Natalia. Magda Butrym SS27

Unveiled during New York Fashion Week, Magda Butrym’s spring-summer 2027 collection, titled “Natalia,” is an homage to Natalia LL – the fearless Polish artist whose work explored the many reaches of femininity.

Preceded by a teaser that reimagines Natalia LL’s “Consumer Art,” the artist’s seminal work from the early 1970s, the collection revolves around the idea of women’s ownership of their own selves. In 1977, Natalia LL arrived in New York and proudly posed with one of the stills from the series, asserting her subversive position in the male-dominated art world. A key figure in Poland’s feminist and conceptual art scene, Natalia LL challenged conventional representations of the female body, turning desire, consumption and the gaze into the very subjects of her work. The cheeky, flirtatious woman depicted in the now-iconic, film-like frame is not merely the subject but, above all, the author of her own image ­– the muse of her own making, creating her own vision of reality.

Almost five decades later, the story makes a return to New York. As Magda presents her collection in the city for the first time and opens her first flagship boutique here, Natalia LL’s arrival in New York acquires a new resonance: two Polish women, separated by generations and working in different disciplines, arriving in the city on their own terms and staking out a space for their vision. “The gaze is always female. The touch is always a woman’s. The image belongs to her,” is how Magda sums up the moment’s ethos – and her creative dialogue with the late artist she admires, whose work has helped shape her vision of femininity. READ MY FULL TEXT HERE.

Show credits: Creative Director Magda Butrym / Stylist Jacob K / Casting Julia Lange / Movement Director Emma Chadwick / Set Design Anna Szczęsny / Sound Torso Studio / Make Up Yadim Carranza / Hair Mustafa Yanas / Styling Assistant Ioana Ivan / Art Coordination Edward Kanarecki / Press Spread The Word / Production Warsaw Creatives

ED’s SELECTION:


Magda Butrym Ruched Floral-print Stretch-silk Mock-neck Top



Magda Butrym Crochet-trimmed Ribbed Wool-jacquard Shorts



Magda Butrym Snake-effect Leather Pumps



Magda Butrym Glossed-leather Jacket



Magda Butrym Lace-trimmed Cotton And Linen-blend Mini Skirt



Magda Butrym Scarf-detailed Cotton-blend Trench Coat



Magda Butrym Julia Satin Tote

Greatness. Balenciaga AW04

So I’m back in my Nicolas Ghesquière rabbit hole. Maybe it’s just the way Pierpaolo Piccioli’s Balenciaga is giving me no more hope, and as a coping mechanism I’m looking back at the brand’s age of greatness? Just like in the case of Ghesquière’s beautifully bizarre, acid-trippy autumn-winter 2007 collection I covered back in May (also, can someone explain to me how on earth it’s September?), three years earlier he did another masterpiece. READ MY FULL TEXT HERE.

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To Be A Celine Boy. Celine Pre-Fall 2026

Maybe the first week of August doesn’t mean the end of summer (a daily reminder that autumn officially begins on 22 September – some people seem strangely determined to forget what they learned in primary school), but there’s something in the air that makes me yearn for clothes. Actual clothes. Not the barely-there variety.

It’s that point in the season when I’m officially over the endless debate about how short shorts can be. (For the record, I adore my slutty little red satin pair, and I genuinely couldn’t care less what anyone thinks.) I want flannels. I want jackets. I want coats. I want substance!

Ever since it was unveiled back in January, I’ve been thinking about Michael Rider’s delightful pre-fall 2026 collection for Celine, which perfectly sums up how I want to look from the moment the temperature drops below 20 degrees Celsius. Dark indigo denim (a genuine plot twist, considering I’m famously allergic to blue jeans), a Charvet-esque shirt, maybe a tie in some delightfully odd retro print… not to mention the cropped trench and that perfect blue chore jacket. I’m officially getting one. READ MY FULL TEXT HERE.

Collage by Edward Kanarecki.
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Last Soirée. Lanvin AW04

There comes a time every year when I tumble down the old Lanvin rabbit hole and find myself missing Alber Elbaz. Terribly. His untimely passing in 2021 still feels strangely impossible to believe. No one lasts forever, but a great legacy does (yes, Charli xcx’s new song featuring none other than David Cronenberg hit me right in the feelings).

I have countless favorite Alber Elbaz collections for Lanvin, but lately I keep returning to autumn–winter 2004. With Kate Moss and Linda Evangelista in the front row beneath a monumental chandelier, the show felt like an aristocratic family on the brink of bankruptcy, dressing for one last ball, one last soirée. Slightly antiqued crystal flower brooches were pinned onto day dresses, shredded chiffon roses tucked into buttonholes, and a grey fox fur was thrown nonchalantly over a heavenly white slip. A little black dress, cut just above the knee and exquisitely cinched at the waist, became an exercise in eveningwear virtuosity – the kind that made women around the world fall in love with Alber’s work. READ MY FULL TEXT HERE.

Collage by Edward Kanarecki.
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That Girl. Chloé Resort 2027

For her resort 2027 collection for Chloé, Chemena Kamali turned to the archives – but not those of Gaby Aghion or Karl Lagerfeld. Instead, she looked to the late 1990s, when Stella McCartney arrived at the house with an unprecedented sense of youthful confidence. Back then, the British designer transformed Chloé into the go-to destination for women seeking a great Savile Row–esque suit that could just as easily be thrown over a frivolous lingerie top. The echoes of that masculine-feminine flirtation are back, and it’s hard not to fall for the lacey dresses, satin jackets, and ballet skirts, which never veer into saccharine territory because they’re grounded by washed denim, robust furs, vintage-inspired hardware, and sharp, down-to-business tailoring. Kamali’s work carries a natural feminine energy that’s perfectly in tune with Chloé’s enduring charm, and it makes you want to be that girl – no matter the season.

GET THE LOOK:


Chloé High-rise Straight-leg Jeans



Chloé Lace-trimmed Crinkled Silk-satin Top



Chloé Shearling-lined Quilted Shell Coat



Chloé Lola Studded Leather Platform Pumps



Chloé Paddington Python-effect Locket-detail Shoulder Bag

Collage by Edward Kanarecki.
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