“The Woven Child”: Louise Bourgeois Retrospective in Berlin

The Woven Child” is the first major survey to focus exclusively on Louise Bourgeois’ fabric-based works. The exhibition charts the artists’s lifelong connection to textiles, and the memories they conjure, through a diverse body of sculptures, installations, drawings, collages, books and prints. Bourgeois’ fabric works, that she only began working on in her eighties, are among her most compelling and intimate creations. The late decision to create artworks from her clothes and household textiles was a means of transforming as well as preserving the past. Bourgeois incorporated these objects, which held memories associated with specific places and people, into sculptural installations that are on display at the Gropius Bau, such as her Cells and free-standing “pole pieces”. The exhibition sheds a new light on Bourgeois by linking her fabric works to her material processes, her own biography, and themes of the body, memory, femininity, trauma and repair. Highly recommend, the exhibition and Bourgeois’ oeuvre absolutely absorbs the soul!

Curated by Ralph Rugoff, Director, Hayward Gallery, and Julienne Lorz. Exhibition open until 23rd of October 2022.

Gropius Bau / Berlin / Niederkirchnerstraße 7

Photos by Edward Kanarecki.
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NET-A-PORTER Limited

Beirut & THe Golden 60s At Gropius Bau

Until the 12th of June, there’s an incredible exhibition going on at Berlin‘s Gropius Bau. “Beirut and the Golden Sixties: A Manifesto of Fragility” revisits a dazzling yet moving chapter in Beirut’s modern history. Spanning the period between the late 1950s and the 1970s, from the Lebanon Crisis in 1958 to the outbreak of the Lebanese Civil War in 1975, the exhibition traces the complicated tension between Beirut’s artistic cosmopolitanism and its pervasive transregional and political antagonisms. At that time, the city’s character was shaped by the influx of people and their inexhaustible ideas. A heterogeneous mix of artists from Lebanon and abroad articulated their different and sometimes contradictory visions of modernity. Their drive for formal innovation was often as strong as their political convictions. With 230 works by 34 artists and more than 300 archival documents from nearly 40 collections, this is the most comprehensive exhibition to date of a crucial period in Beirut’s history. It reveals the complex connections between the city’s past and its current problems and challenges the romanticized portrayal of Beirut’s so-called Golden Age, which ended in the outbreak of the Lebanese Civil War in 1975. Beirut and the Golden Sixties: A Manifesto of Fragility tells the story of a city’s hunger for life and its contradictory ambitions.

Niederkirchnerstraße 7 / Berlin

Photos by Edward Kanarecki.

NET-A-PORTER Limited

Yayoi Kusama Retrospective at Gropius Bau

Berlin is alive and doing fine! And it blooms with great art events. Presented across almost 3000 m² of Gropius Bau‘s historic space, Yayoi Kusama: A Retrospective offers an overview of the key periods in Kusama’s oeuvre, which spans more than 70 years, and feature a number of current works as well as a newly realised Infinity Mirror Room.  The retrospective focuses primarily on tracing the development of Kusama’s creative output from her early paintings and accumulative sculptures to her immersive environments, as well exploring her lesser-known artistic activity in Germany and Europe. Since the 1960s, the artist has been actively engaged in realising exhibition projects outside the former centre of her life in New York and showing her work in a European context. This has also brought to the fore Kusama’s role as a pioneer of personal branding, who early on in her practice intentionally staged and marketed her own artistic persona and multidisciplinary work. Within the exhibition framework, reconstructions allow viewers to experience the pioneering nature of her presentational forms and artistic subjects, making accessible Kusama’s early exhibition projects in Germany and Europe in the 1960s and central solo exhibitions in the USA and Asia from the 1950s to 1980s. It seems that everybody knows Yayoi’s art, but there’s just so much more to her work than the signature, XXL polka-dots.

Till the 15th of August 2021 / Gropius Bau / Niederkirchnerstraße 7

All photos by Edward Kanarecki.