Men’s – Harmonious Sublimity. Hed Mayner SS23

Hed Mayner‘s menswear collections are Paris Fashion Weeks’ moments of harmonious sublimity. In his notes, Mayner made it clear that he doesn’t do “overwrought statements of seasonal quirk.” Rather, season after season he revisits scaled-up proportions, honing them as a sculptor might. “I started by trying to build a silhouette that has a strong contact between front and back, and just being this two-dimensional look with a contrast,” the designer offered backstage of his spring-summer 2023 line-up. That translated into parkas, duffle coats, and jackets that looked straightforward enough from the front, until you caught the decadence of an open back. The comforts of home were the throughlines, with spoons repurposed into sculptural drop earrings and antique bed linens sourced from fleas in Paris and Tel Aviv that Mayner stonewashed, starched, and sewed into shirts. Though they were pretty, the designer said that poetry wasn’t his point. “I wanted to have elements that just look collected or found and applied on yourself, like diving into your sheets and staying there,” the designer said of a square-cut shirt in cotton embroidered with openwork garlands. Those tops and a slouchy-shouldered knit with trailing threads offered plenty of crossover appeal, though Mayner said such considerations were secondary to exploring proportions and, notably, stripping away notions of gender and status. Instead, he wanted to propose ideas of “clothes as accessories.” Even so, there were status contenders here. The midnight blue blouson springs to mind. So does a denim bomber. And, espectically, that one aviator jacket in delightful beige.

Collage by Edward Kanarecki.

NET-A-PORTER Limited

Take It Slow. Lemaire SS23

The Lemaire spring-summer 2023 presentation was a beautiful, harmonious scene. “It’s always nice to see people when they are in between things,” Christopher Lemaire said. “And people are very much themselves,” Sarah-Linh Tran added. Outside this presentation at the Musée des Arts et Métiers were clustered lots of fashion folk with no time to spare, waiting to go upstairs to see models in Lemaire acting as if they had time to kill. On the staircase a brace of male models idly swayed on their heels in top to toe monocolor stone, one wearing a crisp trench over full white pants in cotton and a split-upper slipper, the other a wide blouson over a collar-popped shirt and a multi-pleated silky pant with the same shoes. A female model in a culotte-integrating version of the outfits we’d just seen stood on the landing above. Up into the hall, there was a guy leaning on a window frame in brown blouson and work trousers with a bag strapped around his shoulder and a mini torch on his key fob. Across from him a woman in an interestingly halter-wrapped shirt and brown five pocket pants read a battered Luis Bunuel paperback. Further along another woman wore a dress and a guy wore a camp collar shirt that were both in the same hibiscus print. A female slept on a bench, warmed by the shafts of sunlight through the window, and cushioned by her softly blushing shirting and crisp cotton pants. A guy leant against a table in more pared down brown workwear reading Le Monde. At the end of the room, Ana Roxanne played mood music on multiple instruments and we saw more model groupings wearing super attractive printed pieces by the Indonesian artist Noviadi Angkasapura. This was a refreshingly straightforward collection that put the clothes on a pedestal of reality.

Collage by Edward Kanarecki.

NET-A-PORTER Limited