The Finest. The Row Pre-Fall 2019

June 7, 2019 | Design & Culture by Ed

The Row‘s pre-fall 2019 release came together with the launch of the brand’s on-line shop. Shortly speaking, the collection is as good as the website and the clothes available there – which of course isn’t a surprise, knowing Ashley and Mary Kate Olsen‘s love for refined. The look-book features the most luxe basics out there, from a cotton poplin shirt to virgin wool pants in the most delightful shade of caramel. Maggie Maurer and Małgosia Bela look stunning in those cashmere turtlenecks, without any make-up or accessories. Browsing through the bags and shoes, you will instantly get why The Row won the CFDA Award for best accessories last week. That’s a lot of The Row news for one post. Need more? When you open the Galerie tab on their website, you’re taken a step further into the Olsen’s universe: here, you can buy items from the sisters’ hand-picked, curated antiques collection – Gustave Serrurier-Bovy’s brass chandelier, a vintage Boucheron ring, Georges Jouve’s vase…

All collages by Edward Kanarecki.

Ultimate Minimalists. The Row AW19

February 13, 2019February 13, 2019 | Design & Culture by Ed

It seems to me that Mary-Kate and Ashley Olsen are the ultimate owners of minimalism in New York. With their sensivity for top knotch quality and craftsmanship, it’s no surprise that The Row is globally renowned among the richiest women who, rather than drown in Gucci, have similar preference for clean lines, soft cashmere comfort and especially, well, have nowhere else to go since Phoebe Philo left Celine (ok, there’s Lemaire, Jil Sander and Peter Do, and soon Bottega Veneta, but… still, they buy The Row). For autumn-winter 2019, Olsens delivered a collection that didn’t surprise, but as well didn’t dissapoint. Fur, beige coats? Checked. An over-sized ecru turtleneck-dress? Checked. Masculine tailoring? Checked – it got a bit more sculpted at the waist, which is a plus. You don’t really expect newness with The Row, except for some unexpected lining detail or an antique embellishment on a bag – basically details you will notice only when the clothes arrive on the rack.

Collage by Edward Kanarecki.

Heavenly. The Row SS19

September 14, 2018 | Design & Culture by Ed

No fashion show this time, but a peaceful, tranquil showroom presentation accompanied with a look-book starring Saskia De Brauw. That’s how Ashley and Mary-Kate Olsen reply to New York’s fashion week fuss. Oh, the clothes. The Row is heavenly. Majestic. Angelic. But don’t think of any opulent embroideries or ornamental details, no. Rather, a voluminous dove-gray silk dress. Tweedy coat with the frayed edges. Robe-like gowns with regally upturned collars. All hand-made, kept in the highest possible quality of craftsmanship. Those garments don’t look still and statuesque, but flowing. I’m absolutely in love with this one look where a huge bag works as layer of clothing worn over a minimal, sleeveless dress. Editors tend to say that clients who adored Phoebe Philo’s Céline should go to The Row. Well, I wouldn’t go that path of logic. The Olsen twins gradually create their own vocabulary, that is less and less Philo-esque. They finally create distinct clothing that speaks for itself; it says ‘The Row’, not ‘Philo appreciation sample’. Also, a big shoutout to The Row’s new menswear line that launches in October. Mostly with a Made in Japan tag, the men’s garments (just a few preview images were released) will be as exquisite as the women’s. The price range, that starts from $4,000, speaks for itself as well.

Collages by Edward Kanarecki.

Refined Serenity. The Row AW18

February 14, 2018February 14, 2018 | Design & Culture by Ed

Who would have ever, ever thought that Mary Kate and Ashley Olsen will come so far to become the Jil Sander, Helmut Lang and Margiela-at-Hermes of today? Since Phoebe Philo is no longer at Céline, it can be safely said that The Row automatically becomes the official successor label for minimalism (and pure luxury) lovers. I’m writing that ecstatically: the autumn-winter 2018 is undoubtedly the best collection the twins have delivered up to date. Just look at the refined outerwear and khaki raincoats; the delightful, ecru gown with a highlighted waist; masculine blazers – actually, to die for – and knits made of the best possible cashmere (to be worn over and over for ages). Oh, and I nearly forgot to mention, that a selection of rare Isamu Noguchi sculptures were there during the runway show, standing and observing the serene walk of such women as Karen Elson, Ajak Deng or Yasmin Warsame. Although New York fashion week is still on, I think the Olsen’s have. Ultimately. Won. My. Heart.

Collage by Edward Kanarecki.

Modesty. The Row Pre-Fall’17

April 17, 2017 | Design & Culture by Ed

Mary-Kate and Ashley Olsen presented one of the most refined collections for autumn-winter 2017, reaching the feeling of Calvin Klein’s early minimalism and Helmut Lang’s authentically raw, New York coolness. For pre-fall 2017, the twins continue their exploration of austerity and softness, offering a selection of The Row classics. The 90s rough modesty is perceivanble thanks to Zoë Ghertner’s images of Erin O’Connor, who poses in thick grey coats, black turtlenecks and delightful slim maxi-dresses. As soon as colder days strike, those timeless pieces will be there to serve.