The New Yorkers to Know

RODEBJER, NYFW

As you might already know, New York is a nest of talented, fresh designers which emerge with new technologies, trends and mood. Through the perspective of AW14, I found eight labels that are going to be on everybody’s lips during the September’s New York Fashion Week. So let’s see who’s on the list!

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Creatures of Comfort  – Jade Lai’s label is created in the aim of total comfort. The clothes are slightly over-sized, worn in a slouchy, artsy way. For winter, Jade jumped into the beloved murder mystery board game Clue. The sinister atmosphere, solemn faces of models and the concept of hidden things echoed in many layered looks. Throughout the collection which had a lot of different prints and colours used, my standouts include the swingy coat in powder blue and the bottle green dress-cardigan combo (which slightly reminded me of Mrs. Marple, the character of Agatha Cristie).

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Rodebjer – Carin Rodebjer creates a moody fashion of ethno-inspired clothing which have an edgy, minimalistic touch. But for fall, Carin went into the sensual side- the idea of sexual subjectivity, a wearable riff on Rita Mae Brown’s writing on sex and sensuality. In Rodebjer’s hands, “sexy” didn’t mean a skintight bandage dress; it meant a slouchy suit draped off the body, or a slinky silk robe with cherry-patterned embroidery, or crisp, quality shirting sized to suggest a woman trying on her boyfriend’s button-down. And when Lindesy Wixson closed the show in a over-sized, black suit, there wasn’t any need to read between the lines.

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Suno – Erin Beatty and Max Osterweis starting point was Jeremy Sutton-Hibbert’s photographs of a gypsy camp outside Bucharest. Taken between 1990 and 2006, the pictures document the changes and wealth of gypsy tents and their horses for Porches. The collection started with raw cut ponchos, Jacquard skirts and ethno printed turtlenecks. Then the light was let in, making the closing gowns shine bright with golden threads and silver embroideries. Are these the modern day gypsy girls? Yes, but in a very techno vibe.

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Edun – the designer of Edun, Danielle Sherman, has a strong collection behind her back. For AW14, she did a typical, normcore collection which is filled with cozy sweaters and sweatpants. This is Sherman’s second collection at this Bono-founded clothing line. Before she worked at T by Alexander Wang and The Row. And she already redirected the house codes! For Fall, Sherman focused on materials and texture-blocking, giving sporty silhouettes a fuzzy, earthy quality. “There was a lot of fabric manipulation,” she said of the way the wool and alpaca was often brushed upward to create a “hairy” effect. “Even though it’s Fall, I wanted to keep it light.” Sherman showed a ton of over-sized trousers in camel and grey (they look good with Stan Smiths) and knits which are must-haves this season. The teddy bear fun continues.

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Tome – That was the most grown-up show Tome showed in it’s career. And, that was the runway debut for this small brand designed by Ryan Lobo and Ramon Martin. For the collection, they were interested in women- confident, cosmopolitan, polished yet unfussy in their sense of style. Her presence is strong and soft at once, said Lobo backstage. Red satin, camel coats, midi pencil skirts, flawless, sleek dresses- that was the collection, that is mature but also very clean and classy. Martin and Lobo really did a good job this time, and hopefully we will here more from them soon!

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Organic by John Patrick – As the name suggests, it’s all aout the earth-obsessed designer. But this time, he turned his attention toward space. John’s latest collection found him doing astronaut jumpsuits and modernistic casual day wear. The fabric mix was intriguing—Patrick leaned hard on technical, in particular sheer materials with a plastic sheen, but he also integrated a lot of cozy textures, such as quilted cotton, felted wool, and fur. Who knows if that isn’t the perfect wardrobe for an American woman in 2050?

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Wes Gordon – “I feel like my woman is becoming clear” said Wes Gordon backstage of his show. Gordon launched his collection four years ago right out of school, and it has taken him a while to find his footing. At first, his lady was a lady—the kind of icy blond who only orders clothes via trunk show. “Yet as Gordon has learned to tap into his own youth, she’s loosened up a bit: still upper-crust, but living in Tribeca” is a perfect way to describe the collection. V-neck dresses, cardigans, flawless skirts, lace trimmed tops and blue jackets with fur hoodie. How not be in love? It’s everything that a succesful woman needs!

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Delpozo –  This brand has quickly become a must-see show after last year’s NYFW debut. Under the direction of Josep Font, this Madrid label based in New York successfully repositioned itself for global audience. Font’s inspired, meticulously crafted clothes blur the lines between ready-to-wear and couture. Each collection is an elegant composition of contrasting themes, simultaneously structured and fluid, strong and ethereal. The AW14 collection was as usual elegant, but with a youthful edgy style. Long coats versus sequined mini dresses. Pastel blue worn with bright red. That was a show with contrasts, which made an overall harmony. And the picnic gingham… and the magical embroideries… aah!

That’s it of the list. Got any other talents from New York you want to observe? Write in comments!

Men’s: Casely-Hayford

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Casely-Hayford is a menswear brand which is designed by Charlie and Joe- father-and-son duo, that feels the same vibe. The British label had it’s big moment for SS15 during London Fashion Week. Their idea was to fuse classical men clothes, with artistic, a bit “slouchy” look which I really loved. The main refference? John Baldessari works, which are known for appropriation of images with colourful dots and squares. Even dough the shapes and cuts of all suit jackets and trousers were very “gentleman” like, there was nothing traditional about it. My favourite outfit? The one above, with camel mackintosh coat, over-sized white t-shirt and black, cropped trousers. The look is very easy to achieve, while it brings up sophistication and British coolness. Casely-Hayford is the label to know, gents! Caswly-Hayford is available at Dover Street Market New York, London and Tokyo, Selfridges, Barney’s, Union LA. Joyce, IT and Swank Hong Kong, Biffi Milano, Rail Brescia, United Arrows, Tomorrowland, Annan, Luis Japan and Colette Paris.

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HC: Red. Viktor & Rolf AW14

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Viktor & Rolf thought of something so clear for today’s celebrities- red carpets. For their third haute couture show, they changed the whole runway into an endless red carpet. And, amazingly, the clothes were also red… and were made out of carpets, mostly. If you are interested how to knot your red, bathroom rug around your body, here is your perfect guide. Should I write more?

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HC: Masacarade. Maison Martin Margiela AW14

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“It enriches, it dresses, it decorates” was the quote, as Maison Martin Margiela Artisanal once again sought out a vision of haute couture that is wholly idiosyncratic to the house. Having cherry-picked the finest textiles from 18th century French lampas silks to Japanese 50s silk bomber jackets, MMM lavished hours of embroidery and embellishment work on top so that you can’t distinguish what was found and what was created. Again, thing that were lost were again found, things old were new and thing ugly again were beautiful. Although, I must say, it all looked like a mascarade ball. And veils were all about faberge eggs, Kanye!

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HC: Tout Arrive. Bouchra Jarrar AW14

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Bouchra Jarrar is called by many the quintessence of Parisian chic. And also, it’s said that her Perfecto trousers are the most comfortable ever. In fact she does couture, which in reality is ready-to-wear, but still, everybody call it haute couture. Well. For Fall, Jarrar presented Nicolas Ghesquiere like tailored jackets, trousers made out of four layers, sporty vests with hand-crafted detailings and oxford shoes made in collaboration with Christian Louboutin. The collection is seriously chic and sexy and classy- but I am afraid it’s not really couture, even if a lot of work was used to do this collection.

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