Daniel Arsham at Galerie Perrotin

Although Daniel Arsham‘s exhibition “Paris, 3020” at Galerie Perrotin closed few days ago, I think it’s still worth writing about it. For his solo exhibition, the renowned, contemporary artist presented a new suite of large-scale sculptures based on iconic busts, friezes and sculptures in the round from classical antiquity. Over the past year, Arsham has been granted unprecedented access to the Réunion des Musées Nationaux – Grand Palais (RMN), a 200-year-old French molding atelier that reproduces masterpieces for several of Europe’s major encyclopedic museums. Arsham was able to use molds and scans of some of the most iconic works from the collections of the Musée du Louvre in Paris, the Acropolis Museum in Athens, the Kunsthistorisches Museum in Vienna and the San Pietro in Vincoli as source material for this new body of work. Interested in the way that objects move through time, the works selected by Arsham are so iconic that they have eclipsed their status as mere art object, and instead have embedded themselves into our collective memory and identity. Ranging from Michelangelo’s Moses to the Vénus de Milo, each item was cast in hydrostone to produce a perfect to scale replica of the original sculpture, a process that shares formal qualities with historic wax casting. Arsham utilizes natural pigments that are similar to those used by classical sculptors, such as volcanic ash, blue calcite, selenite, quartz, and rose quartz. From that, individual erosions are chiseled into the surface of the hydrostone, a nod to the sculpting techniques of the Renaissance sculptors. Finally, Arsham applies his signature tactic of crystallization (which has distinct, organic appearance). Making use of classical and ancient objects, this new body of work experiments with the timelessness of certain symbols, furthering Arsham’s previous investigations into “objecthood”.

76 rue de Turenne

All photos by Edward Kanarecki.

(P.S. If you are inspired by my Parisian coverage, I’m really happy about, but please have in mind that now isn’t a safe time for any sorts of travelling. Stay at home!)

Art Dealer Fashion. Olympia Le-Tan AW16

19-olympia-le-tan-fall-2016-rtw

In Paris’ hottest contemporary art gallery, Galerie Perrotin, Olympia Le-Tan staged her arty and extremely French presentation for autumn-winter 2016 season. The location was the right fit for her Parisian-chic embodying clothes and bags, with her dad’s Murakami, Erró, and Sophie Calle illustrated intepretations. The pastel-pink, vichy prints worked well with the olive-green coats, while the adorable, sequinned mini dress with Damien Hirst-like polka-dots is my personal favourite – I mean, it’s a go-to choice for an art exhibition! Looking at Olympia’s models, who have helped her to envision an art auction scenario (with Sabine Getty as a posh art buyer, Le-Tan’s sister, Cleo, as a secretarial assistant and Lily Summer as an eccentric girl), the whole event / fashion show felt absolutely entertaining, and humorous. And the Christian Louboutin lace-up stilettoes, splashed with paint the other day by Katie Hillier, were pure FUN.

13-olympia-le-tan-fall-2016-rtw

Slide3

06-olympia-le-tan-fall-2016-rtw

17-olympia-le-tan-fall-2016-rtw

05-olympia-le-tan-fall-2016-rtw

14-olympia-le-tan-fall-2016-rtw

11-olympia-le-tan-fall-2016-rtw