Contemporary. Helmut Lang Pre-Fall 2024

Peter Do’s second collection – pre-fall 2024 – for Helmut Lang proves that the designer might be really the right match for the brand. Helmut Lang, the label, has been struggling for years with finding it’s tune. No wonder why: it’s difficult to position a contemporary brand without its namesake founder at helm. Just look at what’s going on at Ann Demeulemeester. Do, however, always seemed to have a similar aesthetical sensitivity to Lang, and while his debut collection last September was bumpy, the newest collection offers a more developed glimpse at his vision for the New York-based brand. You can easily see these slinky, less-is-more clothes hanging on racks in stores and imagine customers being attracted to their essential cool. You can also see @brendahashtag wearing every single look. Worth mentioning are the paint-splattered pieces, an OG Helmut Lang specialty, all done by hand by an artist from LA. And the raw denim is cut with adaptable flap pockets, versatility being one of Do’s signatures. The tailoring, meanwhile, is made with an attention to detail that seems rare at these price points – see the inner waistband of the trousers for proof. Excess straps and oversize proportions might seem like too much at the first sight, but all the zippers you see have a function: the sleeves come off a leather biker jacket, and pants zip into shorts or go from straight-leg to flared. A two-in-one bomber puffer in black with white accents was another standout.

Collage by Edward Kanarecki.
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Handsome Femininity. Victoria Beckham Pre-Fall 2024

“I like to put a bit of myself into my collections,” says Victoria Beckham. For pre-fall 2024, the designer followed the threads of the semi-autobiographical mainline show she put on in Paris: ideas stemming from the weekend country-life she lives these days on the one hand, and from her ballet-mad girlhood on the other. The collection informed both, her knack for styling – as usual – and by her empathy for making clothes that are actually useful. The contemporary-dance influence flows through her series of long, fluid dresses. Some have cutout necklines with wired curliqued inserts. What’s newer, but also well-established by now, is Beckham’s reputation for tailoring. That’s the side she refers to as “handsome feminity” in this collection – meaning the look of British heritage tweeds and preppy peacoats, styled together with turtlenecks, shirts, and cropped flares, or casualized with cargo pants or various permutations of denim pieces. She has a well-judged way of making these templates interesting as well as simple to wear.

Want some Victoria Beckham wardrobe update? Let me help!

Ed’s Selection:


Victoria Beckham – Satin Gown



Victoria Beckham – Tie-detailed Silk Crepe De Chine Blouse



Victoria Beckham – Ribbed-knit Turtleneck Top



Victoria Beckham – Cutout Two-tone Wool-blend Turtleneck Sweater



Victoria Beckham by Augustinus Bader Cell Rejuvenating Power Serum

 

Collage by Edward Kanarecki.
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Frazzled Tweedy Woman. Chanel Pre-Fall 2024

When Virginie Viard is inspired, she nails it. Her latest Chanel métiers d’art collection presented in Manchester was just brilliant and full of wit. It’s clear that the city and its culture has truly stimulated the designer. Alive with a vibrant pop spirit born in Manchester and kept alive across the decades, the show embraced the creative dialogue between Great Britain and the brand – a dialogue that was started by Coco Chanel herself when she brought British tweed to Paris. The collection shimmers and shines with playful nods to British music culture, and it’s also an ode to the frazzled British woman all layered up in chunky knits and long scarves. Legendary bands like Oasis and Joy Division call Manchester home, after all, and the models – with their pearls, slept-in black eyeliner and side bangs – appeared as though they might have just washed off a hand stamp after sneaking back from a show at Pip’s Disco. “Manchester is the basis of a music culture that has changed the face of the world,” sais Viard. To play off of the “vibrant pop spirit” that she infused in the house’s tweeds and quilted leather, models were given smudged-up reverse eyeliner that read like slept-in makeup after a night of chasing afterparties. At dusk, as the looks strolled down the umbrella-dotted outdoor runway on Thomas Street to the sounds of Soft Cell and New Order, this appeared to be one of the finest Chanel collections by Viard to date.

Collage by Edward Kanarecki.
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Body-Celebratory. Xuly.Bët SS24

Lamine Badian Kouyaté’s well-known wizardry with pantyhose dates to the 1990s. For spring-summer 2024, the designer revived the signature red-stitched nylon tops with which he first made his name. Cut into a sleeved bandeau that can be worn Flashdance style, or pieced into a minidress with elongated sleeves, these stretchy Xuly.Bët wonders had a second-skin fit that goes with Kouyaté’s body-conscious and body-celebratory dressing. Their flexibility also spoke more broadly to the designer’s generous and innovative approach to fashion, which is influenced by his experiences with second hand clothes in Mali, and can now also be framed within current discussions about sustainability. Also back in action were Kouyaté’s sporty jackets and tops made using upcycled American football jerseys. Some looks were styled with vintage basketball shorts, whose bagginess provided a nice contrast to the tight fits of leggings and micro minis. The gold-on-denim pieces – some modeled by the designer’s son – were part of a collaboration between Xuly.Bët and artist Smaïl Kanouté. Kouyaté used Kanouté prints on pieces worn in a performance of “Yasuke (The Black Samurai),” which is about bringing together diverse traditions, choreographed by Kanouté. Kouyaté still believes in the power of fashion to evoke joy; he also thinks it can be used as a platform for change.

Collage by Edward Kanarecki.
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Go With The Flow. Maryam Nassir Zadeh SS24

“Spontaneous” is a word that well describes Maryam Nassir Zadeh’s design practice. The spring-summer 2024 „Rush” lookbook is a result – not by choice, but by circumstance – of total spontaneity, as it was styled and documented during one afternoon in Paris. „The exhilarating exercise was taken as an activity of being in the moment surrendering to circumstance and making the most an afternoon with people you love around a medium you love, clothing”, said the New York-based designer of the go-with-the-flow process. Following your guts and instincts is the best possible advice anyone in fashion should take close to heart, and while sadly not many follow it, Nassir Zadeh proves that its utterly true. The collection, paired down in fabrics and styles, is a sincere return to the designer’s core and past styles, as well as a reiteration of her favorite summer clothes. But there were also novelties that will be enjoyed by the brand’s loyal fanbase. One of the heroes of this lineup is a wrap that can be worn as a skirt or a dress that was inspired by a cover-up Zadeh’s mother wore in the ’90s. It’s essentially an easy-peasy scarf-topped skirt that you self-tie. It’s vacation-ready but also has that lived-in Lower East Side cool with which Zadeh’s work has become so synonymous. “What I’ve been trying to achieve for so long is this sensibility which I look for a lot… when a garment has spirit in it and it has lightness and delicacy in the way that it’s made.” Love.

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