GET THE LOOK:
James Perse Brushed Waffle-knit Sweater
Nili Lotan Shon Brushed Cotton-blend Twill Tapered Pants
The Row Viktor Fringed Cashmere Scarf
The Row Barn Mini Leather-trimmed Mesh Tote
Manolo Blahnik Maysale Velvet Pointed-toe Flats
Dries Van Noten Embellished Chiffon Midi Skirt
Dries Van Noten Embellished Voile Top
Prada Galleria Floral Leather Top-Handle Bag
Dries Van Noten Velen Embellished Jacket
Le Monde Béryl Grosgrain-trimmed Velvet Mary Jane Ballet Flats
Fernando Jorge Signal 18-karat Gold Diamond, Jade And Aquamarine Earrings
Eli Russell Linnetz just knows what’s right in the moment. Actually, he creates the moment. Fashion’s current obsession with vintage American prep? ERL did that seasons ago, and created a contemporary playbook dedicated to that trope. Flip-flops? The shoe of the season in the Californian designer’s hands became a whole new statement. Now, Linnetz is ready to explore codes of classical menswear and (poisonous) masculinity. Argyle sweaters, cotton boxers, and grandpa-style knits all got the ERL treatment for spring-summer 2026, with deliberate proportion updates (tapering at the waist, tight at the biceps, and stretched across the chest). The relaxed tailoring could easily be an object of Aldo Fallai’s Giorgio Armani campaigns in the 1980s. But through Linnetz’s lens – literally, because he shoots all the ERL visuals – you can perceive something slightly disturbing, yet absolutely elusive about Christian and Ivy’s, the look-book’s heroes, dynamic. Christian is the king of campus, and Ivy would give anything to be around him – or be him, rather, in “The Talented Mr. Ripley” kind of way. Linnetz’s story follows Ivy as he embeds himself into Christian’s inner circle, with his admiration turning sour and then poisonous, subsequently culminating in an act of violence. Now imagine giving Eli Russell an opportunity to not only design costumes, but also direct a feature film. Cooper Koch could easily be the lead act.
ERL Men’s Striped Jersey T-Shirt
ERL Cropped Ribbed-knit Cardigan
Collage by Edward Kanarecki.
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