with Nicky Zimmermann‘s spring-summer 2024 offering. In a collection that contained three main and sometimes intermingling strands – sportily versatile knit pieces; volumized many-ruffled and guipure-edged georgette and charmeuse dresses; and slouchy but smart tailoring in denim and leather – you had a sense of breezy easiness. The pastel jersey looks resembled off-duty dancers’ attire, built for freedom of movement but not visually defined by technicality: a compelling alternative for the yoga-pant constituency. This sporty duality carried over into racerback white lace crops, which were used as formfitting eveningwear base layers over pretty, vaguely Sicilian baptism-gown butterfly-and-flower-pattern voile dresses edged with more cappuccino froths of lace. There was similar genre-blending in looks that placed spaghetti-strap, sometimes semi-sheer tiered mid-length backless dresses over appealingly generous, carrot-cut washed jeans, or light lace tops under textured tailoring. The dresses included a caped and draped robe in graduated dégradé patches of violet, orange, and pale yellow derived from abstract landscapes. Zimmermann said the often layered and backless flower-bomb gowns and shirtdresses had been purposefully given a washed, faded finish because “we want it to feel that the girls are walking and the flowers are just around them.” Sometimes garlanded with lace petals and handsome golden jewelry, including bunch-of-grapes earrings, these had a Dionysian freshness to them. As the viral TikTok sound sums up, “this is so Lana Del Rey vinyl“.

Need some Zimmermann wardrobe fix? Let me help!

ED’s SELECTION:


Grosgrain-trimmed Wool And Silk-blend Duchesse-satin Blazer



Gathered Silk And Wool-blend Mini Dress



Ruffled Tiered Gathered Floral-print Crepon Mini Dress



Asymmetric Floral-print Linen And Silk-blend Midi Dress



Large Leather And Macramé-trimmed Straw Tote



Crochet-trimmed Patchwork Paisley Linen Midi Dress



Pussy-bow Corded Lace-trimmed Striped Linen And Silk-blend Mini Dress

Collage by Edward Kanarecki.
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No Fillers, Pure (French) Magic: A.P.C. Gifts

The precisely crafted designs of A.P.C. showcase the French label’s refined and understated aesthetic that ages like wine. These are gifts that keep on giving: iconic bags, ultra-chic wool accessories (made in collaboration with JW Anderson!), fantastic candles and eternal denim. No fillers, pure (French) magic.

Here are couple of my A.P.C. picks for this festive season:

Mathilde dress


Box Of Small Candles

Grace Baguette bag

A. P.C. x JW Anderson Barth knit beanie

Milo hoodie

Greta Trench

A. P.C. x JW Anderson Jolly scarf

Quilt

Lola snood

Aurelia dress

A. P.C. x JW Anderson Connor F sweater

Astra necklace

Pillow quilt

“Transmission” Book

Jean work jacket

Michelle quilt


A.P.C. US

Day & Night. Chloé (by Phoebe Philo) SS02

Since Phoebe Philo‘s big comeback that we’ve all experienced during the late autumn, I love digging into her work at Chloé – an underrated era from early 2000s, before reinventing Céline. What I find truly intriguing is that Philo subtly refers to her Chloé days in her new work. For her spring-summer 2002 debut , avoiding in-your-face rock ’n’ roll attitude, the British designer blurred the distinction between day and evening wear with breezy separates inspired by ’70s Saint Tropez, Brigitte Bardot, and Talitha Getty. A sense of easygoing elegance permeated everything from fitted tops with intricately worked sleeves to lace-trimmed camisoles and fabulous monkey-appliqué bathing suits. A long suede skirt with blush gray and black panels exuded earthy chic, as did the Moroccan-style beaded bags and sandal-boots in aged gold leather. There were also plenty of high-impact sexy staples, a category Philo and Stella McCartney introduced to the brand during the latter’s tenure (Phoebe was Stella’s right-hand at that time). The low-slung flared pants with flirty cutouts at the hips, pinafore shorts, summery minidresses and punchy T-shirts with net backs could easily pass in 2023 and look absolutely HOT.

P.S. I also happen to have an amazing macramé blouse from this collection, waiting for a new owner in my vintage shop!

Collage by Edward Kanarecki.
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