Melting Pot. Alexander Wang SS19

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It seems that the New York fashion calendar is about to break down entirely. Some major designers show in Paris; some are coming back home, and to the regular schedule  (Proenza Schouler is the latest); and some, like Alexander Wang, decide to show ahead of all, in the Big Apple, and persuade us, the confused viewers, not to call it spring-summer 2019 – but rather, the enigmatic ‘season 1’. Yes, I know that might be too much. But surprisingly, all those switches did good to Wang. Not that I adore his latest collection, but it’s so much better than his last seasons. At least, it’s not trying to mean too  much as it did the last time with the Matrix-CEO theme.

The inspiration started with Alexander’s mum and dad taking a trip together, and their immigration to America. Still, the collection wasn’t meant to be overly political, so migration wasn’t the ultimate key here. The designer focused on the notion of more dynamic, risk-involving travelling, or rather riding. Maybe the attitude close to Lana Del Rey’s Ride music video might be a clue. In overall, the collection felt like a creative melting pot shaped from Wang’s experiences, fascinations and aesthetics. We’ve had the Axl Rose bandanas; motocross gears; leather mini skirts and ‘piercing’ tops made of pins; football jerseys. Is that the today’s grunge according to Alex? Who knows. Definitely, Wang felt a lot of joy, while designing the collection, as all of that is truly, but truly him.

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Collage by Edward Kanarecki.

 

I’m Bossy. Alexander Wang AW18

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Staged in a former Condé Nast office, filled with corporate cubicle walls, Alexander Wang‘s autumn-winter 2018 fashion show’s venue promised a lot. Glass-ceiling breaking! Female empowerment! Strong, business dressing! All that came to my mind instantly. But did the designer deliver anything worthwhile? Except the Matrix reference and lots of black, nothing else, honestly. It’s hard to imagine a working woman wear any of those  dominatrix mini-dresses and leather skirts with slits in the most NSFW spots. Not that sexy is bad. I’m not trying to sound puritan! But I just don’t think this theme really works for Wang, and his ‘party girl’ roots. If it was just another Wang-ish collection, it would at least feel persuasive. He tried to do something mature, maybe.  Sadly, the result is a mash-up of current Saint Laurent, vintage Mugler and Gucci-era Tom Ford, in wrong context. Fingers crossed that the trip to Paris next season will be slightly more succesful for the designer…

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Collage by Edward Kanarecki.

 

After Party. Alexander Wang SS17

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Get over it – Alexander Wang isn’t a guy who does serious fashion. I completely understood that last season, when he sent a line of weed-printed dresses and “Strict” logo beanies. Don’t fight it. Wang’s newest collection is youth, and one thing is sure: the future success of spring-summer 2017 is based on the young customers.

Basically, it’s all about sportswear and streetwear (as usual), and that’s highlighted by the fact the event launched a collaboration with Adidas (this had to happen). The main line was a ‘remix’ of the designer’s previous collections – buckled sandals from SS16, pyjama shirts à la SS14 – and it mainly focused on unlikely, messy pairings. A fur bath-robe, neon-purple bra and board shorts. ‘Groundbreaking’. Of course, there was a wide range of lux hoodies, a bunch of sultry, Cali dresses and lots of neon-and-lace combos. The last is a rip off Christopher Kane’s cult SS11, by the way. Concluding – you can be a slave to Alexander’s “fashion”, or not join the club.  But then, you won’t be invited to the after show party…

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