Sleeping Beauties. Valentino Resort 2026

There are days when all you want is to lounge around and feel like Lana Del Rey in her “Honeymoon” era. Dreamy, otherworldly, a bit of a baddie. Alessandro Michele certainly had one of those moments while working on Valentino‘s resort 2026 collection, photographed on literal sleeping beauties. FYI: his vintage-inspired dresses not only look great on red carpets and concert stages, but also in bed.

The new collection sees Michele re-looking the codes straight out of Valentino Garavani’s archive: look 1 offered a ruched Valentino-red minidress, its bodice pleats gathered in frontal cutouts just as Garavani used to do. And the bow, another Garavani favorite, dotted everything from hems to heeled mules like a frivolous punctuation mark. On the decorative side, gobelin-like tapestries were crafted into boxy waistcoats trimmed with feathers and fringed micro shorts. Elsewhere Michele’s urge for embellishment was interrupted by slender and elegant evening gowns in plain soft pastels or classic black. Meanwhile, the menswear took cues from the style of Parisian students who took part in 1968 protests, a theme Michele often gravitates towards in his work. A child of the bourgeoisie, out in the streets, looking for love.

P.s. The Valentino clients should really take a look at Alessandro’s accessories, especially bags: he knows how to turn a heirloom from grandmother’s closet into a modern-day treasure. I’m absolutely obsessed with all the heavily-embroidered, fringed satchels.

ED’s SELECTION:

Valentino Garavani Nellcôte Fringed Embellished Suede Tote Bag


Valentino Garavani Fleur Lumineuse Necklace


Valentino Garavani Belted Ruffled Polka-dot Wool And Silk-blend Mini Dress


Valentino Garavani Tasseled Wool And Cashmere-blend Jacket


Valentino Garavani Bowow 45 Crystal-embellished Metallic Suede-trimmed Moiré Pumps


Valentino Garavani Panier De Fleurs Snake-effect Leather-trimmed Embroidered Raffia Tote

Collage by Edward Kanarecki.
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Church. Dolce & Gabbana Alta Sartoria 2025

It’s been years, YEARS since I wrote about a Dolce & Gabbana show. But this one caught my attention for all the right – and wrong – reasons.

The haute couture season doesn’t really end until Dolce & Gabbana says the last word with its obnoxiously opulent, over-the-top alta moda shows (there are three of them: for jewellery, womenswear and menswear). They are presented not in Paris, but in Italy – that explains why it’s off the official couture schedule.

Most of the time I hate what contemporary Dolce & Gabbana does (from the Lauren Sanchez wedding dress to the designers’ problematic statements, the list for cons over pros goes on and on). Yet I have a sentiment for old Dolce & Gabbana, especially from the 1980s, 1990s, when the designers dissected the codes of Italianity and created an entire visual lexicon that was very rawn and undiluted. And I must admit that the brand’s latest Alta Sartoria collection – which goes for menswear couture – presented not just anywhere in Rome, but at the steps of Castel San’Angelo – and with IRL bishops in attendance – is really something worth analyzing. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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