Surplus. ERL Resort 2026

Of course, if you’ve just watched Kathryn Bigelow’s “House on Dynamite“, looking at ERL’s soldiers might make you feel somewhat uneasy. The fear of nuclear war is, well, omnipresent. But Eli Russell Linnetz’s take on army boys carries the attitude of the infamous 2007 Vogue Italia cover and editorial shot by Steven Meisel, where Agyness Deyn and a troop of golden-retriever-looking fighters undergo a kind of sexual awakening.

Linnetz titled hi resort 2026 collection “Surplus“, referencing the surplus store as a constant presence in “a deep corner of American consciousness.” The designer repurposed surplus stock – pieces he says he’s been collecting for years – and juxtaposed them with his more luxurious interpretations. Think glorious patchworked parkas mixed with camouflage separates, chunky Donegal sweaters, and cool-looking cargos in overdyed fabrics.

The clothes have a lived-in quality – and looking at the lookbook, photographed in Eli Russell’s signature theatrical manner – you can almost smell the sweat and adrenaline that these garments are flavored with.

Collage by Edward Kanarecki.
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West End Girl. Abra SS26

Who the fuck is Madeline?” asks Lily Allen on her new album “West End Girl” – the result of sixteen days spent in the studio dissecting and analyzing her unhappy marriage to David Harbour. The album – released without promo or a meticulous marketing ploy – has unofficially claimed the title of AOTY, and Allen seems to be living her best life, dressed as the Madeline for Halloween.

Her latest work plays with different tropes: the busy housewife, the single mother, the other woman. Interestingly, I see a full-circle correlation with the heroine of Abraham Ortuño Pérez’s spring–summer 2026 collection. Abra – the brainchild of one of the industry’s most renowned footwear designers – has always been “for the girls.” The woman Ortuño Pérez envisions this season certainly has a past: a good girl gone bad for her own sanity’s sake.

The line-up features hyper-girly pink satin skirts, flirty mini dresses finished with rosettes, and princessy frou-frou gowns made from translucent materials – yet all that saccharine sweetness is grounded by the grittiness of fringed suede boots, tough leather bombers, and very good-looking cut chino shorts. If “West End Girl” were a fashion collection, it would be this one from Abra.

Collage by Edward Kanarecki.
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