Exuberant. Christopher John Rogers AW25

New York Fashion Week kicked off with an exuberant, yet mature return of Christopher John Rogers to the runway. He’s got a brilliant colorist sensibility – and knows how to serve beautiful, eye-catching eveningwear. Fitted to the upper thighs and blossoming below them into a full skirt, the striped dress that opened the show mixed chartreuse, burgundy, and coral. The unlikeliness of the combination made it all the more striking, and he returned to that formula for other looks as the show progressed. Stripes, his signature, played a starring role – on his knits and silk taffeta party dresses, and on trenches stitched with rows of different grosgrain ribbons at their hems. Each look from this runway made sense – and can be easily imagined on the streets and events, not only in New York.

ED’s SELECTION:

Christopher John Rogers Bow-embellished Off-the-shoulder Twill Top


Christopher John Rogers Silk And Wool-blend Satin Barrel-leg Cargo Pants


Christopher John Rogers Strapless Grosgrain And Gathered Satin-trimmed Canvas Gow


Christopher John Rogers Oversized Striped Brushed Wool Sweater


Christopher John Rogers Striped Silk-faille Gown

 

Collage by Edward Kanarecki.
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You’re Gonna Like the Way You Look, I Guarantee It. Christopher John Rogers Pre-Fall 2024

By the end of the fashion month circuit, Christopher John Rogers graced us with his gorgeous collection entitled “You’re Gonna Like The Way You Look, I Guarantee It“. He fulfilled the promise: these full-skirted dresses in vivacious colors and prints will make anyone feel satisfied about their look, regardless whether they are a minimalist or maximalist. This New York-based creative represents a niche of womenswear – formed by such designers as Rosie Assoulin, Dries Van Noten, the late Alber Elbaz – which elevates the wearer through femininity that oozes with optimism, balances between dramatic and easy-to-wear, and at the same time radiates with wit and intelligence. The first nine looks from Rogers’ latest line-up, all monochromatic between cream and tan, toy with bubble hems, careful tucking, tailoring and bustier bodices. Silhouettes vary, but maintain a powerful elegance, in @londongirlinnyc manner. Materials range from Japanese nylon, Italian lurex jacquard, silk taffeta and cotton poplin. It’s a very rich-in-layers, wholesome collection. Rogers also proudly brought back his signature motifs, flaunting his knack for color combination via a motley of “cassette stripes” in grass green, deep brown, soft yellow and baby pink. Layered ruffles on a peplum blouse each took on their own shade of flamingo. Prints of circles debuted alongside imagery of a red rose. By the final look, he reverted to monochrome, in an ebony gown, putting the spotlight back on “make and process – that’s what I love most about what I do,” he said.

Collage by Edward Kanarecki.
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