Real. A.P.C. AW23

March 9, 2023 | Design & Culture by Ed

Ending this Paris Fashion Week (it did feel like a month, though) coverage with an A.P.C. collection that captured the authentic, real, charismatic youth of Paris. “The kids are all right” was Jean Touitou’s conclusion of his latest show. Paraded in front of a crowd of press, brand friends and buyers in typically low-key style at the brand’s Rue Madame base, the collection was a highly personal presentation, modeled by Touitou’s daughter Lily and her teenage classmates from Paris’s École Diagonale. Perhaps Touitou felt the need to emphasize the family-run spirit of the label he founded in 1987. After all, last week came the announcement that L Catterton, the LVMH-backed private-equity group, had taken a majority stake in the company. “The young people who are going to walk this runway are like veterans. They experienced the raging of their hormones in a bunker with their parents during the COVID crisis,” he said. “That crisis could have wiped us out as a brand. We survived that war by getting stronger. Everybody you see here was born in 2006, and I think it’s a good metaphor for the sort of transmission process we started recently.” What followed was a determinedly youthful take on A.P.C.’s well-honed vision of Gallic urbanity, each look a nod to what Touitou called “a tribe” in a backstage debrief postshow. There was a Take Ivy preppiness to Japanese selvedge denim miniskirts and high-waist jeans worn with stripy shirts and shiny penny loafers; a street-inflected attitude to gray marl sweatpants and nylon flight jackets; a grungy insolence to flannel shirts worn with slip skirts, fluoro T-shirts, and scuffed plimsolls. And what stunning teenagers! All with their own carefully considered quirks – a snazzy Bananarama hairstyle here, swooping black eyeliner there – and forming a touching antidote to the celebrity-packed catwalks to which we’ve become accustomed. “I love this idea of no casting. You don’t say to people, ‘You’re too tall, too fat, too this, too that.’ Everybody was just cool about it,” said Touitou, who confirmed that, post-partnership deal, he will remain creative director of the brand alongside his art director wife, Judith.

Collage by Edward Kanarecki.
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Perversely Chic. Miu Miu AW23

March 8, 2023 | Design & Culture by Ed

Miu Miu shut down Paris Fashion Week with a bang. Or even the entire season! This was a remarkable collection that felt desirable and intriguing, sexy and perversely chic, absolutely timeless and completely relevant. Miuccia Prada (with Lotta Volkova’s brilliant styling support) satisfied all the possible needs of a Miu Miu girl-slash-woman. The show was opened by the modern-day indie-film leading-actress Mia Goth, who wore a prim grey cardigan and polka-dot-printed skirt, all ladylike in kitten-heel sling-backs and a matching handbag draped over her arm. Her hair was kind of messy, and her tights were pulled up over her top. That’s the look that will define this season in fashion. To a frantic jazz soundtrack, other models wore ensembles that had a sense of spontaneous, impulsive layering and romantic urgency. Prada wrapped an infectious sentiment of youth into a Miu Miu collection that read like the ultimate shopping list for the autumn 2023 wardrobe. Emma Corrin’s finale look – a beige turtleneck and heavily embellished, gold panties – represented the candid, youthful, independent persona Miuccia Prada is creating for. The message was reinforced by the genderless philosophy Prada has been introducing at Miu Miu by way of male casting. With its ironic sense of humor, the Miu Miu collection uplifted its audience, because it cut a contrast to a season that’s reflected a less uplifting reality. With that in mind, the reduced Miu Miu silhouette and quiet colors also evoked a wartime sensibility. “A little serious,” Prada said. “I like to embrace that in this moment. Maybe I’m too careful about what’s happening around us, but I can’t leave fashion like some place of nonsense. There’s some excitement and sexiness there,” she paused. “But basically, I think we have to dress for thinking. And for starting fresh.” Oui, oui, oui!

Collage by Edward Kanarecki.
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About Paris(ian Style). Louis Vuitton AW23

March 8, 2023 | Design & Culture by Ed

Finally, a Louis Vuitton collection by Nicolas Ghesquière that doesn’t look like a cartoon. The concept for the autumn-winter 2023 collection came to Ghesquière after returning home from traveling last year, when the world was finally opening up again. “What is French style?” he said. “It’s an ambitious question, but being at Vuitton you have a certain responsibility because the name of the brand is so strong in the world.” His idea, he explained, was to ask the young designers in his studio for their takes on the subject. “Since they’re so international, I was curious to know what would they think.” Unsurprisingly, they all came back with “very different things”, which isn’t necessarily what all the ridiculous handbooks on Parisian style dictate. According to this offering, Frenchness in fashion is the Tricolore, which the studio reproduced on a blue, white, and red quilted shoulder bag, and leather gloves. It’s the Opéra Garnier, which inspired the light-up Phantom of the Opera masks. And it’s the Cinq à Sept, which is a local colloquialism for an affair, that was alluded to here with a series of sumptuous dressing gowns, pajama tops, and plush faux fur shorts. This was a collection that was in touch with the street, with a few nods to the designer’s sci-fi obsession, softer and more down-to-earth. A close-up look at the clothes revealed intriguing details: the camel coat in look 14 may appear to be wool, but it’s actually leather, first embossed, then printed. The jewellery was inspired by musical instruments (the trumpet brooches are too good!). Also very desirable: a finely embroidered slip dress worn with a chunky hand-knit scarf thrown over the shoulder and boots. Asked if he came to a conclusion about French style, Ghesquière shook his head. “No. Every season we try to answer that question, but without saying it. This season the difference is we own it. But French style belongs to everyone.”

Collage by Edward Kanarecki.
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Horse Girl. Stella McCartney AW23

March 8, 2023 | Design & Culture by Ed

Stella McCartney‘s autumn-winter 2023 collection was all about her long-time obsession and passion for horses. Judging from the models’ calmness in the runway pictures, it’s hard to believe that seven un-haltered white Camargue horses were running around the sand-strewn arena immediately to the left of the runway. They were joined by the horse whisperer Jean-François Pignon, who gently encouraged them to rear, run in circles and roll around in the sand. “There’s so much leather and feather and fur on the runway, especially in winter, and I just wanted to show that you can do it in a different way. You don’t have to kill anything,” Stella McCartney said after the show. She nailed it. McCartney is vegan, but also someone who believes in harmonious relationships between humans and animals. Her mother Linda bred Appaloosa horses, and to this day, the designer still rides. She has a horse named Summer and keeps dogs, too. Her collection was an exercise in claiming and re-appropriating the codes of the British equestrian wardrobes associated with hunting and the warhorses of the Great War, and all the things McCartney doesn’t believe in. “It’s beautiful: the tailoring, the bespoke work. As someone who studied that for many years, you can’t get away from it,” she said, reflecting on those uniforms. “The relationship between the man and the woman and the horse and nature, it’s this kind of pull-and-push, and I think there’s a poetry at the center of it all.” McCartney applied her equestrian grammar to the Y2K language of her own fashion history – the Chloé era! – which she first re-introduced last season. The fusion materialized in skimpy hussar jackets, little cropped vests, deconstructed denim suits from another equestrian culture, and low-riding trousers that infused draped hip chains with fresh tack associations. Those memories continued in dresses and knitwear that revived the horse print from her spring/summer 2001 collection for Chloé, albeit in a blurry evocation. McCartney’s ongoing rekindling with her own archives from her tenure at the house is timely – it’s what the kids want (her daughter is the best example) but it’s clearly also invigorating the designer in new ways. Everything suddenly feels a little bit more impassioned in the house of Stella.

Collage by Edward Kanarecki.
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Party People. Valentino AW23

March 7, 2023 | Design & Culture by Ed

Pierpaolo Piccioli is loosening it up lately. Less of sublime, heavenly elevations, more of party vibe. His Valentino autumn-winter 2023 collection is for party people. Maybe not ravers (with thick pockets), but definitely fans of chic soirées, ambient cocktails and events with great music. The concept for the latest collection came up quite spontaneously: when Piccioli came home from work at the Valentino office in Rome recently, he was astonished to see that his 15-year-old daughter had raided his wardrobe for a night out with her friends. “She’d taken one of my black suits, white shirt, and black tie and was on her way out the front door. It was amazing to me, because she’d never seen me wearing a suit to the office. I keep some I wear with a bow tie to things like the Met Ball and other events, but never on a daily basis.” He realized his kid had no idea about ascribing socially-conditioned ideas to the conventions of formal dressing. “It was just, she liked it, and it was a new thing to her. In the end, I think that’s the way to approach fashion, as a personal choice of freedom.” And he was off, with ideas aplenty, inspired to design his ‘Black Tie’ collection. The neo-punk tribe of people he sent stomping around the rooms of the Hotel Salomon Rothschild had face-jewelry, tattoos, and heavy boots, the better to demonstrate the individuality he wanted to spotlight amongst his reinterpretations and deconstructions of traditional formal attire. Of course, it was Yves Saint Laurent who first broke the boundaries between women’s and menswear with his evening ‘Smoking’ suits in the 1960s. At the time, Valentino Garavani was focusing much more on creating a language of femininity which attracted conventional aristocrats, Hollywood actresses, and socialites. “I always think about what Valentino was about – it was about the idea of lifestyle, the perfect life, success,” Piccioli said. “I think, now what I’m doing is more switched to the idea of the lifestyle of community, our community, communities that are about the sort of gang of kids who are saying, look, we can wear the same sort of clothes, but giving them their personality with that.”