I actually really liked Drew Henry’s debut at Courrèges. This is possibly one of the most difficult houses to make sense of in the 21st century. His predecessors either went blindly too space-age or focused solely on the vinyl jacket. Nicolas Di Felice seemed to have the vision, but I always thought the brand wouldn’t mind a little more warmth.

Henry, a Phoebe Philo alum, approached it with a certain boutique-ness, which is a rarity in Paris lately, where everything must be bigger and louder. It feels like something you would look for in a small shop somewhere in France, where the owner is named Françoise or Francine, has the best style in the world, and however hard you try, you will never dress like her (but you can try!).

There were very chic-looking colour-block jackets and pea coats in a 1960s cut that wasn’t too on-the-nose; an otherwise simple look of a black T-shirt and yellow pants sharpened with a pair of driving gloves; a quirky little hat here and there. The male models wearing the signature André Courrèges A-line mini dresses? It felt like a spontaneous, not-overthought decision that just radically worked. Something is germinating in this house again. Just please give it time to bud.

All collages by Edward Kanarecki.

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