Dolls. Conner Ives AW25

This one’s for all the dolls. Conner Ives presented his ultra-glamorous offering of eveningwear at Savoy’s Beaufort Bar, and one can easily imagine women strutting and striding in those fur-tripped numbers or Art Deco-ish piano-dresses during the night. The plum number with deep, plunging neckline was accessorized with fringe-y headwear made out of bottle caps, making it all feel not overly serious. That’s exactly Conner Ives’ sense of style: tongue-in-cheek-chic. The line-up emanated with a certain whimsy-but-cool, sexy-but-with-a-twist femininity, reminiscing Stella McCartney’s days at Chloé. Brits know how to have fun.

ED’s SELECTION:

Conner Ives Tie-neck Appliquéd Stretch-micro Modal Jersey Tank


Conner Ives Paneled Printed Recycled Cotton-jersey Dress


Conner Ives Appliquéd Printed Cotton-jersey T-shirt

Collage by Edward Kanarecki.
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Noble Characters. Burberry AW25

Burberry felt good. Maybe it didn’t reinvent the wheel, but being conceptual was never a Burberry thing to do. Daniel Lee is starting to know what he’s doing and that showed in his best collection yet, the autumn-winter 2025 outing, riffing on the style of British aristocracy with a grain of salt. The clothes – outerwear, especially – were convincing and desirably-looking, but let’s be honest: the casting worked the hardest, and it gave the collection a sense of authentic believability. From Naomi Campbell to Jason Isaacs, you saw true characters on the runway – who happened to wear Burberry (that looked like Burberry – finally!). One thing Lee could work on is the heaviness some of his clothes are burdened with, especially the eveningwear.

ED’s SELECTION:


Burberry Embroidered Quilted Leather Ballet Flats


Burberry Wrap-effect Checked Wool Midi Skirt

Burberry Embroidered Suede Gloves


Burberry Intarsia-knit Wool Sweater


Burberry Belted Double-breasted Cotton-blend Twill Trench Coat

Collage by Edward Kanarecki.
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British Classics. S.S. Daley AW25

Steven Stokey-Daley served us the great, British classics, revisited and refreshed, with good humour. Cropped trenches (Burberry could take notes). Cool pea-coats. Tailored bermudas. Full-skirts in floral prints worn with work-jackets (the look gave Frazzled English Woman energy!). And then there was Marianne Faithfull. A rendition of frilly blouse she was famously photographed wearing in the late 1960s was on the runway. A lovely chunky knit “Stay Faithfull To Marianne” was there, too. The designer was quick to make it clear he hadn’t jumped on the bandwagon of her recent passing. “Maggie Smith, Kate Bush, and Marianne Faithfull have been the three women who’ve always meant so much to me,” he said. S.S. Daley reminds us than we need London Fashion Week, even if it’s in (hopefully temporary) shambles.

Collage by Edward Kanarecki.
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Venus In Chaos. Dilara Findikoglu AW25

Dilara Findikoglu fired up London Fashion Week with her outing at Slimelight, the longest-running Goth nightclub in town. Lead by Lara Stone, a pack of ferociously badass women, clad in hyper-corsetry and second-skin chiffon body stockings stalked through the dark space, utterly entrancing the viewers. Entitled “Venus in Chaos”, the collection was “a divine feminine mutiny“, as the designer summed up in her press-notes. Botticelli-goth hair, a bustier covered with hundreds of shells, red velvet jackets (un)finished with punk-ish safety pins, unexpected cuts in the most “risky” places, tattered hems and ripped lace: all that created an extreme impression of total liberation from societal norms – and the pleasure of sexual self-possession. It’s easy to compare Dilara’s subversive work to John Galliano or Alexander McQueen’s, aesthetics-wise, but what makes her differ is her powerful female gaze that truly makes you believe these otherworldly women are here to break the patriarchal system.

Collage by Edward Kanarecki.
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Edie & Nico. Zankov AW25

A great autumn-winter 2025 lookbook was delivered by Henry Zankov. This designer knows what he’s doing with his knitwear-focused label. Inspired by Nico and Edie Sedgwick, the 1960s New York it-girls and Warhol Factory stars, he came up with a fresh interpretation of their style that doesn’t feel too mood-boardy. Oversized paillettes on a sweater or a skirt peeking out from beneath fuzzy coats were reminiscent of the sequins Sedgwick might have picked up from Paraphernalia. The absolutely brilliant combination of a vividly hued sweater and boyish lanky pants was pure Nico, 2025 version. But what’s most important, this Zankov collection feels wholeheartedly joyful, honest – and believable. It makes me think of Consuelo Castiglioni’s Marni, in the best possible way.

ED’s SELECTION:

Zankov Raven Merino Wool-jacquard Turtleneck Sweater


Zankov Delphine Brushed-knit Skirt


Zankov Mina Sequined Wool Cropped Cardigan


Zankov Lune Two-Tone Sleeveless Maxi Wool Dress


Zankov Marshall Abstract Pencil Merino Wool Maxi Skirt


Zankov Alicja Tow-Tone Wool Scarf

Collage by Edward Kanarecki.
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