GET THE LOOK:
Brunello Cucinelli Metallic Linen-blend Jacquard Scarf
S. S. Daley Sunray Pleated Floral-print Satin Maxi Skirt
Loro Piana Ashley Cotton And Silk-blend Twill Jacket
Marie Adam-Leenaerdt is a Demna’s Balenciaga alumni. As the former creative director of the maison is departing for Milan to lead Gucci, fans of the style so synonymous with that era can with no hesitance head to Adam-Leenaerdt’s eponymous label. Her contributions to Balenciaga, like tea-dresses, boxy envelope skirts and sharp tailoring, are now all under her name. But the designer isn’t stuck in one place – her work is continuously updated with innovative thinking about dressing. Her mathematically-precise, sophisticated autumn-winter 2025 collection, shown back in March during Paris Fashion Week, at first seemed like a Joseph Beuys tribute (coats, suits and dresses in felted gray wool, all somewhat oversized and kept in bold geometric shapes). When the models came back around again, they had added a top layer to the garments, sort of like slipcovers for furniture (hence the show’s location in a home furnishings gallery). A coat was enlivened with a leopard print shell, a Margiela-ist triangle skirt got an electric blue gloss, and a super-chic mini shift became a trompe l’oeil cardigan coat in the vein of Coco Chanel. Marie Adam-Leenaerdt champions clothes that aren’t only modern-looking, but are also intelligent.




Marie Adam-Leenaerdt Oversized Scarf-detailed Gathered Wool Cardigan
Marie Adam-Leenaerdt Double-breasted Wool-twill Blazer
Marie Adam-Leenaerdt Bow-embellished Leather Slippers
Marie Adam-Leenaerdt Checked Wool Midi Skirt
Marie Adam-Leenaerdt Lace-trimmed Satin Blouse
Marie Adam-Leenaerdt Gathered Cotton-jersey Midi Dress
Collage by Edward Kanarecki.
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Carven‘s pre-fall 2025 collection, officially credited to the brand’s studio, is a good-looking transition moment between Louise Trotter’s work at the maison and the brand’s current creative director – and long-time collaborator of Trotter – Mark Thomas. The line-up, offering garments and accessories so wearable and easy-in-approach that it’s hard not to fall in love with their daily allure, is informed by blousy smock tops, wraparound apron shapes and a penchant for fabrics that appear structured to the eye yet soft around the body. One of the dresses with flannel on front and crushed lining in the back reminisces a 1950s couture dress with its strikingly simple, yet chic silhouette. Then you’ve got all the bubbly, t-shirt-inspired dresses and tops, minimal, timeless, versatile. The knits and cashmere shifts are pieces to be grateful for when you need to leave home looking pulled together. Carven became a go-to brand for less is more women who aren’t after The Row’s sophisticated oddness or Phoebe Philo’s contemporary strictness; the brand offers a warmer, cozier approach to minimalism. A madame minimalism.
CARVEN Layered Cotton-gauze Gown
CARVEN Tie-detailed Cashmere Cardigan
CARVEN Oversized Satin-twill Jacket
Collage by Edward Kanarecki.
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