Repetition. Gucci AW24

In the latest Gucci show, I literally saw three things, repeated in different, trendy-looking colours and subtle lenght differences: a peacoat in exaggerated, rounded shape; a long, masculine coat (eventually embellished with sequins); and a wool dress with lace inserts. Well, Sabato De Sarno has a thing for repetition, and we’ve experienced that already with his first menswear collection that was a mirror reflection of his debut womenswear. Will the autumn-winter 2024 variations on three wardrobe staples sell? Probably yes. But is it fashion that’s worthwhile of a more complex consideration, delivering any food for thought or sparking emotions? Not really.

Collage by Edward Kanarecki.
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Chic Commuter. Tod’s AW24

At Tod’s, a very promising debut by Matteo Tamburini. This is one of these Italian brands that struggle to find their path to ready-to-wear. Walter Chiapponi had some solid ideas, but it just didn’t click. Tamburini’s autumn-winter 2024 was an ambitious observation of Milan commuters’ style. His office-bound travelers were a runway fantasy, but there’s certainly something undeniably chic about how Milanese people dress day-to-day, and this Tod’s outing was a convincing reflection of that. The motifs that ran through this collection were the belts featuring gleaming hardware inspired by vintage Alfa Romeo grilles, and the house’s emblematic driving shoes that came with enlarged and more robust gommino traction on the soles. Some of these shoes arrived with extravagant leather fringing, a detail that was echoed further down the line in leather scarves. Just as the Tod’s shoes came with that finely-calibrated customization to take them beyond the norm, Tamburini applied strokes of subtle oddness – double-collared shirting, hyper-break pants, four layered wool and silk falling-off charcoal “twinsets,” pushed proportion leather-panel trenches, knits in stiff boiled cashmere – to almost every look. If you’re not still persuaded to step into a Tod’s store, then at least you might want to get inspired by some of these styling tips.

Collage by Edward Kanarecki.
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No Hard Feelings. Tom Ford AW24

Peter Hawkings‘s sophomore collection for Tom Ford leaves you with a hard pressing question: what’s Tom Ford without Tom Ford? Unfortunately, the designer who used to work with the legend doesn’t reinterpret his legacy, but tries to mimic it, imitate it, in a very commercial, unreflective way. And that doesn’t work. The autumn-winter 2024 collection, presented in Milan, is bared of any emotions or feelings. What’s the point of all these proper, handsome peacoats and party dresses if there’s no charisma behind them? Some AI generator could do a far more creative piece of work. If Tom Ford, the brand, wants to thrive, it can’t move forward in such uninspired manner. Or else it will lag.

Collage by Edward Kanarecki.
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