Dandy’s Wake-up Call. Dunhill AW24

February 18, 2024February 17, 2024 | Design & Culture by Ed

At Dunhill, an unexpected surprise: the British dandy’s wardrobe gets a refreshment. Simon Holloway‘s debut collection felt like a much-needed wake-up call for this sleepy, London-based brand. The salon-inspired show unfolded at the National Portrait Gallery, transforming it into an elegant, cozy setting reminiscent of a chic café. As a swarm of very fine models emerged, the collection emanated a decidedly classic feel. This setting aptly matched the preppy mood that permeated the garments that felt quintessentially Dunhill. But with a closer look, a majority of pieces were lightweight, and the purposefully mismatched details within the prints and textures felt more modern than was first apparent. There were suits upon suits: two-piece cashmere wool sets here, fabulously cut Donegal tweed three-piece concoctions there. Reinventing the car coat, a nod to house founder Alfred Dunhill’s heritage, the outerwear range varied from camel hair with leather accents to premium double-faced wool. When asked about his intentions in translating Dunhill’s 130-year legacy to a contemporary London audience, Holloway’s response was assured: “There are menswear enthusiasts here, some of whom, particularly older generations, may know Dunhill from the past. But I do think there’s a younger audience obsessed with tailoring and proper menswear haberdashery – it’s a lovely thing to be able to connect with them here, too.”

Collage by Edward Kanarecki.
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Hi-Tech Chic. Coperni SS24

October 1, 2023 | Design & Culture by Ed

Coperni stands for blending the fascination for technology with contemporary garment design. Sébastien Meyer and Arnaud Vaillant dialed down on another big noise moment, focusing on the clothes. Almost. The hi-tech came first, via flat speakers by Transparent, integrated into an opening leather jacket, a men’s sleeveless T-shirt, and other pieces. Many of the models wore small devices on their chest: these were produced by a start-up named Humane and called AI Pins: apparently when released very soon they will “enable contextual and ambient computer interactions”. But even without all these developments, this was a decent, thorougly-considered line-up. A white lace-detailed dress was strewn with 3D printed “flowers” that were generated by cymatic production. A skirt in metallic herringbone was meant to mimic the casing of an old-school microphone. The collection found its eye-catchiest tempo when contemplating older technologies. Vaillant asserted “the triangle is the smallest instrument and makes the loudest noise” in the orchestra: the insertion of triangles into the backs of jackets and the necks and waistlines of evening dresses was immediately arresting. Brass was represented by a trumpet-bodiced dress, and near to the close came a resoundingly volumed black dress.

Collage by Edward Kanarecki.
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Shades of Paris. Ami AW23

January 21, 2023 | Design & Culture by Ed

Ami is a brand that orbits around the idea of Paris. Parisian chic, Parisian grayness, Parisian je ne sais quoi. Sometimes, it’s just too much Paris. Last season, the brand shut down Sacré-Coeur and coaxed French actor Audrey Tautou out of semi-retirement to open the show. After the brand’s ridiculous appearance in an episode of the third season of Netflix’s series Emily in Paris, in which the titular marketing whiz orchestrates a campaign featuring Ami-logo balloons, show attendees might have expected to have Paris’s perkiest American envoy Emily Cooper leading the latest line-up. Thankfully, that didn’t happen, and Alexandre Mattiussi went back to basics. “I’ve already done a lot about that Parisian postcard vibe,” he said. “After 12 years, this is what we’ve been known for, this Parisian chic, easygoing energy. But I felt with this collection it has to be something else.” Something else turned out to be an Opéra Bastille location and a pared-back collection that focused on semaphoring languid ease. The label shelved the bright colors in favour of a muted palette of vanilla, butter, and gray. Great emphasis was put on fluid silhouettes – generous overcoats cut with a certain amount of slouch, pleated wide-leg trousers, flat shoes worn with nubbly cappuccino-hued socks – and comfortable fabrics. As Charlotte Rampling closed the show, radiant in a navy-blue pant suit, one sensed a vibe shift coming from a brand that at one point became too all-over-the-place.

Collage by Edward Kanarecki.
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Chic and Cool. Ami SS21

October 5, 2020 | Design & Culture by Ed

There are seasons when I love Ami. And spring-summer 2021 is definitely a highlight in Alexandre Mattiussi‘s repertoire. “Doing a physical show is a kind of political thing,” the designer said, elaborating that amid the pandemic and crumbling political situations around the world, he thinks “fashion needs to find humility in the situation.” The Ami version of humility might sound quite dramatic: veside the Seine, Mattiussi held a fashion show on a black wood runway complete with a soundtrack by DJ Jennifer Cardini and a cast of famous models like Clement Chabernaud, Amalia Vairelli, Audrey Marnay and Georgina Grenville. To counter the evening affair, Matiussi sent out clothing with a relaxed spirit. He described his co-ed, spring-summer 2021 men’s and women’s collections as “sophisticated but not pretentious.” The slim plaid maxiskirts and black wool LBDs proved the point for women, the louche seafoam and chocolate suits and baggy shorts did it for men. A series of mesh tanks, styled throughout with vacation-y beaded necklaces, emphasized the chill vibes.

Collage by Edward Kanarecki.

Men’s – Back to Black. Bottega Veneta AW16

January 18, 2016January 18, 2016 | Design & Culture by Ed

Tomas Maier, the creative director of Bottega Veneta, takes his man (and woman) to the darker side this season. But the colour of black had its function – Maier made it the leading colour of the show in order to present a contrast. “It’s about the silhouette. I felt it needed change. All the sportswear-inspired elements that we have been putting in: It’s time to move on. It’s becoming a trend, lots of people are doing that, I don’t need to do it forever.” Rather than reintepreting de luxe sweatpants, the collection was focused on the way the athletic, yet elegant clothes look on the body of both men and women. For guys, Bottega Veneta channeled a loose-fit chic, while girls looked soigné in their calfskin coats and relaxed skirts. Even though this collection is not a ground-breaking one, it feels like one of the best menswear outings by the designer up to date.