One of New York’s biggest menswear talents, Emily Bode, charmed the Paris audience with her autumn-winter 2020 line-up. The Education Of Benjamin Bloomstein sounds like a title straight out of a Wes Anderson film; and in aesthetic terms the director and Bode’s designer create similarly winsome worlds. Years before Bloomstein and the designer became friends and collaborators (through his design studio, Green River Project LLC), he had an idiosyncratic upbringing that made him an obvious protagonist for the ongoing Bode narrative. Briefly, as related in the collection text, he attended schools in a former Shaker village and on a biodynamic farm; he wrote poetry and immersed himself in agriculture; and perhaps most pertinent, he figured out how to alter his school clothes so that they would feel more comfortable. In adapting Bloomstein’s memories to her exploration of craft methods and sustainable values, Bode delivered a beautiful and whimsy collection. Her sentimental nods to the past included a quilted jacket and matching mittens that signaled outerwear from pre-duvet times; outfits covered in deadstock souvenir and achievement patches; shirts embroidered with farm animals and vintage athletic jerseys; delicate seed bead ornaments and necklaces strung with hand-blown marbles. Four years into her brand, Emily navigates the trap of historical costume by shaking up how she presents her repurposed and reproduced textiles and trims (be it the equine blankets that were the basis for the opening tailored look or the golden Appenzeller Gurt charms adorning various looks as well as the label’s new line of slip-ons). Big love.
Collage by Edward Kanarecki.