What’s Gucci Today? Gucci AW25

Gucci‘s autumn-winter 2025 collection begs a question: do big brands need creative directors? Look at Loro Piana – it’s lead by a largely anonymous design studio, and it’s selling like hot buns. Their clients really don’t care about who’s designing what: it’s the quality that matters – and the overall image of the brand. After Sabato De Sarno’s departure from Gucci – and his very plain, very mild tenure – the brand is facing identity crisis. Should it go maximalist à la Alessandro Michele? Should it revert back to Tom Ford’s minimalist sensuality? Should it tap Hedi Slimane or an under-the-radar-name? At the moment, there’s no right answer. Even though the line-up that opened Milan Fashion Week wasn’t bad (it was way better than anything De Sarno presented), it left you with an impression of incompleteness. If not for Suzanne Koller’s masterful styling, the trendy-looking color palette, a bunch of faux-fur coats and silk slip dresses had little to say.

Collage by Edward Kanarecki.
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Jet-Set at Gucci? Groundbreaking. Gucci SS25

Sabato De Sarno can play the most uplifting Italian music, riff on Tom Ford and Frida Gianini’s archives, have all the models of the moment walk his runway and talk lots about big feelings, but I still don’t his Gucci. When you unpack the spring-summer 2025 collection from an envelope of good-looking marketing ploy, you end up with unimaginative, poorly edited and most of the time stiff-looking clothes that are neither desirable or anything close to jet-set style that seemed to be this season’s key inspiration.

P.s The neon-green bathrobe in Gucci monogram must be a joke. It’s 2024, come on!

Collage by Edward Kanarecki.
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