Haute Consumption. Balenciaga Resort 2025

May 31, 2024 | Design & Culture by Ed

Balenciaga went to Shanghai for resort 2025, and while looking at the show unfold on Museum of Art Pudong’s riverside pier, I couldn’t help but wonder: are the far-fetched destination cruise shows as exciting as they used to be a decade ago? The heavy rain that started pouring on the show’s evening was the actual star of the event. It brought a sense of grit and urgency to the rather very schematic Demna collection. It mostly consisted of his Balenciaga classics: all-black, all-goth apparel, a bit of bourgeoisie chic (seen through a “Shanghai noir” lens) and Cristobal Balenciaga couture riffs in the larger-than-life eveningwear. There were extreme platform “metalhead” boots, worn with overlong coats that would have dragged well along the floor if not for the extreme creepers. “I made this collection on a very instinctive level of what I like, what excites me, what creates desire in me,” he said. “Where I’m bringing Balenciaga with this show is finding a new type of balance between all these different facets of my aesthetic and style.” But isn’t that already a routine at the brand?

At least the final series of experimental semi-couture and couture dresses had something to say. They orbited around the idea of materialism and (over)consumption – ironic, noting that China has over fifty Balenciaga stores in total. A cocoon column-like dress was pieced together from travel bags, another was cut from gift packaging gold foil, and a third was made from Tyvek paper, a subtle nod to one of China’s inventions. The closing gown was constructed from a collection of pink plastic bags over a decade old, the strips cut by hand and pierced with wires to create feathers that resembled a piece from the house’s archive. While Demna’s ready-to-wear collections lag lately, I so can’t wait for his haute couture show later in the summer.

Just five Balenciaga pieces I’m obsessed with at the moment…

ED’s DISPATCH:

Balenciaga Le Cagole Boot Crinkled-leather Shoulder Bag

Balenciaga Sunday Suede Clogs

Balenciaga Oversized Wool Blazer

Balenciaga Asymmetric Draped Cape-effect Pleated Crepe Dress

Balenciaga Wrap Injection Plastic Cat-Eye Sunglasses

Collage by Edward Kanarecki.
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Stately. Burberry Resort 2025

May 30, 2024May 30, 2024 | Design & Culture by Ed

Daniel Lee is finally getting it right at Burberry. Resort 2025 is his best collection so far, and it seems to be a moment where the designer really knows what he wants to make out of the brand. I think he’s gradually taking a smart approach of making Burberry the British Ralph Lauren. Less superfluous runway styling, more stately clothes that are interweaved with a sense of authentic Britishness. The resort lookbook nicely co-ordinates high and low, making the checkered apparel look as good as the more daring pieces – especially all the gorgeous suede leatherwork with hand-cut florals and the furry fringes of mint-green and caramel-beige bolero jackets. The collection also offers a truly charming, cross-generational appeal. “It’s giving a modern spin on British tradition,” Lee remarked about the immaculately cut yet plain-seeming brown wool men’s blazer, worn by model Will Chalker. It’s part of Burberry’s remit to serve men’s suits; Lee smartly pushes a sense of Savile Row restraint, but not in a conservative stuffed-shirt sort of way. “It’s a modern interpretation of what you think King Charles would wear,” remarked the designer. Well, I can definitely see the King fronting Burberry’s next campaign. “Trans-seasonal, with a soft tactility” is also something Lee said about the collection. “Everything has to look good on a hanger. Worth the money. Because ultimately we’re making expensive clothes we want people to want to wear for a very long time.” The realization is that each piece has to live alone and justify its usefulness and quality, but it’s the way you put them together that creates character. You can see that when Lee styles a cargo pant with a pointy mule, and tops the look with a polished chestnut leather belted moto-jacket. Very 1990s Spice Girl. But also pieces will age well.

Here are some very good Burberry by Daniel Lee pieces you can update your trans-seasonal wardrobe with…

ED’s DISPATCH:

Burberry Calf Hair Point-toe Pumps

Burberry Strapless Leather-trimmed Checked Wool Mini Dress

Burberry Embroidered Quilted Leather Ballet Flats

Burberry Belted Cotton-gabardine Trench Coat

Burberry Wool-jacquard Throw

Burberry Calf Hair And Leather Shoulder Bag

Burberry Printed Satin-jersey T-shirt

Collage by Edward Kanarecki.
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Spanish Lesson. Louis Vuitton Resort 2025

May 25, 2024 | Design & Culture by Ed

Twelve years ago, in his final show for Balenciaga, Nicolas Ghesquière referenced Spanish culture with finesse and grace by revisiting the famous, stiff ruffles from a Cristobal Balenciaga dress circa 1968. This was one of the greatest Ghesquière collections ever, and an absolute sublimation of his tenure at the brand. In 2024, the designer returns to Spain again, physically, and with Louis Vuitton. The Hypostyle Room of Antoni Gaudi’s Park Güell in Barcelona was a fitting background for Nicolas’ off-kilter take on Velazquez, Goya, as well as the legendary filmmaker Luis Bunuel – even though the results felt a bit heavy-handed (which was never the case at his Balenciaga). The resort 2025 collection began with a parade of tailored, mostly neutral looks, all worn with straw gaucho hats and mirrored racing shades. Ghesquière said that the first exits were modeled on the sailor’s traditional vareuse – note their wide collars – but their broad shoulders and upside-down triangle shapes borrowed equally from the 1980s silhouettes of his youth. By the end, though, the strictness of his jupe tailleurs and coat dresses was replaced by the voluptuous drape of silk skirts and trousers, their chiaroscuro folds of silk nodding in the direction of the Spanish masters he referred to. The white cloak made you immediately think of the architectural habits of priests captured by Francisco de Zurbaran. Meanwhile, pops of polka dots and ruffles nodded more to the culture of flamenco, than Balenciaga’s heritage. When Ghesquière comes to work, he delivers collections that have all these Easter eggs to decipher.

Collage by Edward Kanarecki.
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Stimulating. Bottega Veneta Pre-fall 2024

May 3, 2024 | Design & Culture by Ed

Bottega Veneta has released a stunningly stimulating, pre-fall 2024 collection. It’s so evident that Matthieu Blazy found his groove at the brand: his last runway shows are delightful to the senses. But it’s the pre-collections that really validate whether a designer has formed their vocabulary for a house, and Blazy definitely knows what his direction is. While other brands try to propose total looks and stay in one aesthetic lane, the Belgian designer rather pursuits the idea of style that’s diverse and truly authentic. Bottega Veneta isn’t a brand that intentionally creates Instagrammable products – even though social media is increasingly raving about Blazy’s take on the brand. People are catching up with his celebration of humanity which is conveyed in the striking artisanship Bottega stands for.

For pre-fall, “the initial talk I had with the team was what would’ve been the ready-to-wear of Bottega when they started to make the bags in the late ’60s and ’70s. Of course, the idea was almost to work on something anachronic – we don’t want to go too literal, it was the idea of a modern time traveler.” The development process involved lots of photo research, including in old Interview magazines – “Andy Warhol loved Bottega,” he explained – to see “how people layered and mixed and matched.” It led to results like the suede skirt layered over suede pants, and the trim crewneck and striped collar shirt tucked belted gray jeans. The spirit he was channeling was “bourgeois, but decontracté,” he suggested, pointing to a checked button-down worn with a leather bomber and a khaki twill pencil skirt, and another checked button-down with a full skirt. There is much more to restlessly drool over in this lookbook: the pastel pant suits, the colorful suede intrecciato separates, the homoerotic-coded bandana bag, and a vibrant horizontally striped knit dress with the nubby pile of a carpet. Each piece is a wearable, meaningful artwork – that might be the ethos of Blazy’s Bottega Veneta.

Need a Bottega wardrobe fix?

ED’s SELECTION:

Jodie Mini Knotted Leather And Shearling Tote

Printed Leather Straight-leg Pants

Canalazzo Striped Intrecciato Leather Pumps

Printed Denim Shirt

Layered Cotton-blend Poplin And Bouclé Shirt

Small Solstice Shoulder Bag

Jacquard Feather Midi Skirt

Collage by Edward Kanarecki.
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The Great. Ralph Lauren Pre-Fall 2024

May 2, 2024 | Design & Culture by Ed

This Ralph Lauren collection had to grow on me for a moment. But when I saw Anok Yai in her finale look, consisting of a cowboy hat and stunning body-skimming sequined gown, being applauded by the all-American designer – who himself wore a blue western shirt, a pair of well-worn jeans and grey New Balance trainers – I was like “wow, this is it“! The pre-fall 2024 collection, which Ralph presented a couple of days ago in New York, is a reminder that he’s a great designer. One of the greatest. A living legend. “The woman I design for has a beauty that comes from an inner confidence,” he noted in his press release. “My collection is inspired by that woman, her sense of timelessness, her individuality – a style that is forever.” The show’s opening song, Billy Joel’s “Just the Way You Are,” seemed chosen to call attention to that constancy, as did the first model Christy Turlington, whose career began in the 1980s on Lauren’s runway. Turlington wore neat tailoring, a tie tucked into the waistband of her trousers, with an RL 888 leather tote in the same shade of buff gray as her clothing. Neckties and power suits were recurring sights on the autumn runways; for Lauren they’re not seasonal affectations, but rather pieces that he’s returned to over the years, sharpening and fine-tuning them. City sophistication and red carpet drama are essential parts of his repertoire, as well. These were represented by a chunky cardigan and cocktail dress combo (so good), the pinstripe jacket he threw over a silk charmeuse shirt and long skirt in gunmetal gray. Yes to all that, forever.