New Old New. Gucci Resort 2026

Gucci is going through a financial annus horribilis, but its creative studio is working hard. Yesterday’s resort 2026 outing in Florence – first previewed at the brand’s Palazzo Settimanni archive, then presented outdoors on Piazza Santo Spirito – was a deep departure from Sabato De Sarno’s era of blandness, and a subtle introdution to Demna’s rapidly-approaching era (his debut will hit Milan in September). Many think that the latter was already present in the execution of this collection, at least in accepting the final looks – but I honestly doubt it. That would be a false-start I truly can’t imagine Demna would allow himself. Expect the most unexpected once he really enters the office.

This new Gucci collection is a creation of a smart design team that knows Gucci codes (and archives) through and through. With Suzanne Koller’s styling help, the line-up had chic charisma: think big, faux-fur-collared coats worn over tight pencil-skirts and the general 1980s vibe, the stylist’s signature touch. She did go a little too far with the haphazard way of carrying bags at the very tip of the strap – make it make sense, please. The collection can be read like a mix of new and old of the Gucci semiotics: Tom Ford’s whiff of sexy and Alessandro Michele’s knack for vintage-y eclecticism (as a result, the eveningwear looked like the current Valentino offering).

This collection won’t end up in a fashion history book, that’s for sure, but at least it resuscitated Gucci as a brand that has an identity. Or identities one can play around with. Also, it makes you want to browse vintage Gucci online and create a look that has that Florentine sciura glam…

ED’s SELECTION:

Gucci Gg Emblem Medium Leather-trimmed Printed Coated-canvas Shoulder Bag


Gucci Printed Cotton-twill Midi Skirt


Gucci Jordaan Horsebit-embellished Leather Knee Boots


Gucci Caban Wool And Llama-blend Coat


Gucci Blondie Leather Shoulder Bag

Collage by Edward Kanarecki.
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What’s Gucci Today? Gucci AW25

Gucci‘s autumn-winter 2025 collection begs a question: do big brands need creative directors? Look at Loro Piana – it’s lead by a largely anonymous design studio, and it’s selling like hot buns. Their clients really don’t care about who’s designing what: it’s the quality that matters – and the overall image of the brand. After Sabato De Sarno’s departure from Gucci – and his very plain, very mild tenure – the brand is facing identity crisis. Should it go maximalist à la Alessandro Michele? Should it revert back to Tom Ford’s minimalist sensuality? Should it tap Hedi Slimane or an under-the-radar-name? At the moment, there’s no right answer. Even though the line-up that opened Milan Fashion Week wasn’t bad (it was way better than anything De Sarno presented), it left you with an impression of incompleteness. If not for Suzanne Koller’s masterful styling, the trendy-looking color palette, a bunch of faux-fur coats and silk slip dresses had little to say.

Collage by Edward Kanarecki.
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