Idiosyncratic. Eckhaus Latta AW17

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Mike Eckhaus and Zoe Latta of Eckhaus Latta, like other New York-based designers (whether that’s The Row or Vaquera), aren’t satisfied with the current state of United States. To that extend, that (according to Cathy Horyn of New York Mag)  Latta and Eckhaus stopped working on their autumn-winter 2017 collection in November, discouraged by the election. But then, something sparked. “We just designed what we wanted,” Latta told Horyn. And that’s noticeable in the clothes – the designers, by confronting the reality, wanted to design freely. Will it sell? It doesn’t matter that much. But I doubt these semi-hippie floral dresses with velvet sleeves and boiled knits in earthy colours won’t find a place in a wardrobe of, let’s say,an art curator. There’s no main theme behind the collection, but rather an off-beat take on such essentials like blazers (voluminous and boldly coloured here) or a skirt (lenght adjustable). Specific, conceptual character of Eckhaus Latta clothing can’t be precisely conveyed by usual models. That’s why Zoe and Eckhaus do their best to invite people with passion for what they do to walk their shows. This season you could spot super-stylist Camille Bidault-Waddington, multi-disciplinary artist Julian Klincewicz and actress and writer India Salvor Menuez along other creative individuals and designers’ friends.

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Lets be real. Eckhaus Latta SS17

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Just clothing, in a sense,” Mike Eckhaus and Zoe Latta said backstage after showing Eckhaus Latta’s spring-summer 2017. With an art school background, Eckhaus Latta fashion, or rather style, is well recognisable – it’s all raw, and kept in a über-cool, DIY kind of way. The clothes, designed by the Los Angeles-based duo, are nothing without the attitude of the person wearing them – a non-model, or a friend, or just a person walking down the street. Denim skirts, deconstructed t-shirts, extremely exaggerated stitchings on pants: Eckhaus Latta isn’t into fooling around with themes and, eww, trends. Although the label used to be much more radical when it made the first steps in the industry, the newest collection is a statement – lets be real.

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