Abstract Art

Massimo Giorgetti’s playful vision at Emilio Pucci keeps getting better and better with each season. The pre-fall 2016 collection is his third for the Florence-based, heritage brand, and it already feels like he has been at the house for a prolific period of time – this young, Italian designer mixes the signature Emilio prints in such a care-free, yet vibrant way. Massimo focused on reinterpreting the Pucci codes in a contemporary, slightly humorous way. The silk pants and shirts in blue-feather prints; bold lips pattern, which made the pleated skirts look, oh yes, bellissimo. The skiwear roots were revamped this season and hopefully, it will again be a game-stopper on the Courchevel route – modern V-neck knits, “kaleidoscope” jackets and boldly coloured fur coats looked luxurious, but not too excessive. Forget the image of a fancy lady with a freezing dog on the slopes. One thing’s sure – Giorgetti and his team at Emilio Pucci are moving in the right direction, making the brand’s season-to-season outings feel unexpected, lifey and beautifully eclectic.

Simon Porte Jacquemus is one of the most daring designers in Paris. His collection trigger controversy, even though they reminisce childish, naive and even primitive way of being. The brand’s recent autumn-winter collection is deeply rooted in the period of dadaism – the shirts are printed with surreal, black hands, while voluminous trousers and skirts have those red, plastic circles through which stripes of textiles overlap. Take note of the abstract crop-tops – even though they look like pieces of a fancy, 60’s rug, they are made of wool patches, made fully in France (just like the rest of the pieces sold by Jacquemus). For the full effect of the very arty and avant-garde femme Simon creates this season, there are those paper masks – nobody is sure how practical are they, but surely they will update every possible look you think of this autumn.

The full AW15 look-book on jacquemus.com