Carnal Allure. Tom Ford Pre-Fall 2026

Haider Ackermann’s Tom Ford feels like a wet dream made flesh: Lisa Lyon working out to Madonna’s “Erotica“, or Helmut Berger cast in an art-house adult film. The energy is relentlessly otherworldly- steamy, regally refined, and dangerously seductive. His pre-fall 2026 collection delivers exactly that.

What’s particularly striking is how powerful Ackermann’s clothes remain outside the spectacle of the runway. Even against the plain backdrop of a lookbook, they hold your gaze, effortlessly hypnotic. As the collection arrives in stores, there’s plenty to obsess over: razor-sharp tailoring, deliciously kinky leather pieces for both men and women, languid floor-skimming gowns, and outerwear so impeccable it borders on fetishistic. Classic Daddy Haider.

We saw Ackermann explore denim in the main collection, but here he pushes it further, giving the lineup a raunchier, more casual edge. It evokes the mood of Tom Ford’s Santa Fe ranch (think that unforgettable Terry Richardson editorial for Vogue Paris where they kiss). The result is a collection that feels both louche and luxurious, gritty and sensual… this is carnal allure.

ED’s SELECTION:


TOM FORD Iggy Oval-frame Acetate Sunglasses



TOM FORD Cotton And Silk-blend Duchesse-satin Blazer



TOM FORD Striped Silk-satin Jacquard Shirt



TOM FORD Leather Chelsea Boots



TOM FORD Double-breasted Cashmere-blend Blazer



TOM FORD Cotton And Silk-blend Duchesse Satin Straight-leg Pants



TOM FORD Croc-effect Patent-leather Cuff

Collage by Edward Kanarecki.
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Turn On. Tom Ford AW26

It’s a true rarity for a designer to turn on both the entire audience in the room and the thousands watching via livestream. Haider Ackermann has that high-voltage erotic sensibility which you just can’t fake. With his vision at Tom Ford, he can send people into a sensual trance, an awakening of sorts. But what he delivered yesterday at his third show for the house? It was seismic. Seismic sex.

The contemporary Tom Ford woman and man are ultimate séducteurs. One chilling glance is enough to drive you mad. And the razor-sharp lines of their elongated silhouettes work like an aphrodisiac, sending your love hormones into overdrive. Ackermann’s autumn–winter 2026 collection offers plenty of reasons to go feral – and perhaps even a little polygamous: slouchy trousers hanging low on women’s hips, held in place by a thin belt slipping out of its loops; a shrunken, see-through plastic trench paired with a babushka; dark-rinse denim, pre-faded and deeply creased; silk-scarf shirts unbuttoned down to the navel. All of it finished with kinky leather gloves.

We are witnessing a designer at the height of his powers. Enjoy the spicy, scorching ride.

ED’s SELECTION:


TOM FORD Patent-leather Pumps



TOM FORD Silver-tone And Plexiglas Bangle



TOM FORD Open-back Lace-trimmed Polka-dot Silk-crepe Maxi Dress



TOM FORD Asymmetric Crepe-jersey Gown



TOM FORD Wool, Mohair And Silk-blend Blazer

Collage by Edward Kanarecki.
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It’s A Dance. Tom Ford Resort 2026

Haider Ackermann likes to compare his creative endeavor at Tom Ford to a dance. In his hands, it can be slow and sensual in one moment, then electric and seductive in the next. His sesort 2026 collection – an effortless bridge between his brilliant debut and an even stronger sophomore offering – shows just how fluently Ackermann speaks Ford’s design vocabulary.

In his press notes, the designer described the “unremitting verticality” of his vision for Tom Ford’s “beautiful creatures,” a concept rendered sublimely through masterfully elongated silhouettes, punctuated by bold color accents (green! blue! pink!) and razor-sharp shoulders. The collection – now arriving in stores – also introduces Ackermann’s take on day-ready pajama suits, for both him and her, that feel almost too good to be true.

If this collection were a dance, it would land somewhere between Ralph Fiennes’s unpredictable moves in “A Bigger Splash” and the magnetic elegance of Cyd Charisse and Gene Kelly in the “Broadway Melody Ballet” sequence. Delightful.

ED’s SELECTION:

TOM FORD Double-breasted Cotton And Silk-blend Hammered-satin Blazer


TOM FORD Eva D’orsay Satin Pumps


TOM FORD Belted Draped Silk-satin Maxi Skirt


TOM FORD Stretch-silk Georgette Gown


TOM FORD Leather Shirt – Blue

Collage by Edward Kanarecki.
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High Voltage. Tom Ford SS26

A collection I can wholeheartedly call this season’s standout favorite: Haider Ackermann’s Tom Ford, now in his second season. His debut last March electrified the industry – this time, he doubled the voltage. It was white-hot, feral-level good. The sensuality, the technique, the cuts, the sheer aura of seduction… and yet, it all felt otherworldly, as if an alien civilization had landed in the midst of Paris Fashion Week. Honestly, I want to be abducted.

There wasn’t a single filler in this collection – only killers: decadent robe-coats, razor-sharp tailoring, and flawless eveningwear in the most sublime shades of cobalt, orange, and emerald. What struck me most was how brilliantly Haider acknowledged Tom Ford’s legacy without ever being literal: a black leather suit, a languid beige column dress, jockstraps peeking from beneath trousers, plunging necklines – intoxicating in the best possible way.

And then came the unmistakable Haider touch: one male model in an ivory sweater tied around his neck like a scarf (just as the designer himself wears), paired with a matching oversized shirt, tailored wide-leg pants, and thong-thin flip-flops. The collision of Ackermann and Ford feels like one of the greatest gifts fashion has ever received.

ED’s SELECTION:

TOM FORD Eva D’orsay Satin Pumps


TOM FORD Asymmetric Crepe-jersey Gown


TOM FORD Sequin-embellished Wool-blend Blazer


TOM FORD Belted Draped Silk-satin Maxi Skirt

Collage by Edward Kanarecki.
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To Seduce. Tom Ford AW25

Haider Ackermann’s debut collection for Tom Ford is a triumphant return to fashion this incredible designer has deserved for years (that memorable guest collection for Jean Paul Gaultier and the on-going collab with Canada Goose were proper warm-ups). The evening Ackermann presented his vision for the brand, a palpable energy was perceivable in Paris, especially in the vicinity of Place Vendôme.

Electrifying sensuality. Flirtatious elegance. Powerful sexuality. “To seduce” is how the designer summed up his collection of sublime, sublime tailoring, stinking-hot leathers and flou silhouettes. What made this collection stand out is the way Ackermann didn’t fall for any of the re-editions tropes – there were no in-your-face look-backs at Ford’s Gucci or Yves Saint Laurent days in sight – but he effortlessly stayed in Tom’s deeply sensual vocabulary, perfectly balancing it with his signature touch. The shirting is to die for, just like the silky robes and maxi-length numbers. The final look, a grey dress textured to look like alligator’s leather, was as easy to wear as a t-shirt (actually something many women used to say about Azzedine Alaïa’s dresses).

This is a seamless debut any designer dreams to have. There just wasn’t even one superfluous thing about it. And the casting was utterly hypnotizing, too. Ethan James Green and Saskia De Brauw in creamy cashmeres. Kristen McMenamy in an hourglass-shaped tuxedo. Silver foxes in razor-sharp tailoring and leather gloves. Chic heart-throbs – or maybe heart-breakers?

Oh, how we missed Haider for all these years since he departed from his namesake brand (good riddance, Anne Chapelle – read more about the way she sacked Ackermann and stole his name here). How lucky we’re he’s back for good. Fashion needed him – and some real, good sex.

Collage by Edward Kanarecki.
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NET-A-PORTER Limited