
What’s Hot (3.8.21)
Julie Kegels’ Supper Club
“I will always be me,” Belgian fashion designer Julie Kegels told 1 Granary. Ever since primary school, she dreamt of joining the fashion department at The Royal Academy of Fine Arts in Antwerp – the city where she was born and raised. The stars aligned, and we’ve got an exciting, emerging fashion designer coming from the famously off-beat, “fifth” fashion capital. Her unconventional approach towards silhouettes, and ability to fuse the media of fashion and art, are distinct in her first, proper collection. The main inspiration from Kegels’s Masters Collection is “The Dinner Party“, the installation by Judy Chicago from 1979, in which the feminist artist set a gigantic, triangular table for 39 women from across history. Each place setting was dedicated to a mythical or world-famous woman that played an essential role in the history of female rights. For every woman, she designed a custom place setting inspired by the story of their life.
For her collection, Kegels focused on the twelve of these settings. You can wear each of the silhouettes, but you can lay them on a table for decoration purposes as well. The whole concept was an excellent opportunity to experiment with textiles. “I tried to push the boundaries and create fabrics with a soul like embroidery, hand knits, playful drapes and materials with structure. I vacuumed old lace with a plastic fabric as this created depth in the shape of laceflowers. By creating new fabrics, I discovered that making an old fabric look modern is what I genuinely loved doing during the process of this collection“. The designer continues: “Dressing up for a dinner party has always been a magical experience for me. My line-up is based on a picture of a woman standing in front of the mirror holding a dress. Therefore, every piece in my collection has a different front and back. With these primary elements in mind, I developed the concept.” The final effect is both futuristic and retro; familiar, yet totally unknown. The look-book, photographed by Anton Fayle and art directed by Studio M, transports you to the unique world of Kegels, where nothing is as it seems. Keep Kegels’ work on your radar – and don’t forget to check out her Instagram!
Collage by Edward Kanarecki.
What’s Hot (2.8.21)
American Dream. ERL SS22
ERL is on everyone’s lips. Although Justin Bieber and Dua Lipa wear it on the daily, and Chloë-the-queen-of-style-Sevigny shared her love for the new collection on her Insta-stories yesterday, it still feels somewhat niche and off-the-radar. It’s not available in every store yet, so there’s a feeling of appeal-driving deficit. Eli Russell Linnetz’s name causes conversations – and you hear a spectrum of feelings, from delight and reluctance to excitement and skepticism. One thing’s sure: ERL is thriving, and it’s just the start. The California-based brand, now in its fourth full season with Dover Street Market Paris, is not just clothing – it’s everything. A way of being, of putting an ab-skimming tee with tatty, low-slung vaguely Hollister-ish jeans, sure, but also a method for re-assessing your life and your style. Theatricality, time, and obsession are important tenets of ERL-ism, emphasis on obsession – these are some maniacally pored over garments. “Cross-dimensional hitchhiking, making the way to California” and “a romantic blowing in the wind journey across all parts of America” were two ways Linnetz described his spring 2022 mood. He’s taken his surfer boys and plopped them in a pickup truck, scanning through the hayfields and mountainsides of mid-America, with pit stops at prom and football matches along the way. The ERL dude’s got a new passenger too: Linnetz is launching womenswear, and it’s an equally manic trip through the codes of casual American style. Tiered do-si-do skirts in acid trip colors clash with girlish cotton tops and school picture day knitwear, dotted with embroidered flowers. Most of the collection is shared across the genders, giant shearling pieces and wide wale cords offering something humble, while radioactive tuxedos and Fogal tights printed with archival Rudi Gernreich patterns looking aggressively kitsch. Linnetz photographed the pieces himself, in his Venice Beach studio, on street-cast models. Earnest-faced, obvious hunks and wallflowers who skew young, almost disturbingly prepubescent. Can a real guy ever look as good in an orange V-front cable knit polo sweater? Can a real woman capture the kookiness of a half-blazer half, floral top? ERL is tapping into the American Dream of a new generation: to become the character you say you are.
Collage by Edward Kanarecki.
















