The 2010s / Dries Van Noten’s 100th Collection

Believe it or not – I can’t! – but we’re heading towards a new millenium. So, how do you choose the most important collections, designers and labels of the decade? The ones that made an actual impact in the 2010s? Well, it’s not an easy task. It all began in September 2009 with New York’s spring-summer 2010 shows and ended when the autumn-winter 2019 haute couture shows wrapped in Paris. Few thousands of shows, by the way. There will be 19 posts (that’s really the only possible minimum!) reminding about the best – and if not the best, then strongly influencing – moments in fashion.

Dries Van Noten‘s 100th collection.

Autumn-winter 2017 was Dries Van Noten‘s 100th collection. And just as he did at menswear the same season, the Belgian designer was reflecting on the past, future, and most of all – the contemporary. Małgosia Bela, Nadia Auermann, Hanne Gaby, Mica Arganaraz, Carolyn Murphy, Debra Shaw and many, many more runway icons, veterans and today’s favourites walked the show. Some of them were present in Van Noten’s first show back in the late 80s, which added up to the sentimental mood. The collection was of course one of the biggest highlights in Van Noten’s career. It was all about the designer’s “codes”, which blur the lines between women’s and men’s. Masculine coats and over-sized denim pants; velvet bomber jackets styled with pencil skirts; sheer dresses worn with big jewellery and chunky boots. For the occasion, the designer showed off a remix of his favourite prints on mid-length dresses and pleated skirts, reminding everyone that he’s the master of unconventional colour palettes and textile combinations. Chic faux-fur boa, big blazer in fluoroscent fabric, a perfectly tailored, crisp white shirt and corduroy pants – that’s a look that says Dries, without even one logo on it. There’s no doubt why throughout those 100 collections, women fell in love with Dries over and over again. They continue to do so, as we step into the new decade.

Collage by Edward Kanarecki feauturing Alexandra Kehayoglou’s carpet. Dries Van Noten collaborated with the artist for his nature-inspired, spring-summer 2015 collection. Had a chance to experience Kehayoglou 48 metre-long masterpiece, which was the show’s setting, in Berlin thanks to Andreas Murkudis. Click here for more!

Berlin: Alexandra Kehayoglou’s Carpet Viewing


The long May weekend was a blast – the Gallery Weekend in Berlin as usually felt fun and inspiring! For this occasion, Andreas Murkudis presented an event which was a “must” for artisanal art lovers. A carpet artwork by Alexandra Kehayoglou, commissioned by Dries Van Noten for his SS15 fashion show, was there for three days, at the old Kaufhaus Hertzog. Alexandra, an Argentine artist, follows in the family tradition of her Greek grandparents who migrated to Argentina carrying with them this textile tradition of carpet making. She developed a new art work for Dries, a 48 metre long carpet. The carpet has been woven entirely by hand for over four weeks and arrived just in time for the show.

The carpet evokes moss and grass and is made of pure Patagonian wool. The setting for SS15 collection was inspired by “A Midsummer Night’s Dream” serenity and romantic mood – “As soon as I discovered Alexandra’s work I immediately understood she was the only one I could collaborate with to execute the idea” said the designer. Believe me – seeing this masterpiece in reality was a truly beautiful and one-of-a-kind experience.







DVN Paris Fashion Week Spring Summer 2015 Sept-Oct 2014