East. Ania Kuczyńska AW16

AW_16-17_poster_1

Ania Kuczyńska is Poland’s most recognizable designer for a reason. After years of working in the industry, her signature style is distinct. Her fashion is consistent, and that’s why she’s leading in Polish fashion game. Aware of her ‘trademark’ pieces, like her take on the little black dress, or Warsaw’s street-style favourite Shanghai totes, Kuczyńska’s eponymous attitude is beloved by her intellectual customers. But don’t think she’s resting on laurels.

The newest autumn-winter 2016 look-book (presented off the schedule), entitled ‘East’, might be dubbed as one of her most refined collections to date. At the first glance it’s very stern, definitely moving away from girlie sweetness which we know so well from Ania’s past collections. Mostly kept in black, with contrasting denim accents, the collection glances at the craftsmanship of the past. With nods to traditional ‘dress-code’ of Polish noblemen from 16th-17th century, AW16 is a contemporary look on elegance of historic silhouettes.  Some of the names of new season’s items – for example ‘Baikal’ for a bomber jacket – make it visible that the collection is rooted in Slavic references, which aren’t too cartoonish or literal. The designer’s vision is always open for interpretation, leaving some mystery for the viewer. I, for instance, feel a connection between those incredible black coats and turtlenecks, and Paweł Pawlikowski’s masterpiece, Ida – a story of a nun who discovers her Jewish origins, and seeks the truth about her family. The black-and-white aura of this film goes hand in hand with Kuczyńska’s  elusive woman.

Slide3

Slide1-kopia 3

Slide2

Slide4

Slide1-kopia 2

Throwback Sunday – Balenciaga SS98′

BALENCIAGA-SPRING-1998-RTW-02

#ThrowbackSunday – spring / summer 1998

The debut collection of Nicolas Ghesquiere at Balenciaga. When the yet unknown designer came to Cristobal Balenciaga’s dusty and forgotten brand, it sold funeral clothing to Japanese licences. So, after the failure of the former creative director, Josephus Thimister, Nicolas had a field to show-off his talent. For the first collection in 1998, Ghesquiere decided to keep it mostly black, concentrating on the variety of silhouettes and sharp tailoring. Even though the collection felt very modest at the first sight, it was just a teaser of Nicolas’ prosperous and bold 15 years at Balenciaga.

BALENCIAGA-SPRING-1998-RTW-12-KIARA-KABUKURU

BALENCIAGA-SPRING-1998-RTW-17

BALENCIAGA-SPRING-1998-RTW-31-KIARA-KABUKURU

BALENCIAGA-SPRING-1998-RTW-37

BALENCIAGA-SPRING-1998-RTW-06

Let this mourning parade of black-only looks be a quiet nod to Friday’s horryfying events that took place in Paris.

Men’s – Cyclops. Rick Owens SS16

_RIC0119

Cyclops” was the keyword of yesterday’s Rick Owens show. The mythological creature with one eye is a symbol of men aggression and devastation – and precisely this was presented through severely curled hairstyles of the models and tattered tunics. The maxi tank-tops had something chaotic about them, too. A kind of violence was visible in the clothes, that’s sure. Leather and other various textiles were all sewn together, giving an arty, very impulsive and emotional expression. However, the whole vision of Owens’ new collection was disturbed by Jera, a model-muse of the designer. Suddenly, during the show, the German model took out a banner that said “PLEASE KILL ANGELA MERKEL…NOT“. The unplanned stunt was said to be totally out of Owens’ hands, with the designer being furious and stressing in an interview backstage, “I don’t know because it was not my idea. He pulled it out and I punched him when he came off stage.” Whatever this message meant to be, this what Jera did was disrespectful for the whole project Rick Owens and his team worked on.

_RIC0069

_RIC0235

_RIC0463

_A2X0194

_RIC0489

_RIC0655

Noir Creatures. Yohji Yamamoto AW15

DSC019_KIM_0566

The poet of black, Yohji Yamamoto, pushes the boundary again in his avant-garde world. The dresses weren’t dresses anymore. They were a form of art installations. Like a parachute explosion worn over a black turtleneck. Or a vacuum cleaner overload. There are many interpretations of Yohji’s fall fantasy – one thing’s sure. The more ready-to-wear clothes were great, too. In the black palette, Yohji Yamamoto modifies knitwear, shirts and masculine-inspired silhouettes to form a new dimension. The layering impresses as usual, making the models magically drown in black. Styled with  perfect fedoras, the outfits were eccentric and wearable at the same time – even though, some might have been still under construction.

1114033

DSC009_KIM_0249

DSC010_KIM_0290

DSC014_KIM_0411

DSC036_KIM_1058

DSC026_KIM_0779

Savage Purity. Rick Owens AW15

339188

After the menswear show, I thought that Rick Owens will go full frontal, too, for women. But he totally took another direction – wild and gold were the keywords of the collection. The models had gold and sliver plated on their faces while hair of different animals jutted out of the savagely tied and layered tunics and dresses. The final effect is strong, I must say – the models looked totally out-of-this world in this type of styling. If talking of the clothes, we’ve got some interesting embroidery and detailing; the colour palette is earthy and surprisingly warm us for Rick’s dark world.

339184

OWE_0505

339183

339185

OWE_0449

339177

339180

339176