Men’s – On The Phone. Courrèges AW23

Courrèges is gradually becoming a brand with a contemporary feel that offers some truly desirable clothes. All that thanks to Nicolas Di Felice, who with every season redefines what this French label is to a modern-day audience. The most important aspect the designer orbits around is the functionality of clothes seen through the lens of social observation. In the men’s autumn-winter 2023 (and women’s pre-fall) line-up, his thought process was triggered by watching the phenomenon of people hunching over their phones. “I’m really working on kind of a new silhouette that is really, like, bending,” he said. “It really seems like nothing, but actually it’s something, this reflection of us on our phones.” Somehow, that idea bloomed into a sexy and cool wardrobe. Technically, Felice’s inspiration of the staring-at-screens impact on human posture brought about a slight forward-tilt of the shoulder line – and the ingenious idea of inserting an invisible zipper extending to the elbow on the inside of tailored sleeves, “so you don’t have to ruin you clothes!” The lines of Courrèges are sharp, mostly dark, and cleverly sliced by Di Felice to adapt the original space-age minimalism of the founder for the new generation. That’s another of his talents: witness what he’s named “mini-skirt pants.” It looks like a plain black long-sleeved tunic, but there’s a narrow gap, high up on the thigh; a flash of flesh where the hem meets the pants. An incendiary item he proposes for all genders. Très cool.

Collage by Edward Kanarecki.
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Beach Rave. Courrèges SS23

I was on fence with Nicolas di Felice‘s take on Courrèges since his debut collection. But his truly cool spring-summer 2023 offering proved that the designer is capable of making the brand truly his own – without falling down the rabbit hole of Courrèges’ archives. First of all, Di Felice knows how young people want to dress everyday, especially for parties: in body-con separates and dresses that reveal as much as they conceal. His spring show conjured morning-after-a-beach-rave vibes. The set helped tell the story. In an otherwise unremarkable white studio far out of town, a circle of sand had been installed. As the music cued up, more sand began streaming from the ceiling like an hourglass, slowly at first and then faster, so that the accumulating pile started sinking as the models made their slow circuits around it. Having made the house Re-Editions into big sellers, Di Felice is looking beyond the obvious at Courrèges. He dug a vintage scuba jacket out of the archive and used its ergonomic lines to inspire a leather motorcycle coat, for one example, and he’s broken free of the starchy mod shapes so closely linked with the house history. The sensation Di Felice was after for spring was fluidity, thus the surf and scuba motifs, a recurring theme this season, and a “coral” dress made out of silicone. And thus the silhouettes draped and wrapped around the body. Since it was the morning after, models carried their slingbacks in their hands, or wore their jean jackets around their waist like a makeshift shirt (buttons down the back and exterior straps made that possible). Other pieces came with similar built-in straps to make them easy to carry when they come off on the dance floor, on the commute, or at the desert rave.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

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