Le Nuvole. Ania Kuczyńska AW17

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Ania Kuczyńska‘s autumn-winter 2017 collection, elusively titled Le Nuvole (meaning ‘clouds’ in Italian), is a minimalist heaven at the first glace. But is it just plain minimalism? The Warsaw-based designer is known for encoding various references and  personal obsessions in her sharply cut, yet tactile garments. This season, it was a nod to her beloved Italy. Don’t associate that tip too superficially, though, as there is nothing like cliché in Kuczyńska’s creativity. Morning black coffee served in Palermo; a glass of Sicilian wine (well relates to the burgundy colour of the must-have ballet slippers); the shade of navy that resembles the Italian, night sky. Then, there’s also Monica Vitti’s ethereal grace in those silk dresses and feminine blouses. The 3/4 skirts ooze with a Luca Guadagnino film sensuality – yes, think of Tilda Swinton’s character in A Bigger Splash. The expressive silhouette of Ania’s new season pieces reflect the motion of Tarantella  – folk dance in the Southern part of Italy, characterized by a fast upbeat tempo. Although that seems like quite a lot for one collection, Kuczyńska pulls it off like no other, keeping it true to her style. The mood, the texture, the silhouette – Le Nuvole is what you call eccelente, in every aspect.

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Collage by Edward Kanarecki, feauturing Wojciech Plewiński’s shot from ‘Italia ’57’ series.   Photos by Stanisław Broniecki, beauty by Marianna Yurkiewicz.

Ania Kuczynska’s Wave

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Ania Kuczyńska‘s latest capsule collection entitled Black Celebration 1986 is an intimate exploration of memories and associations, likely kept in deep, black-and-white tones. This Polish designer, who’s the founder of Warsaw’s beloved eponymous label, continues to combine and fuse inspirations in the least expected ways. The name of the collection might ring a bell – of course, we’re speaking of Depeche Mode’s most (as for me) melancholic album, which might be a perfect backdrop for these elusive, analog snaps by Stanislaw Boniecki. But Ania goes further, nodding to new wave tendencies in Polish film and music (from Roman Polanski’s intriguing dramas to Krzysztof Komeda’s cinematic tunes). New wave era had a magnetising, truly absorbing aura – the same feelings surrounds Kuczyńska’s garments. Unisex turtlenecks à la the existentialists; below-the-knee pleated skirts; t-shirts with shoulder-exposing cuts. It’s not about pursuing the newness, but rather, focusing on essentials, perfecting them. Kuczyńska’s house codes evolve – and this collection is a beautiful addition to her creative language.

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East. Ania Kuczyńska AW16

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Ania Kuczyńska is Poland’s most recognizable designer for a reason. After years of working in the industry, her signature style is distinct. Her fashion is consistent, and that’s why she’s leading in Polish fashion game. Aware of her ‘trademark’ pieces, like her take on the little black dress, or Warsaw’s street-style favourite Shanghai totes, Kuczyńska’s eponymous attitude is beloved by her intellectual customers. But don’t think she’s resting on laurels.

The newest autumn-winter 2016 look-book (presented off the schedule), entitled ‘East’, might be dubbed as one of her most refined collections to date. At the first glance it’s very stern, definitely moving away from girlie sweetness which we know so well from Ania’s past collections. Mostly kept in black, with contrasting denim accents, the collection glances at the craftsmanship of the past. With nods to traditional ‘dress-code’ of Polish noblemen from 16th-17th century, AW16 is a contemporary look on elegance of historic silhouettes.  Some of the names of new season’s items – for example ‘Baikal’ for a bomber jacket – make it visible that the collection is rooted in Slavic references, which aren’t too cartoonish or literal. The designer’s vision is always open for interpretation, leaving some mystery for the viewer. I, for instance, feel a connection between those incredible black coats and turtlenecks, and Paweł Pawlikowski’s masterpiece, Ida – a story of a nun who discovers her Jewish origins, and seeks the truth about her family. The black-and-white aura of this film goes hand in hand with Kuczyńska’s  elusive woman.

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Ania Kuczynska at Puro Hotel

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On Saturday, the event of  Ania Kuczynska‘s pop-up store took place, giving Poznan a new fashionable place to visit. In the lobby of the most design-forward hotel in the city, PURO Hotel, Kuczynska is going to sell and exhibit (note the way the products were presented – on copper hangers that look like contemporary art!) her signature, Shanghai bags. The must-have bags, which are the constant best-sellers in Warsaw’s flag-ship store on Mokotowska street, will be available in different sizes and textile varieties. My favourite is the black handbag – the size of it seems to be perfect for more than one occasion, and I can see it worn with both, casual look, and something much more elegant. And of course, meeting Ania for the first life was a pleasure – just like the talk about Milan’s best spots and sharing our “wow’s” and “oh’s” regarding the new designer at Gucci!

Puro Hotel Poznan / ul. Stawna 12 / The pop-up store of Ania Kuczynska is going to be open for one year.

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#TBT: Ania Kuczynska’s Past

This TBT goes to my favourite Polish designer, Ania Kuczynska – her previous campaigns for AW13 and SS13 perfectly match my mood. They are both all about sensuality, emotions and a kind of… laid-back elegance. Here it is – Gold Dust Woman & Glowing in The Dark!

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And the super minimal flagship store of Ania sums it all up.